Publication Search

This research explores the implementation of dance and movement learning in early childhood education at TK Al-Jama’iyah. The study aims to examine the strategies used by teachers, children's participation, and the impact of the activities on child development. Using a qualitative descriptive approach, data were collected through classroom observation, teacher interviews, and documentation. The findings reveal that the learning process emphasizes play-based approaches, utilizing songs, storytelling, movement props, and free expression. Teachers facilitated learning with patience and responsiveness, encouraging participation without coercion. The children actively engaged in the activities, showing increased confidence, creativity, and motor coordination. The study concludes that movement-based dance learning supports holistic development in early childhood and highlights the role of the teacher as a facilitator. This approach can serve as a model for similar institutions seeking to integrate arts-based education in a meaningful and developmentally appropriate way.  

The undergraduate thesis entitled “Conceptual Metaphors in the Album Folklore by Taylor Swift” aims to analyze the conceptual metaphors in the Folklore album and analyze what are the meanings of the conceptual metaphors found. Metaphors are widely used in human life to create easier understanding of the form of communication. Metaphors are not merely ornamentals but they also take the roles of fundamental cognitive tools that develop how human beings understand and explore the world. This study was conducted by using a qualitative method. The Album Folklore was used as the data source. The data were collected using documentation technique analyzed through a descriptive-qualitative approach. The theory used for this study was Conceptual Metaphor Theory by George Lakoff and Mark Johnson. The findings show that there are three types of conceptual metaphor in the album. Firstly, five structural metaphors were found in the album specifically in the songs namely “The Last Great American Dynasty”, “Mirrorball”, “This Is Me Trying”, “Illicit Affair”, and “Betty”. Secondly, five orientational metaphors were found in the album, specifically in the songs namely “Cardigan”, “The Last Great American Dynasty”, “Exile ft. Bon Iver”, and “Epiphany”. Thirdly, five ontological metaphors were found in the album specifically in the songs namely “Cardigan”, “The Last Great American Dynasty”, “Exile. Ft. Bon Iver”, “Mirrorball”, and “Invisible String”.    

This study examines the semiotic and mythological representation of song lyrics, taking RINI's "Aphrodite" as an example. Based on Roland Barthes' semiotics theory, this study examines the application of Greek mythology, specifically the character of Aphrodite, to convey love, beauty, and lust in the song. Qualitative descriptive approaches are used to examine the denotative, connotative, and mythological meanings inherent in the lyrics. The findings indicate that the song showcases Aphrodite both as a reference to Greek mythology and as an idealized figure of love and beauty in contemporary popular music. By way of metaphor, symbolism, and lyrical storytelling, RINI relates a story that intertwines personal emotion and cultural myth, demonstrating how antiquity's myths remain active in shaping contemporary creative work. The study emphasizes the use of music as a medium for rearticulating classical mythology in relation to depicting modern romantic ideals.

This study aims to analyze the idiomatic expressions found in the song lyrics of “Birds of a Feather” by Billie Eilish. Idioms are an essential part of figurative language that enriches the meaning of lyrics and contributes to the emotional and cultural depth of a song. Using a qualitative descriptive method, this research identifies and classifies the idioms based on Makkai’s (1972) typology and interprets their contextual meanings through Leech’s (1981) theory of semantics. The analysis reveals various types of idioms, including phrasal verb idioms and tournure idioms, that reflect themes of emotional connection and loyalty. The findings demonstrate how idioms enhance lyrical expression and offer deeper insight into the artist’s intended message. This study contributes to the understanding of idiomatic usage in contemporary music and provides a linguistic perspective on lyrical interpretation.

This journal examines Emma Heesters' English versions of Indonesian songs, concentrating on the strategies and procedures she employs when translating verses from Indonesian to English, using Diminish Newmark's (1988) interpretation hypothesis as a foundation for evaluation. By analyzing a selection of songs, the study outlines how Heesters addresses social nuances, colloquial expressions, and enthusiasm. This evaluation not only exposes the difficulties involved in interpreting melody verses, but it also emphasizes the significance of maintaining the aesthetic substance of the original piece. Finally, the study improves understanding of interpretation processes in the field of music and cross-cultural contact.

