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Nowadays, social media has shaped a new interaction space for human to communicate and access information broadly within a new reality phenomenon called the (global village), a term popularized by Marshall McLuchan. Although it open opportunities for limitless relationship, this phenomenon also frequently gives rise to several moral issues, such as consumerist culture, body exploitation, and the tendency of individuals to build self-identity based on social judgment. This situation aligns with Charles Horton Cooley’s idea., which asserts that self-identity is often formed through the perspective of others. Based on this context, this study aims to examine the relevance of the concept of haecceitas in John Duns Scotus thought as a basis for criticizing moral degradations in social media practices. This research uses a qualitative method through literature study and philosophical analysis of the digital identity phenomenon. The results of the study show that the concept of haecceitas emphasizes the uniqueness and dignity of every person as an individual who cannot be reduced by social construction or the demand of popularity on social media. This concept can serve as a basis for ethical reflection to strengthen the awareness of one’s distinctive identity and respect for the human body in the digital space.

Penelitian ini mengkaji kisah perjumpaan Yesus dengan pemuda kaya dalam Injil Matius 19:16–30, Injil Markus 10:17–31, dan Injil Lukas 18:18–30 dalam perspektif teologi perdamaian dan keadilan sosial. Latar belakang penelitian ini bertolak dari realitas ketimpangan sosial-ekonomi yang semakin meningkat di era modern, yang ditandai oleh kesenjangan antara kelompok kaya dan miskin serta kemiskinan struktural yang terus berlangsung. Dalam konteks tersebut, kisah Yesus dan pemuda kaya dipahami tidak hanya sebagai ajaran moral mengenai keterikatan terhadap harta, tetapi juga sebagai kritik profetis terhadap struktur sosial-ekonomi yang tidak adil. Penelitian ini menggunakan metode kualitatif dengan pendekatan studi kepustakaan (library research) dan hermeneutika kontekstual. Data primer diperoleh dari teks Alkitab dalam ketiga Injil Sinoptik, sedangkan data sekunder berasal dari buku, jurnal ilmiah, dan literatur teologi yang relevan. Hasil penelitian menunjukkan bahwa konsep shalom dalam teologi perdamaian mencakup keadilan relasional, kesejahteraan sosial, dan solidaritas terhadap kaum marginal. Perintah Yesus kepada pemuda kaya untuk menjual hartanya dan membagikannya kepada orang miskin menunjukkan bahwa iman Kristen tidak dapat dipisahkan dari tanggung jawab sosial. Kekayaan dipahami sebagai stewardship yang harus digunakan demi kesejahteraan bersama. Penelitian ini menegaskan bahwa gereja dipanggil untuk menjadi agen transformasi sosial melalui praksis keadilan, pemberdayaan ekonomi, pendidikan perdamaian, dan solidaritas sosial di tengah masyarakat Indonesia yang plural dan masih menghadapi ketimpangan sosial-ekonomi.

This study analyzes Tretan Muslim's Mutant series as a digital cultural text containing social criticism through the approach of Karl Marx's literary sociology. Amidst the limited academic studies on digital humor as a medium of social representation, this study investigates how class relations, social conformity, and symbolic domination are represented through the humorous interactions of the characters. Using qualitative methods with content analysis, data were obtained from in-depth observations of several key scenes and supported by literature on Marxism, social criticism, and digital culture. The results show that humor in Mutant works through three main layers: (1) class representation, (2) critique of conformity culture, and (3) commodification of identity. Thus, this study confirms that Mutant functions not only as entertainment, but also as a medium of social criticism that reveals the mechanisms of domination and resistance in contemporary society. These findings contribute to the expansion of the study of literary sociology in the context of digital culture and open up new reading spaces for humor as a means of social reflection.

