Publication Search

Enforced disappearance during the New Order era represents a historical reality that has left profound wounds and prolonged uncertainty for both the victims and the families left behind. This reality is powerfully represented in Laut Bercerita, a novel by Leila S. Chudori, through the use of symbolic and evocative literary language. This study aims to reveal the representation of enforced disappearance through the use of figures of speech and metaphors in the novel. The research employs a descriptive qualitative method with a stylistic approach. The data consist of narrative excerpts containing figures of speech and metaphors related to experiences of loss, suffering, memory, and resistance. Data collection was conducted through intensive reading and systematic note-taking, while data analysis involved classifying types of figures of speech and interpreting their contextual meanings. The findings indicate that metaphors of the sea, silence, darkness, and alienation play a crucial role in constructing the representation of enforced disappearance as a traumatic experience that is not only physical but also psychological and collective in nature. The use of figurative language strengthens the narrative’s expressive power in conveying criticism of state violence while simultaneously preserving the memory of humanitarian tragedies that are often marginalized. This study implies that literary works can function as reflective media and as cultural documentation of histories of violence.

This study aims to improve students' understanding of figurative language material through the application of the Bus Stop cooperative learning model combined with the Frayer Diagram media. The subjects of the study were sixth-grade students of Muhammadiyah 1 Bontang Elementary School. The method used was descriptive qualitative with observation, interview, and documentation techniques. The results of the study showed that the Bus Stop strategy encouraged active interaction between students, allowing them to discuss and provide feedback to each other. Meanwhile, the Frayer Diagram helped students map the concept of figurative language visually and systematically, thus facilitating their understanding of the four types of figurative language taught, namely personification, metaphor, hyperbole, and simile. The combination of these two methods proved effective, with 90% of students showing an increase in their ability to identify and construct figurative sentences. Based on these results, the study recommends the use of cooperative strategies combined with visual media as a more meaningful and enjoyable approach to learning Indonesian, and able to increase student engagement and understanding of figurative language material.

This research is intended to analyze the physical and mental elements in four poems by Heri Isnaini, namely "BERSAMA HUJAN", "I BRING THE WIND", ME AND SENJA" The analysis is carried out with a structural approach to reveal how poets build meaning through language and feeling. The physical elements studied include diction, imagery, concrete words, majas, and rhyme, while the inner elements include themes, tone, atmosphere, and mandates. The results of the study show that Heri Isnaini uses simple but poetic diction, strengthening the visual and emotional impression of the reader. Natural imagery and feelings are strongly displayed, with language styles such as metaphors and personifications. The themes that emerge reflect contemplation, tranquility, and closeness to nature. The tone of the poem is calm and melancholy, creating a contemplative atmosphere. The mandate in the poem invites the reader to reflect on life, accept change and understand sincerity. The combination of physical and mental elements results in a simple but deeply meaningful poem.  

Poetry is a form of literary expression that contains physical and mental elements that are interrelated in building deeper and more complex meanings. The problem studied in this study is the identification and analysis of the physical and mental elements contained in the poems of Heri Isnaini, which are known for their imaginative power and emotional depth. This research aims to examine how these elements contribute to the formation of the meaning and aesthetics of poetry, as well as how these poems are able to provide an aesthetic experience to the reader through the choice of words and distinctive language styles. The method used in this study is a literature study, with an approach to literary text analysis to understand the elements that form poetry, both in terms of language and the message conveyed. The results of the study show that the physical elements in these poems include the use of diction rich in imagery, metaphorical and personified majas, and rhyme patterns that strengthen emotional and aesthetic nuances in each stanza. Meanwhile, the inner element depicts universal themes, such as longing, loneliness, love, and reflection of life, which are meaningfully expressed through the use of symbols and implied meanings in each line of the poem.

Songs are included in oral Satra and are one of the oral traditions that are still popular today and are growing rapidly, giving birth to new musicians. Nadin Amizah’s song Sorai is one of the songs known for its compelling lyrics. This encourages researchers to examine the use of language styles or majas and word choice in the composition of the song. The author uses descriptive qualitative research and a stylistic approach to examine the lyrics of Nadin Amizah’s song Sorai. Words, phrases, and sentences in the song lyrics were included in the data collected. The research revealed the existence of 31 types of language styles and 41 forms of diction used in the song.    