This research investigates the semantic expression of romantic bliss in Taylor Swift’s song “Lover,” emphasizing how language conveys emotional intimacy and idealized love. The study is based on Geoffrey Leech’s (1981) theory of meaning, focusing on three aspects: conceptual meaning, connotative meaning, and affective meaning. This study uses a descriptive qualitative method to analyze selected parts of the lyrics. The findings reveal that Swift expresses emotional connections and her ideal of love through metaphorical language and symbolic expressions. Lyrics such as "We could leave the Christmas lights up until January" and "You're my, my, my, my lover" highlight how ordinary events become important emblems of emotional connection and romantic harmony. According to the study, Taylor Swift's "Lover" is a useful tool for semantic investigation as well as a well-liked love song. By her choice of words, Swift creates a lyrical rendering of love that resonates with audiences, thereby emphasizing how language can effectively convey emotional experiences.

This research analyzes the translation strategies applied in the Indonesian version of the song "What Else Can I Do?" from Disney's animated film Encanto (2021). Using Peter Newmark’s translation theory, the study compares 26 selected lines from the original English lyrics with their Indonesian translations, focusing on four methods: literal, faithful, free, and communicative translation. The analysis, conducted through a qualitative descriptive approach, reveals that each method was strategically applied depending on the content and context of each line, aiming to maintain meaning, rhythm, and emotional impact. The results highlight the complexity of song translation, particularly the balance between linguistic accuracy and cultural adaptation in audiovisual media.

This study explores the intricate relationship between grief and healing as depicted in Nadin Amizah's song "Bertaut." Through a stylistic analysis, the research delves into the poetic elements employed by Amizah to convey the emotional depth of loss and the journey towards recovery. By examining the use of imagery, metaphor, and lyrical structure, the paper highlights how these stylistic choices enhance the listener's understanding of the complexities of grief. Furthermore, the analysis reveals the transformative power of music as a medium for expressing sorrow and facilitating healing. Ultimately, this study contributes to the broader discourse on the role of art in processing emotional experiences, emphasizing the significance of Amizah's work in contemporary music.

The problem of plastic waste has developed into an urgent global environmental crisis, due to the nature of plastic that is difficult to decompose and can persist in the environment for hundreds of years. This study explores pyrolysis as a promising oxygen-free thermal conversion technology to overcome plastic waste by converting it into valuable products such as oil, gas, and char. The main focus of the study is the use of zeolite catalysts in the pyrolysis of polyethylene plastic waste from household waste, with a total mass of 1.5 kg of plastic waste and 200 grams of zeolite catalyst. The catalyst used, natural zeolite from Klaten, Central Java, was heated at a temperature of ±200°C before being used in a pyrolysis reactor at an operating temperature of 450°C for ±4 hours. The results showed that the use of zeolite catalysts reduced the percentage of liquid and solid products, but increased the percentage of gas products. In addition, the use of catalysts tended to reduce the content of medium fractions (C11-C22) and paraffin fractions, while increasing the light fractions (C4-C11) and olefin fractions. These findings indicate the potential of pyrolysis as a sustainable solution to the plastic waste problem with positive impacts on the environment and economy.

This study examines the denotative and connotative meanings contained in the lyrics of the song Garam dan Madu (Sakit Dadaku) by Tenxi, Naykilla, and Jemsii, which raises the theme of doubt and longing for love. The purpose of the study is to reveal the literal meaning and implied meaning in the lyrics. The method used is descriptive qualitative with data in the form of song lyric texts obtained from official sources. The results of the study show that the lyrics of this song contain other complementary meanings, namely the denotative meaning describes doubt, longing, uncertainty, and a promise to give the best in their relationship while the connotative meaning contains deeper emotions and symbolism related to love, hope, and commitment. This study provides an in-depth understanding of the song's message and its contribution to the study of semantics and popular culture.