Consumer criticism on social media is a common form of expression used to convey dissatisfaction with products or services. However, such criticism often generates controversy, especially when it is perceived to harm the reputation of a company. Although the right to freedom of expression is guaranteed by the Consumer Protection Law, in practice, this guarantee frequently conflicts with the defamation provisions outlined in the Electronic Information and Transactions (ITE) Law. The case of "Om Polos Banget" serves as a concrete example where consumer criticism led to legal charges due to allegations of defamation. This study aims to analyze the boundaries of consumer freedom of expression on social media within the context of Indonesian legal regulations and to identify the elements of defamation that may ensnare consumers. The research utilizes a normative juridical method, focusing on the analysis of relevant laws and regulations concerning freedom of expression and defamation. The results of the study indicate that while consumers have the right to criticize, there are legal boundaries that must be observed to prevent the criticism from resulting in legal action. Therefore, clearer policies are needed to ensure a fair balance between consumer freedom of expression and corporate reputation protection, as well as the importance of consumers maintaining ethical conduct when expressing criticism on social media.

This study examines a critical perspective on the concept of rationality, which has long been regarded as the primary foundation of logical and objective decision-making. Using a qualitative approach through a literature study method, this research explores the integration of psychological, philosophical, and socio-cultural dimensions in understanding the limitations and complexities of human rationality. The findings reveal that rationality is not entirely neutral or free from bias. The psychological perspective highlights the influence of cognitive biases such as confirmation bias and anchoring effect, which often turn rationality into a justification for emotionally driven decisions. From a philosophical standpoint, David Hume’s argument that “reason is the slave of the passions” emphasizes the subordination of reason to emotion, while Horkheimer and Adorno reveal how modern rationality has evolved into an instrument of domination through ideologies of efficiency and control. In the socio-cultural dimension, rationality is shown to be non-universal, shaped by specific cultural and historical contexts, as exemplified by Max Weber’s concept of the “iron cage,” describing how individuals become trapped within bureaucratic systems of rationalization. The study concludes that classical rationality, characterized by its deterministic and calculative nature, is inherently bounded and insufficient to address the uncertainty and complexity of the modern world. Therefore, a new paradigm of rationality is needed—one that is integrative, reflective, and humanistic, combining logic with emotional, ethical, and social dimensions to produce decisions that are not only rational but also just and humane.

The poem “Mayat Politik Ditutupi Koran Pagi” by Afrizal Malna presents sharp social and political criticism through the use of irony and complex metaphors. This study aims to examine how these two linguistic devices are employed to reveal the socio-political realities of post-reform Indonesia. Using a stylistic approach, the research explores the forms, functions, and meanings of irony and metaphor that appear within the poem’s structure. The analysis shows that irony serves to express dissatisfaction and satire toward political conditions that appear orderly but are actually filled with deception and manipulation. Meanwhile, metaphor provides a symbolic depiction of the role of mass media as an instrument of power that conceals the true political reality behind public discourse. Through the interplay of these two stylistic elements, Afrizal Malna succeeds in presenting a poetic representation of society’s anxiety over media domination and the blurring line between truth and political interest. This study is expected to enhance the understanding of literature’s role as a reflective and critical medium in uncovering the relationship between language, power, and ideology within Indonesia’s socio-political dynamics.

Contemporary hadith thought emerged as an attempt to address the challenges of modernity, which demands a more contextual understanding of Islamic teachings. Various new approaches, such as historical-critical, hermeneutics, and the maqasid al-shari'ah (the principles of Islamic jurisprudence), have been developed to connect hadith texts with modern social, political, and scientific realities. This article examines critiques and reflections on contemporary hadith thought through an interdisciplinary approach. The results show that although contemporary approaches make significant contributions to revitalizing the relevance of hadith, they have weaknesses such as potential relativism, deconstruction of hadith authority, and a disconnect with the classical tradition of hadith scholars. Interdisciplinary reflection offers a middle ground by integrating hadith studies with the social sciences, humanities, and sciences, allowing understanding of hadith to continue to develop without losing its normative authority. This article emphasizes the importance of dialogue between classical traditions and modern approaches in maintaining a balance between fidelity to the text and contextual needs. An interdisciplinary approach to hadith studies can bridge these gaps by fostering dialogue between traditional Islamic scholarship and modern academic fields such as social sciences, humanities, and natural sciences. By combining these disciplines, scholars can explore how hadith texts can be interpreted in ways that are both faithful to their original meaning and responsive to contemporary challenges. This integration can help preserve the normative authority of hadith while addressing modern issues such as ethics, politics, and technology. Ultimately, the interdisciplinary approach provides a framework for reconciling the classical and modern understandings of hadith, ensuring that the teachings of Islam remain relevant and authoritative in today’s rapidly changing world.