This research aims to examine how the physical and mental elements in Heri Isnaini's poems entitled "Memories 1", "In Memories 2", "With You When Dusk", and "I Met You at the End of the Night". By focusing on the intrinsic analysis of the elements of poetry. The physical elements studied were diction, rhyme, majas, and typography. As for the inner element, it includes the theme, tone, atmosphere, and mandate implied in each work. The results of the analysis show that Heri Isnaini uses simple poetic language with a predominance of melancholy and contemplative atmospheres. The themes of love, silence, and memories become the common thread that connects the four poems. With the power of expression and subtle choice of diction, these poems reflect the poet's emotional depth towards both universal and personal experiences.

This research is entitled Analysis of Language Style and Concrete Words in the Poem “Doa Orang Sibuk yang 24 Jam Sehari Berkantor Di Ponselnya” by Joko Pinurbo. This research is a form of appreciation for literary works in the context of understanding language styles and concrete words in poetry. This study aims to describe and interpret the use of language style and concrete words in the poem titled “Doa Orang Sibuk yang 24 Jam Berkantor Di Ponselnya” by Joko Pinurbo. According to Sudjiman, language style includes diction or lexical choice, sentence structure, majas and imagery, rhyme patterns, and matra found in literary works (1987: 13) while concrete words are words that can be described concretely by the reader's mind when reading a poem. The method used in this research uses a qualitative method by investigating the language style and concrete words in the poem “Doa Orang Sibuk yang 24 Jam Sehari Berkantor di Ponselnya” by Joko Pinurbo so as to produce concrete data. With this research, it can produce data that can find out the language style and concrete words used in the poem “Doa Orang Sibuk yang 24 Jam Sehari Berkantor di Ponselnya” by Joko Pinurbo.

The song "Hujan" is one of the songs popularized by the band Utopia, a band from Indonesia. The band Utopia is known as a pop-rock music genre and Utopia was formed in the 2000s and the song "Hujan" is a song released in 2007 which has strong vocals and a melancholic melody that makes it one of the musical works that is interpreted as an expression of feelings of sadness and longing that are hard to forget. In addition to its touching melody, the strength of the lyrics of this song also lies in the use of language style and figures of speech that enrich the meaning and emotions that are intended to be conveyed. Then the rain of Utopia itself describes the mood and feelings buried in sadness and silence accompanied by the falling rain. Through the lyrics, the singer expresses deep feelings for someone who has left, while reminiscing about the beautiful memories that once existed and this song describes how rain becomes a friend of loneliness and sadness and becomes a reminder of the unforgettable past

This article contains an analysis of the language style and figures of speech in the lyrics of the song "Sampai Jadi Debu" by Banda Neira. The discussion in this article focuses on the diction aspect of connotation and the use of figures of speech contained in the song's lyrics. The research method used to analyze the song lyrics is a qualitative descriptive method. The analysis carried out shows that the diction contained in the song lyrics is connotative. The connotative diction used in the song's lyrics is a manifestation of the creative thoughts of the songwriter when creating the lyrics for his songs. Apart from that, the song's lyrics use many figures of speech including metaphors, allegory figures of speech, and hyperbole figures of speech.

The lyrics of the song that will be discussed in this study are Wildflower which is a pop song created by Billie Eilish which was released on May 17 2024 in her third studio album, Hit Me Hard and Soft. This song tells the story of Billie's experience of initially comforting a girl who is heartbroken after a breakup, but then she actually has a relationship with the girl's ex-lover. The purpose of this study is to describe the language style contained in the lyrics of the Wildflower song and explain the meaning of the language described. This research is qualitative research. The research for this study is to use data analysis, namely listening to the song to be analyzed, understanding the content of the lyrics, then looking for words that contain majas or language style. The method used is qualitative descriptive. The data of this study is an analysis of the use of metaphor, personification, repetition, hyperbole, and irony language styles contained in the lyrics of the Wildflower song. The results of this study show that there is the use of metaphor, personification, repetition, hyperbole, and irony language styles in the lyrics of Wildflower songs.

This research aims to analyze the figure of speech of Figurecara (hyperbola) contained in a poem of Karya Sapardi Djoko Damono. This research method used a descriptive method. Judging from the secondary data source of this problem formulation is sourced from internet sites besides that, also the supporting source or complete in the discussion of this issue from the literature study research. The data used in this study was that the short story by Eka Kurniawan, a data analysis text used the reading methods. The results showed that we found many of Figure of speech (Figure of hyperbola) in every stanzas we might find when reading the poem.

