Can Macanan Kaddhuk is a traditional art typical of the Jember region, East Java. The creation of this art has become the sole meaning of Jember culture, which has its own story and has gained public legitimacy for this local culture. Events exist from the founder's subjective composition which continues to be passed down to legitimize society. This art also characterizes itself as an acculturation of several cultures around its region. So, it is very interesting that the presence of its founder at the beginning of the emergence of social culture made the beliefs dominant among each group. Moreover, the development of this culture has a very unique style, representing every art activist's interpretation. The expression of symbolic meaning and aesthetic value in the art of Can Macanan Kaddhuk requires encouragement in the post-modern world in terms of art, so the research uses a qualitative approach with appropriate methods. The results of this research show that it is not only focused on its function, namely as entertainment, but is intended as a medium for conveying the moral and spiritual messages contained therein.

24-hour Madura stalls have become part of the economic life of local communities in many cities in Indonesia. This research aims to analyze the role of 24-hour Madura food stalls in strengthening local community solidarity while adapting to the dynamics of modern economic development. Warung Madura 24 hours plays an important role in strengthening local community solidarity by providing employment opportunities for local communities and being a vital place for social interaction. However, Madura stalls have their own challenges, namely competition between modern stalls and minimarkets that offer similar products on a larger scale. In our research we concluded that 24-hour Madura warungs have a significant role in strengthening local community solidarity while remaining relevant in modern economic development.