Naskah drama “Mostodon dan Burung Kondor” karya W.S Rendra merupakan naskah drama yang membahas mengenai kritik sosial untuk memperjuangkan keadilan atas kekuasaan yang tidak adil atau menindas melalui simbol-simbol seperti “Mostodon” dan “Burung Kondor” Tujuan penelitian ini adalah untuk mendeskripsikan strukturalisme genetik yang terdiri dari struktur intrinsik dan struktur ekstrinsik genetik naskah drama “Mostodon dan Burung Kondor” karya W.S Rendra. Penelitian ini dilakukan dengan menggunakan metode kualitatif deskriptif dengan interpretasi data dan analisis naskah secara mendalam. Sumber data penelitian dan berbagai literatur yang mendukung penelitian ini. Hasil Analisis menunjukan struktur “Mostodon dan Burung Kondor” karya W.S Rendra memiliki unsur intrinsik yang membangun naskah drama yaitu tema, tokoh dan penokohan, alur, latar, dialog, dan gaya bahasa. Sementara itu, struktur genetik ekstrinsik meliputi faktor kemanusiaan, pandangan dunia, penjelasan-pemaham dan subjek kolektif.  

This writing is motivated by the author's endeavor to understand the meaning within song lyrics. From this meaning, the myths and messages that the songwriter attempts to convey can also be discerned. This research employs a qualitative descriptive method. The data sources obtained are from secondary data and public data sources. In this study, the connotative and denotative meanings in the song 'Konsekuens' by the music group .Feast can be understood by the author, thus enabling the identification of social criticism present in the lyrics of this

This study aims to reveal and describe social criticism in the short story Ina Tonu by Silvester Petara Hurint. This study uses a sociology of literature approach and a descriptive qualitative method. The results of the study indicate that the short story Ina Tonu by Silvester Petara Hurint displays strong social criticism of various aspects of community life. The social criticism in this short story can be concluded as follows, (1) social criticism of the elimination of local culture, (2) social criticism of the loosening of kinship relations in society, (3) social criticism of forced migration of women and the fading of cultural heritage, (4) social criticism of the commercialization of culture and the fading of the sacred meaning of weaving, (5) social criticism of the stigma against indigenous women who are traumatized and sick, and (6) social criticism of the tendency of modern society to interpret tradition in a limited way.

This study examines the poem Sajak Sebatang Lisong by W.S. Rendra through a postcolonial lens, focusing on the underlying social criticism embedded within the text. The poem reflects the persistent social inequalities that continue to affect Indonesian society in the post-independence era, particularly in the realms of education and the marginalization of impoverished children. Through symbols such as the cigarette (lisong), wealthy elites (cukong), and the imagery of an endless road, the poem highlights the lingering presence of colonial structures within contemporary social and educational systems. Employing a qualitative descriptive approach, the study utilizes textual analysis and socio-cultural context as primary analytical tools. The findings reveal that political independence has not been fully accompanied by social justice. Structural oppression and limited opportunities continue to hinder the younger generation in their pursuit of a better future. As such, the poem serves as a powerful literary critique of neocolonial practices and ongoing social alienation. These findings contribute to a deeper understanding of how literature can reflect colonial legacies and the socio-political dynamics of post-independence Indonesia, while also enriching the discourse in postcolonial literary studies.  

