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The poem “Mayat Politik Ditutupi Koran Pagi” by Afrizal Malna presents sharp social and political criticism through the use of irony and complex metaphors. This study aims to examine how these two linguistic devices are employed to reveal the socio-political realities of post-reform Indonesia. Using a stylistic approach, the research explores the forms, functions, and meanings of irony and metaphor that appear within the poem’s structure. The analysis shows that irony serves to express dissatisfaction and satire toward political conditions that appear orderly but are actually filled with deception and manipulation. Meanwhile, metaphor provides a symbolic depiction of the role of mass media as an instrument of power that conceals the true political reality behind public discourse. Through the interplay of these two stylistic elements, Afrizal Malna succeeds in presenting a poetic representation of society’s anxiety over media domination and the blurring line between truth and political interest. This study is expected to enhance the understanding of literature’s role as a reflective and critical medium in uncovering the relationship between language, power, and ideology within Indonesia’s socio-political dynamics.

This study investigates the comparative use of satire and sarcasm in the criminal comedy show Lapor Pak! episode “Pasukin Naik Gaji.” Satire and sarcasm are both rhetorical devices used to criticize social realities through humor, but differ in subtlety and sharpness. The aim of this research is to identify and analyze the forms and meanings of satirical and sarcastic expressions in the show’s dialogues. This study uses a qualitative descriptive method and applies stylistic theory and humor theory as the analytical framework. The data source is a 26-minute episode aired on the 7Comedy YouTube channel on January 8, 2025. From the linguistic data collected, 20 utterances were found: 15 contain sarcasm, 11 irony, and 9 satire (some overlapping). The findings show that sarcasm is used more dominantly than satire, often reflecting economic frustration, while satire criticizes social issues in a more humorous and indirect way. Both styles serve not only to entertain but also to reflect social resistance and expose systemic injustice, especially regarding economic inequality. The analysis concludes that humor becomes a linguistic tool of social commentary and coping mechanism for workers.

The general and specific important issues encountered in this article are the discussion of pragmatics, expressive and directive speech acts in theater performances. Expressive and directive speech acts often have complex pragmatic functions, for example, commands that are conveyed indirectly or expressions that contain implicit meanings. is to explore the understanding of the function, meaning, and impact of language use in communication, especially in drama scripts or theater performances. The research method used in this research is descriptive qualitative. The data source in this research is speech acts contained in the video of the theater performance entitled “The Most Human” by SMAN 4 Sidoarjo. The data in this study are fragments of pragmatic discourse contained in the video of the theater performance. In this study, it can be concluded that there are 19 data of expressive speech acts and 25 data of directive speech acts in the theater performance video entitled 'The Most Human' by SMAN 4 Sidoarjo. The functions found in expressive speech acts include 6 advice data, 6 rejection data, 3 motivation data, 1 pride data, 2 concern data, 4 satire data, and 2 affection data. Meanwhile, there are 3 types of functions in directive speech acts, namely 9 data of advising, 11 data of asking, and 5 data of criticizing.

This research aims to analyze the use of figurative language in song lyrics. The research method employed is qualitative with a descriptive approach. Data were collected through a literature review of relevant books and journal articles. Content analysis technique was used to identify, classify, and describe the use of figurative language such as metaphor, simile, personification, hyperbole, repetition, antithesis, rhetorical question, litotes, and sarcasm in song lyrics. The findings indicate that these figurative language devices are used to enrich the text with emotional and aesthetic nuances. Metaphors and similes provide vivid and detailed imagery, while personification animates non-human objects. Hyperbole and repetition create dramatic effects and emphasis, whereas antithesis highlights contrasts and conflicts within the song's theme. Rhetorical questions engage listeners in reflection, while litotes convey meaning subtly yet effectively. Sarcasm is employed for sharp criticism and satire expressing dissatisfaction or disagreement. In conclusion, figurative language is a crucial element in song lyrics that enhances not only the text but also the appeal, expression, and meaning in the experience of listening to songs.