Semantics is a branch of linguistics that studies meaning in language, whether implied in words, phrases, or sentences. In literary works such as songs, the use of language often contains multiple or symbolic meanings that may cause ambiguity for listeners. This becomes problematic when the audience interprets the lyrics differently from the songwriter’s intent. The song "Lihat, Dengar, Rasakan" by Sheila On 7 is an example of lyrics rich in meaning and symbolism, making it an interesting subject for semantic analysis. The aim of this study is to uncover and explain the lexical and grammatical meanings contained within the lyrics so that the message conveyed can be understood more thoroughly and deeply. This research uses a descriptive qualitative method with observation, note-taking, and content analysis techniques. The results show a total of 17 lexical meaning data and 17 grammatical meaning data in the song lyrics. The lexical meanings consist of 10 synonymy data, 4 antonymy data, 2 homonymy data, 4 hyponymy data, 4 polysemy data, 3 ambiguity data, and 2 redundancy data. Meanwhile, the grammatical  meanings include 11 affixation data, 2 reduplication data, and 5 composition data. These findings reveal that the lyrics of "Lihat, Dengar, Rasakan" are rich in complex meanings, both lexically and grammatically. The conclusion of this research is that semantic analysis can unveil the deeper layers of meaning within song lyrics, helping listeners grasp the moral message, social critique, and spiritual values hidden behind the poetic language used by the songwriter.

Semantics is a branch of linguistics that studies meaning in language, whether implied in words, phrases, or sentences. In literary works such as songs, the use of language often contains multiple or symbolic meanings that may cause ambiguity for listeners. This becomes problematic when the audience interprets the lyrics differently from the songwriter’s intent. The song "Lihat, Dengar, Rasakan" by Sheila On 7 is an example of lyrics rich in meaning and symbolism, making it an interesting subject for semantic analysis. The aim of this study is to uncover and explain the lexical and grammatical meanings contained within the lyrics so that the message conveyed can be understood more thoroughly and deeply. This research uses a descriptive qualitative method with observation, note-taking, and content analysis techniques. The results show a total of 17 lexical meaning data and 17 grammatical meaning data in the song lyrics. The lexical meanings consist of 10 synonymy data, 4 antonymy data, 2 homonymy data, 4 hyponymy data, 4 polysemy data, 3 ambiguity data, and 2 redundancy data. Meanwhile, the grammatical  meanings include 11 affixation data, 2 reduplication data, and 5 composition data. These findings reveal that the lyrics of "Lihat, Dengar, Rasakan" are rich in complex meanings, both lexically and grammatically. The conclusion of this research is that semantic analysis can unveil the deeper layers of meaning within song lyrics, helping listeners grasp the moral message, social critique, and spiritual values hidden behind the poetic language used by the songwriter.

This study explores how social identity is constructed and represented in the promotion of traditional tuak drinking culture through the social media content of Atlas Medan, a modern lapo tuak café. Utilizing Social Identity Theory, this research investigates how cultural symbols and regional slang—particularly from Batak and Medan cultures—are employed to reinforce a local identity while appealing to a young demographic (ages 20–40). Using semiotic analysis on 50 selected Instagram posts, this study decodes how Atlas Medan merges traditional and modern elements to craft a compelling digital presence. The findings indicate that the strategic use of Batak songs, Medan slang, and community-oriented visuals fosters a sense of belonging among viewers, effectively branding the café as a hub of local cultural pride. This research contributes to a broader understanding of local identity-based branding and the role of digital media in preserving yet reinterpreting traditional cultural elements in urban settings.

The Community Service Program (KKN) at the Silungkang Tigo Library aims to enhance student engagement in learning English through the ice-breaking method. This program was conducted from January 15 to February 15, 2025, involving elementary school students attending English tutoring sessions. The methods used include interactive songs, movement-guessing games, and word search activities related to animals. The results indicate that students became more active, confident, and motivated in learning English. By creating a more enjoyable learning environment, the ice-breaking method has proven effective in improving students' comprehension and use of English vocabulary.

This study is titled Nonverbal and Verbal Signs in the Music Video Forever Young by Alphaville (1984). It examines how verbal and nonverbal signs in the music video are used to represent messages about youth, time, and emotional longing through a semiotic approach. The objectives of this study are to identify the verbal and nonverbal signs used in the video and to analyze how these signs construct symbolic emotional, cultural, and philosophical meanings. The data consists of visual scenes and lyrics from the official “Forever Young” music video. Data collection was conducted through observation by listening to the song, reading the lyrics, and documenting the visuals. The analysis employs a qualitative descriptive method, applying relevant theories of meaning, visual semiotics, and color symbolism. The findings show that the music video uses a combination of affective, connotative, and conceptual meanings to convey its message. The most dominant nonverbal aspects are props, manner, and activity, while appearance and content analysis are also present with less frequency. In the verbal signs, affective and connotative meanings appear most often, reflecting strong emotional nuance and symbolic references to youth and existential reflection.