This study aims to deconstruct the technocratic rationality underpinning social investment policies implemented in Bima Regency by critically illuminating the ideological co-optation of neoliberalism, which manifests through the language of modernity, productivity, and pseudo-empowerment. Within a structurally asymmetrical and historically marginalized context, the global paradigm of social investment has been adopted in an ahistorical and depoliticized manner, resulting in policy architectures that are both irrelevant and exclusionary. Employing a critical-qualitative approach with a deconstructive design rooted in post-structuralist epistemology, this research conceptualizes public policy as an ideological text that demands reinterpretation and recontextualization. Data were obtained through rigorous analysis of institutional and academic literature and interpreted using the framework of Critical Discourse Analysis (CDA). The findings reveal that social investment policies in Bima function not as instruments of structural transformation but rather as symbolic mechanisms of ideological co-optation, which conceal systemic inequality under the guise of bureaucratic performance metrics. The local state apparatus has lost its articulative capacity, subordinated to a global epistemology that is profoundly indifferent to local particularities. Terminologies such as “empowerment” and “human capacity” are reduced to administrative slogans devoid of redistributive justice. Consequently, the social investment paradigm has shifted the state's role from an agent of justice to a managerial entity of poverty normalizing exclusion and reinforcing the subordination of the subaltern populace.

The song "Bayar Bayar Bayar" by the band Sukatani describes a social critique of injustice in public services in Indonesia, especially those involving the police institution. Through simple yet meaningful repetitive lyrics, the song reflects the reality of people's lives who have to face additional costs to obtain public services that should be free or fair. In this analysis, the song is connected to Nancy Fraser's concept of social injustice, which shows the inequality in the distribution of social rights, as well as the instrumental theory of law which states that law is often a tool for certain interests. The aesthetic techniques used in the song, including repetition and hyperbole, strengthen the message of social criticism, making it a means of resistance to corrupt social structures. In the Indonesian social context, the song also serves as a reflection of society's distrust of public institutions and becomes a medium of expression that encourages collective awareness of broader issues of injustice.

The film "Wicked," adapted from the novel by Gregory Maguire, offered a new perspective on the character Elphaba, who was known as the wicked witch in the classic story "The Wizard of Oz." This research aimed to explore how Elphaba's character challenged the negative stereotypes associated with her and highlighted the importance of representing complex characters in media. This study was descriptive in nature, employing a semiotic approach to analyze the signs and meanings contained within Elphaba's character, as well as the social critique implications that arose. The findings indicated that Elphaba was not merely perceived as a symbol of evil but also served as a representation of empowerment for marginalized individuals, reflecting the complexities of identity and the struggle against social stigma. Elphaba's character illustrated a journey of transformation from ostracism to self-acceptance, inspiring audiences to understand and appreciate diversity and the challenges faced by those considered different. The film invited viewers to reflect on how societal judgments were often based on physical appearance and encouraged them to celebrate differences. The implications of this social critique were significant, as they could foster empathy and positive change within society, as well as raise awareness of the importance of embracing individual uniqueness.  

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Max Havelaar's book (1860) is a novel by Multatuli, a Dutch writer whose real name is Eduard Douwes Dekker. The book written by Multatuli contains criticism of the Dutch colonial government's policy of forced planting and exploitation that afflicted the people of the Dutch East Indies (the name of Indonesia at that time). This research aims to find out how the book describes the social criticism directed at the Dutch colonial government over the forced planting policy during the colonial period. The method used is descriptive analytical with literature study techniques. The object of research is the book Max Havelaar by Multatuli. The results of the analysis show that the social criticism conveyed by Multatuli in Max Havelaar's novel aims to open the awareness of the Dutch colonial government and local nobles about the unfair and unequal government system so as to cause suffering for the indigenous people. This research has the potential to be a reference.

In today's digital era, social media has become an important space for the public to express their opinions, including assessing film adaptations. This study examines audience criticism of the Indonesian version of the film adaptation of A Business Proposal that has spread on social media. Audience criticism focuses heavily on inconsistencies with the original version, acting quality, and technical aspects such as cinematography and directing. Factors that have influenced this criticism include audience perceptions of the original work, expectations of characters and stories, and the influence of discussions that have developed virally on social media. Massive criticism has an impact on audience interest, promotional strategies, and becomes evaluation material for filmmakers in developing better adaptations in the future. Social media is not only a channel of expression, but also a significant tool in shaping the success or failure of a film adaptation.

