ABSTRACT
The successful development of tourism in a region is closely tied to tourism awareness and effective destination management. Sambangan Village in Bali is an up-and-coming tourist destination known for its nature-based attractions. The local community firmly believes that the village's success is contingent upon their awareness and active participation. This study delves into the tourism dynamics of Sambangan Village by examining insights from tourism managers associated with the local community's Tunjung Mekar Tourism Awareness Group (POKDARWIS Tunjung Mekar). The study utilized qualitative methods, including in-depth interviews with the chairman of POKDARWIS Tunjung Mekar, local community members from Sambangan Village, and travel agents from Lovina and Kuta Beach. The findings revealed that Sambangan Village has implemented development strategies that impact its tourism dynamics, including strengthening tourism products and institutional capacity, enhancing tourist safety and comfort, as well as promotional and marketing efforts. The study aims to provide valuable recommendations for the development of similar tourism destinations across Indonesia.
Keywords: tourism awareness, dynamics of tourism, community-based tourism, Sambangan Village, Sambangan Secret Garden

Tourism has become the most sustainable and promising sector in Indonesia because all aspects of society experience the positive impacts of tourism. In addition to the community, the tourism sector also positively impacts cultural, economic, and environmental aspects. Kasepuhan Cipta Mulya is one of the traditional Sundanese villages that, since 2012, has received tourist visits. After becoming a tourist destination and being visited by many tourists, the people of Kasepuhan began to experience the positive impact of tourism. This study aims to determine the positive impact on cultural, economic, and environmental aspects in Kasepuhan Cipta Mulya after many tourist visits. This study uses qualitative methods with data collection techniques, including field observations and interviews. Through this research, it can be concluded that tourism positively impacts cultural, economic, and environmental aspects in Kasepuhan Cipta Mulya. The entire Kasepuhan community can experience this positive impact. The community is also very open and welcomes tourists to Kasepuhan Cipta Mulya.

Bukit Jamur is a tourist attraction located in the Bengkayang Regency, West Kalimantan Province, Indonesia. Originally, Bukit Jamur is protected forest area, because of this place has a tourist attraction, the West Kalimantan Provincial Forestry Office established Bukit Jamur as a Forest Park in 2018. The goal is to be managed as a tourist attraction. This destination is managed by the Pokdarwis Organization, but its management is still not optimal. This can be seen from the condition of the untreated destination and the management system of visitors who are still irregular, causing a lot of garbage that pollutes the destination environment due to tourists visit. This research was conducted to find out what are the problems in the Bukit Jamur destination visitor management system and strategies that can be done to overcome the problem of the visitor management system. This research uses a qualitative descriptive approach. Data sources used are primary data and secondary data, while the data collection techniques are by literature study, interviews, observation, and documentation. Data analysis techniques in this study by compiling all data that has been obtained to be compiled and processed so that it can produce a concise research discussion and a clear as well as an easy comprehensive   conclusion.

From time to time Indonesia tourism image has been evolving and influnced by many factors. However since the colonial era, Indonesia tourism image has been designed in terms of Mooi Indie, and although the image it self already evolving, the terms of Mooi Indie stays in debate. This article tries to argue despite the pro and contra about the bad impact of tourism in terms of Mooi Indie, there are some differences between Mooi Indie in past and present time. Under the current development of tourism paradigm in the world as well in Indonesia, there are new hopes for overcoming bad impacts brought by tourism activities. In the end, Indonesia tourism image will always remain in tension between what is beautiful and the what’s in the reality. Thus, Mooi Indie can not be allowed an understood as the only image and tools to produce tourism reality, but rather as a critisism and motivation to achive the ultime goal of tourism in Indonesia.