This study examines the application of the three-act structure based on Aristotle's theory in the screenplay of the film “Key” to effectively build suspense. The three-act structure—comprising setup, conflict development, and resolution—is a classical narrative framework widely used in filmmaking. The research employs a descriptive-qualitative approach with a case study on the screenplay of “Key.” This study contributes to the development of screenwriting techniques, particularly for genres that prioritize suspense, and provides practical guidance for screenwriters in crafting stories capable of influencing the audience's emotions. The analysis results show that the application of Aristotle's elements in the three-act structure creates a progressive storyline, strengthens the emotional connection between the audience and the characters, and delivers a climactic emotional peak.
 

This training aims to enhance the skills of students at SMA Budi Agung Medan in journalistic writing and becoming skilled news presenters. The method employed includes a participatory approach through intensive training, group discussions, and hands-on practice. The program provides an in-depth understanding of journalistic writing techniques, mastery of news language, as well as confidence and techniques for on-camera presentations. The training results show a significant improvement in participants' abilities, both in writing news articles according to journalistic standards and delivering news professionally. This training has a positive impact on students' communication skills while preparing them to face the challenges of the mass media industry.

This study explores the application of color grading techniques to enhance the horror atmosphere in the film Lights out. In the horror genre, creating a tense atmosphere heavily relies on visual elements, including the use of color and lighting. By manipulating these elements, films can heighten the emotional intensity experienced by the audience. This research employs visual analysis and in-depth interviews with industry practitioners to identify specific color grading techniques used in Lights out. The findings reveal that a combination of certain color palettes, low lighting, and sharp contrasts play a crucial role in creating an effective eerie atmosphere.
 

This study analyzes the role of the panning technique in creating visual tension in the film “Tarung Sarung” (2020), an Indonesian action-adventure film that blends action with the local culture of Makassar. The panning technique, which involves the horizontal movement of the camera to follow the subject or expand the space, is used strategically in key scenes such as fight sequences, chases, and character interactions to enhance the dynamics and intensity of the story. A qualitative approach with descriptive analysis methods was used to explore how this technique influences the audience's perception and supports the film's narrative. The analysis reveals that panning not only clarifies movement in action scenes but also adds emotional depth and showcases the beauty of Indonesian culture and landscapes. This technique is effective in creating tension and directing the audience's attention to important elements of the story. This study is expected to contribute to a deeper understanding of the use of cinematographic techniques in enriching the movie-watching experience, particularly in action and locally rooted genres.
 

Film is an audio-visual media consisting of pieces of images put together, and has the ability to capture social and cultural reality, of course films are able to convey the messages contained therein (Alfathoni & Mahesah, 2020:2). The film Pengabdi Satan by Joko Anwar is a remake of the classic Indonesian film with the same title, which was released in 1980. The story centers on the Suwono family who live in an old and remote house. This family consists of Rini, mother, father, and Rini's younger brothers—Tony, Bondi, and Ian. One of the important elements that makes films have this impact is the visual storytelling technique which allows the audience to grasp the emotional and symbolic meaning of the story intuitively, without having to rely on words. The film Pengabdi Satan is a strong example of the use of visual storytelling and character exploration as the main elements in building a horror atmosphere and driving the narrative. In this film, visual storytelling is the main tool to create atmosphere and build tension slowly. Joko Anwar utilizes spatial layout, lighting and image composition to convey the sense of isolation, fear and helplessness experienced by the characters.

Film is a medium that functions as entertainment and an effective means of communication in conveying messages, stories and emotions to the audience. "Two Blue Hearts" by Gina S. Noer is a follow-up film to the story of Bima and Dara, a young couple who married at an early age because of a mistake. After four years apart since the birth of their son, Adam, Dara decided to return to Jakarta to be with Bima and Adam. Conflicts in their household arise again when Dara struggles to get closer to Adam, who does not yet recognize her as a mother. This research aims to determine the application of linear plot in the development of the story in the film "Dua Hati Biru". The theory used is the Linear Plot from Elizabeth Lutter. The results show that the use of a linear plot in Dua Hati Biru allows the audience to see the emotional transitions and dynamics of Bima and Dara's relationship clearly. This approach is effective in depicting character growth through a consistent passage of time, without relying on a back-and-forth plot.

Lighting plays a crucial role in film production, not only providing illumination for subjects but also creating atmosphere, conveying emotions, and supporting the narrative. This study analyzes the application of the 3 Point Lighting technique (Key Light, Fill Light, Back Light) in the film Autobiography directed by Makbul Mubarak. Using a qualitative approach and descriptive method, this research explores how lighting highlights the emotions of the main character, Rakib, and creates visuals that enhance the storyline. The results show that the 3 Point Lighting technique effectively conveys dramatic moods, such as confusion, sadness, and emptiness, experienced by the main character. This technique not only strengthens character development but also delivers an immersive visual experience for the audience. This study aims to provide insights for filmmakers in utilizing lighting as an aesthetic and effective visual communication tool.

The documentary film "Museum Perkebunan Indonesia" by Fabio Fahrezi Canavaro uses the expository technique to present the history of plantations in Indonesia in a factual and educational manner. This technique emphasizes the clear delivery of information through authoritative narration, visual archives, and expert interviews, providing the audience with a deeper understanding. The documentary is structured in a chronological narrative, starting with the early history of plantations during the colonial era, the post-independence developments, and the relevance of plantations in the modern era. Observations of the film reveal the use of visual archives, such as old plantation photos, historical documents, and colonial maps, as well as interviews with historians and plantation practitioners, enriching the narrative. The combination of clear verbal narration and visual evidence strengthens the presented information, making it easier to comprehend. The expository technique successfully changes the perception of plantation history, which was previously considered monotonous, into something more engaging and relevant. This documentary not only serves as a medium for historical education but also provides a fresh perspective on the role of plantations as a key pillar of Indonesia’s economy. Through this approach, the film serves as an effective example of expository technique in historical documentary filmmaking in Indonesia, encouraging the audience to explore often-overlooked history.

This research is entitled Analysis of Intrinsic Elements in the Film Nussa: The Movie Director Boni Wirasmono in Representing Moral Values to Children. The animated film Nussa: The Movie is an animated film with a family, comedy genre and is popular with children because this type of film is packaged in a funny and interesting way. The animated film Nussa: The Movie was produced by The Little Giantz studio and Visinema Pictures and directed by Bony Wirasmono. The aim of this research is to emphasize the intrinsic elements in the form of characters, plot and setting contained in the animated film Nussa: The Movie directed by Boni Wirasmono. In this research, researchers used qualitative descriptive methods to find the intrinsic elements contained in the animated film Nussa: The Movie.

This research aims to determine Toba Batak culture in the Pariban idol film from Java using mise en scene. In the film Pariban, idols from Java depict many of the meanings in each story such as the characters, language and culture of the people through a qualitative descriptive approach. It is hoped that this research will be able to convey the meaning implied in the film Pariban Idol from Java. The type of method in this research uses qualitative research methods. Qualitative is field or interpretive research. The object of his research is the Pariban film from Java. The type of data source used by the author in this research is primary data obtained from the film itself and then observing mise en scene elements from several scene pieces or scenes needed for research purposes. The data collection technique in this research is in the form of documentation by searching for data regarding matters related to films via the internet and books that are related to this research.