This study aims to find out how social criticism is in the script of the drama DOR by Putu Wilayah. The object used in this study is a series of events in the script of the drama DOR by Putu Wijaya which contains social criticism. This manuscript was published by Balai Pustaka in 1985. This research is a qualitative research with a descriptive method. The data collection technique is to read and understand the script of the drama DOR by Putu Wijaya, mark the speeches of the characters and narrators in the script of the drama DOR by Putu Wijaya, then record the findings on the record sheet, and inventory the characters contained in the script of the drama DOR by Putu Wijaya in a table format. The data analysis technique is to classify data on social criticism contained in the script of the drama DOR by Putu Wijaya through the speech of the characters, the actions of the characters and the narrator's exposure, interpret the data on social criticism in the script of the drama DOR by Putu Wijaya and draw conclusions and report the results of data analysis. Based on the results of data analysis, it was found that the forms of social criticism in the DOR drama script by Putu Wijaya include, among others, (1) Social criticism of norm violations, (2) Social criticism of family disorganization, (3) Social criticism of crime handling, (4) Social criticism of poverty.      

Pandemi Covid-19 memicu penurunan drastis terhadap kunjungan ke Museum, salah satunya Museum Balla Lompoa di Kabupaten Gowa, Provinsi Sulawesi Selatan. Kondisi tersebut menyebabkan diperlukannya strategi khusus untuk memaksimalkan potensi Museum dan meminimalisir dampak ekonomi, lingkungan, serta sosial terhadap Museum akibat Pandemi Covid-19. Oleh sebab itu, penelitian ini menggunakan metode kualitatif yang diperkuat oleh metode sejarah berupa heuristik, kritik, interpretasi, dan historiografi dengan pengumpulan data melalui wawancara dan studi kepustakaan untuk menemukan strategi khusus dalam membesarkan kembali Museum Balla Lompoa sehingga memiliki dampak ekonomi, lingkungan, dan sosial. Tujuan penelitian adalah mengidentifikasi strategi dalam membesarkan Museum Balla Lompoa untuk mencapai keunggulan daya saing sehingga dapat meminimalisir dampak akibat Pandemi Covid-19. Dengan mengacu pada tujuan penelitian, temuan yang berhasil diungkap dalam penelitian adalah lima komponen yang dapat dijadikan sebagai upaya memaksimalkan potensi Museum, yaitu scope, goals, resources, identifikasi keunggulan daya saing, dan sinergi sehingga mampu menjadi strategi khusus yang dapat membesarkan Museum Balla Lompoa. Kelima elemen tersebut menjadi dasar penerapan strategi Museum, stategi pemasaran ekosistem Museum, dan strategi kebudayaan di wilayah Kabupaten Gowa, Provinsi Sulawesi Selatan.

This research seeks to find out how social criticism is in cyber literature, the Whynesia monologue on the Tretan Universe YouTube channel. This research method uses descriptive qualitative methods. The data used are three cyber videos of Whynesia monologue literature on the Tretan Universe YouTube channel. This research data was collected using the listening and note-taking method. The results of the research show that Whynesia's cyber literary monologue on the Tretan Universe YouTube channel has deep social criticism regarding the phenomena currently occurring. Through the flow of the monologue delivered, the narrator presents a discourse of social criticism regarding social problems that occur in Indonesia. This monologue presents the importance of social criticism which acts as a tool to maintain societal stability. Strong and courageous monologues in conveying criticism, stimulate thinking about the importance of creating stable conditions in society, where people must express their voice or social criticism regarding problems in the environment. The implication of the findings is the importance of social criticism to maintain the stability of society and the importance of new media such as research objects to revive literary works as a medium for social criticism. Therefore, society must fight so that existing inequalities or problems can be voiced to create stability and regeneration of literary works as a medium used in society.