Poets must be able to effectively convey unrest through their work. .Feast tends to use a variety of majas that are less popular among its listeners so that the messages that .Feast wants to convey to the listeners of its songs become varied and do not match the main message it wants to convey. This research aims to analyze the use of majas in the lyrics of the song “Kami Belum Tentu” by .Feast. This research uses a qualitative method with a literature study approach to identify and understand the types of majas used. The results of the analysis show that there are 12 types of majas with a total of 51 uses of majas, including metaphor, personification, hyperbole, irony, paradox, and others. This research reveals that the variety of majas in songs provides aesthetic appeal while strengthening critical messages. However, the complexity of meaning in the lyrics is often a challenge for listeners, especially those who are less familiar with the majas used. Through this research, it is hoped that listeners can understand the meaning of songs more comprehensively, so that the message of the singer can be conveyed effectively.

Onion rings are made from onion slices coated in breadcrumbs and fried, typically served with tartar sauce. Chicken onion rings are a variation that combines onion rings with a chicken batter that envelops the onions. The chicken batter is made from ground chicken breast fillet mixed with tapioca flour as a binder and various spices to impart a distinctive flavor. This research aims to determine the panelists' level of preference for the organoleptic test, which includes appearance, aroma, color, texture, and taste, as well as standard recipes and business analysis. The research method employed is research and development. The study results reveal the standard recipe for making Chicken Onion Rings with Tartar Sauce, consisting of the following ingredients: 250g chicken breast fillet, 50g tapioca flour, 2 onions, 50g all-purpose flour, 250g breadcrumbs, 2 eggs, 500ml cooking oil, 5g salt, 10g chicken powder, 15g MSG, 3g ground pepper, 100g mayonnaise, 20g gherkin, and 50ml water. The evaluation criteria indicate that for appearance, 92% (very much liked) and 8% (liked); for color, 96% (very much liked) and 4% (liked); for aroma, 84% (very much liked) and 16% (liked); for texture, 88% (very much liked) and 12% (liked); and for taste, 92% (very much liked) and 8% (liked). Based on the business analysis of the Chicken Onion Rings with Tartar Sauce, the following conclusions can be drawn: food cost is Rp8,778, and selling price is Rp22,000. The product will break even after selling 151 portions. To achieve a target margin of Rp3,000,000 per month, the author must sell 378 portions per month. The author takes a profit of 40% from sales.

Galangal (Kaempferia galanga L) is a plant in the Zingiberaceae family. Galangal is known as a famous traditional medicine in ancient times, kencur is generally used as a medicine for sore throats. Galangal can also be used as a medicine for bloating which can be used by pounding it first or can be consumed directly by chewing. Galangal can be processed first into traditional herbal medicine (kencur rice), processing kencur into traditional herbal medicine itself requires several other additional ingredients, as for the processing method, the galangal rhizome and ginger are washed first, then ground until soft and smooth. Then roast the rice flour and cinnamon, and wash the cardamom and then mash it until smooth, then squeeze it and then extract the juice. Majakerta is a sub-district located in Majalaya sub-district, apart from Majakerta in Majalaya there are also several other sub-districts, namely Biru, Bojong, Majasetra, Neglasari, Padamulya, Padaulu, Sukamaju, Sukamukti, Wangisagara, Cipaku, Rajadesa, and Drawati.  

The research that has been carried out is entitled "Analysis of the Use of Figures of Speech among Stand Up Comedy Members" which aims to describe the style of language spoken by comics and explain the meaning of the language styles used, including comparative, affirmative, contradictory and satirical figures of speech. The theory in this research is a figure of speech. This type of research is qualitative, the source of the research data is the Youtube application, the research data is in the form of quotations of words that can be classified into a figure of speech based on the speech delivered by the comics.The research data collection technique is (1) Watching stand up comedy shows performed by comics on Youtube (2) Note down words that contain figures of speech and explain the meaning of figures of speech that have been conveyed by the comics (3) Collect secondary data by documenting things related to stand up comedy videos. The data analysis technique is carried out by (1) sorting the collected data, namely taking what is needed and what is not needed (2) marking the figures of speech used by comics when performing comedy with the aim of determining similar figures of speech (3) Drawing conclusions from the results of the analysis data obtained from start to finish. Based on data analysis and discussion, twenty five narrative research results were obtained

The Kampus Mengajar Program is an initiative by the Ministry of Education, Culture, Research, and Technology of Indonesia aimed at improving the quality of education in elementary schools, particularly in literacy and numeracy. This study aims to evaluate the effectiveness of this program at SDN 5 Kalibarumanis through a creative learning approach. Implemented programs include Puzzle Mame (Metaphor Majas), TTS Listening to Stories, and the Making of 3D Shape Nets. The results show that this creative approach successfully increased students' interest, motivation, and literacy and numeracy skills. Collaboration with class teachers also positively contributed to the program's success. Based on these findings, it is recommended that this creative learning approach be further developed and implemented in other schools to enhance overall educational quality.

