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This research aims to describe the types and functions of satire in Acehnese pantun in North Aceh. This research approach is qualitative with descriptive research type. The research data consists of rhymes that exist in North Aceh society, with data sources taken from the community in Muara Batu District. The types of satire in pantun are divided into two categories: Horatian (soft) satire and juvenalian (hard) satire. The function of satire in pantun is grouped into lessons, humor and social criticism. Data collection techniques used include interviews, recording and recording. The data analysis stages are carried out through data reduction, data presentation, and drawing conclusions. The results of the research showed that of the 27 pantun data found, there were 18  pantuns with Horatian satire and 9  pantuns with juvenalian satire. Satire in Acehnese pantun in North Aceh functions as social criticism (17  rhymes), humor (1 rhymes), and lessons (9 rhymes). This research provides an overview of the use and function of satire in Acehnese pantun, which reflects the rich culture and social values contained in North Aceh society.

Sundanese culture is one of Indonesia's rich and unique cultures. Sundanese culture is known as a culture that upholds high manners. Sundanese has very diverse arts, for example pupuh, pupuh can be categorized as one of the Sundanese arts. Pupuh is an inseparable part of Sundanese tradition and culture, so preserving it means preserving cultural heritage. Pupuh is also a traditional poetic work in Sundanese literature that has characteristics that have certain rules such as the number of syllables (guru wilangan), the final sound of the word (guru lagu), and the number of lines (pada lisan) in each stanza. In addition, pupuh also has its own character or characteristics that distinguish it from one another. However, pupuh is not just written poetry. Pupuh is also often combined with music and dance. So that it becomes a complete art performance. Pupuh production involves creativity in word choice, rhyme and rhythm to convey a message. The themes raised in pupuh are very diverse, ranging from love, affection, life, daily life, to advice and moral teachings. Through pupuh, we can understand more about the history, customs and noble values of the Sundanese people.Pupuh kinanti and pupuh balakbak are pupuh in Sundanese literature. Pupuh kinanti is a pupuh known for its expression of affection. The characteristic of pupuh kinanti lies in its guru wilangan and guru lagunya. While pupuh balakbak is a pupuh that is more inclined to the theme of humor, satire, and even social criticism. The language used is more relaxed and straightforward, has a different guru song and guru wilangan from kinanti. The basic difference between pupuh kinanti and balakbak lies in the theme, atmosphere, and social function. Pupuh kinanti is more introspective and explores inner feelings while pupuh balakbak is more extroverted and functions as a means of entertainment.Besides being a form of self-expression, pupuh also has social functions such as education, entertainment, and cultural preservation. Pupuh has developed over time, both in terms of form and content. Pupuh is not only present in literary works, but also in the daily life of the Sundanese community, for example in folk songs or rhymes.

This article aims to describe the film Habibie & Ainun, an Indonesian biographical drama film which was released on December 20, 2012. This film stars Reza Rahardian and Bunga Citra Lestari. This film is based on the memoir of the same name, which was written by Habibie about his life story with his late wife, Hasri Ainun Habibie. In this film we analyze the use of language style. Language style is the use of figurative words and appropriate comparisons to express feelings and thoughts with a specific purpose. The use of a foreign language in the main character is an obstacle to the effectiveness of the Indonesian style. The method of analyzing this film is descriptive qualitative. With data collection techniques used are documentation techniques, observe and record. Based on the results of the analysis, it was found that a variety of language styles showed comparative language styles, contradictory language styles, satire language styles, affirmative or repetition language styles.

 The satire style was chosen to express satire and criticism explicitly. In communicating on social media, satire is also used in making memes. The problem with this research is how satire language is in meme culture on social media. This research aims to reveal how political satire is discussed in memes on social media. The purpose of this study is to examine more deeply how the satire discourse is contained in pictorial texts or purely texts in social media memes. This research is interesting because the satire humor style contained in memes becomes a practical, absurd political, economic, educational, cultural, and other responsibility that can shift, eliminate, then reverse and bring up new discourses. This study uses a critical discourse analysis by Norman Fairclough, which identifies that the discourse can be a series of verbal and written words or a series of speech acts. With this knife of analysis, it was found that satire in memes on social media is used in the form of satire and criticism of things that are being viral and how these issues affect social media in the real world. Memes are not seen as silent, passive, and finished texts as they are produced. On the other hand, Memes are dynamic and moving strategies through comedy Satire.