J-Pop music has become an important part of students’ lifestyles and plays a role in influencing their mood and learning productivity. This study employed a descriptive quantitative method by distributing an online questionnaire to 194 students who regularly listen to J-Pop while studying. Results showed that 69.8% of respondents felt their mood improved before studying when listening to this music, and 40.2% reported completing tasks more quickly. These findings indicate that J-Pop can serve as a positive stimulus to enhance motivation and focus during academic activities. However, its effects are subjective and highly dependent on individual preferences and study habits. Therefore, J-Pop has the potential to be part of an effective learning strategy if adapted to students’ personal characteristics and contexts. This study emphasizes the importance of considering psychological aspects when utilizing music as a learning aid to support students’ academic performance.  

The Aswaja School is a cadre development forum organized by PMII Rayon Tarbiyah Walisongo with the main objective of internalizing the fundamental values of the organization, including its historical narratives, core principles, and Islamic teachings rooted in the Ahlussunnah wal Jama’ah tradition. This article aims to critically examine how these values are internalized during the cadre formation process, particularly through the delivery of PMII's history, organizational principles, Aswaja values, and Mabadi Khaira Ummah. This study adopts a participatory qualitative approach in which the author was directly involved as both a participant and a researcher. The findings indicate that methods such as lectures, open discussions, and ideological reflections serve as essential tools in shaping the character of PMII cadres. The Aswaja School is not merely a platform for knowledge transfer but also a reflective and ideological space where cadres develop awareness of their identity and organizational responsibilities. The article recommends enhancing participatory approaches and contextual relevance in future cadre training programs of PMII.

This community service project at SD Negeri 16 Kota Bengkulu aims to enhance children's awareness of local culture. The primary objective is to cultivate a love for Bengkulu’s indigenous heritage through integrated cultural education. Utilizing the Asset-Based Community Development (ABCD) approach, the program leverages existing community strengths and cultural assets. Service-learning, field observation, and a descriptive qualitative methodology guide the design and implementation of a variety of cultural activities. Key activities include training in traditional dance and Dol music, the introduction of local games, exposure to Bengkulu folk songs, as well as the introduction of Batik Besurek and traditional foods. As part of the Pancasila Student Profile Strengthening Project (P5), the program also features the creation of Tabot miniatures and coloring wayang figures. Additionally, the program introduces the Kaganga script and raises awareness about cultural preservation. This comprehensive initiative is expected to significantly enhance students' appreciation and understanding of Bengkulu’s rich cultural heritage, contributing to the sustainable preservation of local traditions.  

Language skills are an important aspect in early childhood growth and development because they are the basis for building communication, developing mindsets, and interacting with others. The purpose of this study is to reveal the role of audio-visual media in supporting the improvement of early childhood language skills in Kusuma Cendekia Kindergarten. This study uses a descriptive qualitative approach with data collection techniques through observation, interviews, and documentation. The findings show that the use of audio-visual media, such as children's songs, educational animations, and illustrated stories, is able to encourage increased vocabulary mastery, fluency in speaking, and children's courage in communicating. The media is considered effective because it is able to present interesting, concrete, and interactive learning, and is in harmony with the developmental stage of children aged 5-6 years. Teachers also apply strategies such as singing together, role-playing, and retelling the content of the video to strengthen children's language mastery. Nonetheless, some obstacles were found, such as the limitations of facilities and challenges in selecting the right content. The results of this study recommend the use of audio-visual media as one of the creative and fun learning tools in the early childhood education environment.

This research aims to describe the implementation of singing methods in enhancing the musical intelligence of early childhood at RA Fatipa and to analyze its impact on the holistic development of children. Using a descriptive qualitative method with participatory observation techniques, in-depth interviews, and document studies, this research finds that the singing method at RA Fatipa is implemented integratively through various techniques, such as singing together, singing with movements, and using songs as learning media. The research results show a positive impact of the singing method on children's musical intelligence, cognitive development, language, socio-emotional, and motor skills. However, the study also identifies several challenges, namely limitations in facilities and infrastructure, the need for teacher training, the importance of parental support, as well as the need for a more systematic integration of the curriculum and strengthening of the evaluation and documentation system. This study recommends improving facilities and infrastructure, continuous training for teachers, active parental involvement, better curriculum integration, and the development of a structured evaluation and documentation system to optimize the implementation of singing methods and their impact on children's development.