The Kampus Mengajar Program is an initiative by the Ministry of Education, Culture, Research, and Technology of Indonesia aimed at improving the quality of education in elementary schools, particularly in literacy and numeracy. This study aims to evaluate the effectiveness of this program at SDN 5 Kalibarumanis through a creative learning approach. Implemented programs include Puzzle Mame (Metaphor Majas), TTS Listening to Stories, and the Making of 3D Shape Nets. The results show that this creative approach successfully increased students' interest, motivation, and literacy and numeracy skills. Collaboration with class teachers also positively contributed to the program's success. Based on these findings, it is recommended that this creative learning approach be further developed and implemented in other schools to enhance overall educational quality.

This article explores the richness of language styles and speech used in the lyrics of the song "Raksa" by Soegi Bornean. Against the background of the richness of the existing lyrics and the possibilities that exist in linguistic exploration as found in the title of the song "Raksa" which comes from a foreign language, namely Sanskrit, as well as the use of the song lyrics "Budaya nian bersua", and the aim of this research is to reveal The contribution of songs to the development of diction in song lyrics is due to the large number of vocabulary words in Indonesian that are rarely used. As well as the emotional power of using qualitative descriptive analysis methods to study the language style and figures of speech of the Raksa Song, this research will focus on deciphering the stylistic nuances and revealing the mosaic of metaphorical and idiomatic expressions. The research results further highlight the complexity of the rhetorical figures of speech contained in the song "Raksa" such as in the lyrics which read "Where I look for the soul" of the song, providing insight into its poetic resonance. Therefore, the use of language styles and figures of speech has spread to a deeper scale regarding song lyrics, and has enriched the appreciation of Indonesian songwriting.

This article explores the richness of language styles and speech used in the lyrics of the song "Raksa" by Soegi Bornean. Against the background of the richness of the existing lyrics and the possibilities that exist in linguistic exploration as found in the title of the song "Raksa" which comes from a foreign language, namely Sanskrit, as well as the use of the song lyrics "Budaya nian bersua", and the aim of this research is to reveal The contribution of songs to the development of diction in song lyrics is due to the large number of vocabulary words in Indonesian that are rarely used. As well as the emotional power of using qualitative descriptive analysis methods to study the language style and figures of speech of the Raksa Song, this research will focus on deciphering the stylistic nuances and revealing the mosaic of metaphorical and idiomatic expressions. The research results further highlight the complexity of the rhetorical figures of speech contained in the song "Raksa" such as in the lyrics which read "Where I look for the soul" of the song, providing insight into its poetic resonance. Therefore, the use of language styles and figures of speech has spread to a deeper scale regarding song lyrics, and has enriched the appreciation of Indonesian songwriting.

Bantuan Pangan Penting Contoh Program Non Tunai (BPNT) adalah program subsidi pangan sebagai wujud upaya pemerintah meningkatkan ketahanan pangan dan memberikan perlindungan kepada keluarga miskin melalui pendistribusian beras. Setiap keluarga akan menerima Rp. 110.000,-/bulan titik penyalurannya. Peneliti mengambil fokus di Kelurahan Majasari Kecamatan Prabumulih Selatan. Kenyataannya, implementasi kebijakan BPNT tidak selalu mempertimbangkan kebijakan yang full on procedure karena tergantung pada kondisi dan situasi masyarakat. Tujuan penelitian ini adalah menganalisis pelaksanaan program Bantuan Pangan Penting Contoh Non Tunai. Penelitian ini menggunakan metode deskriptif kualitatif. Pengumpulan data dilakukan dengan wawancara mendalam dari berbagai informan yang telah ditentukan. Dalam penelitian kualitatif, data diambil dari berbagai sumber dengan menggunakan teknik pengumpulan data yang beragam (triangulasi) dan terus menerus hingga jenuh. Hasil penelitian ini adalah faktor penentu pelaksanaan program BPNT di Kelurahan Majasari Kecamatan Prabumulih Selatan disebabkan oleh faktor sikap (disposisi) yang kurang berhasil dalam kualitas beras, sasaran rumah tangga penerima bantuan bantuan pangan krusial Contoh Non Tunai (BPNT), jumlah rumah tangga penerima manfaat sasaran beras.