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This research explores the Marapulai Basuntiang Tradition, a traditional Minangkabau wedding procession in Indrapura Pesisir Selatan, which is rich with symbolism and philosophical meaning. This tradition is not only a wedding ceremony, but also reflects the values of mutual cooperation, togetherness, and respect for ancestors. Through a qualitative approach and descriptive method, this research examines the stages of the Marapulai Basuntiang procession from preparation to post-event, as well as the changes that occur along with the influence of outside culture. It also compares the elements of the wedding in Pesisir Selatan with other regions to reveal how geographical, historical and socio-cultural factors influence the differences. The results of the study show that despite changes in traditional elements due to modernization, noble values and local cultural identity are maintained. This research aims to strengthen the understanding of the Marapulai Basuntiang tradition and provide recommendations for its preservation in the midst of modernization.

In the recesses of the Palestine-Israel conflict which continues to metamorphose, the Intifada movement has become a symbol of resistance to occupation and oppression which curbs the aspirations of the Palestinian people. However, in this era of increasingly connected globalization, the dynamics of this movement are experiencing a significant transformation, which challenges traditional paradigms and brings new challenges that affect both parties. With major challenges such as perceived injustice and political instability, resolving this conflict has the potential to reduce extremism and increase stability in the Middle East, so this study will explore how the Palestinian Intifada influenced conflict resolution efforts with the aim of understanding the essence of the Intifada movement which is often seen as a form of extremism and radicalization, and this study will also explore the transformation of the Palestinian Intifada into a global phenomenon, considering its impact on conflict dynamics and practical approaches to achieving sustainable and stable peace in the region.    

Reading is a way to get information from something written. Reading involves recognizing the symbols that make up a language. Reading and listening are the 2 most common ways to get information. This research is a classroom action research, which is cyclical there are 4 main activities in each cycle, namely: a. Planning b. Implementation / Implementation c. Observation and Evaluation d. Results of analysis and reflection. The data analysis technique used is Content Analysis

This research aims to examine the phenomenon of cultivating anti-verbal bullying social attitudes through 7th-grade Social Studies (IPS) education focusing on socialization, values, and norms. Verbal bullying is a serious issue in schools that negatively impacts victims. The study employs a qualitative approach using a case study method. Primary data was gathered through observations and interviews at SMPN 3 Srengat, while secondary data came from literature reviews. The research findings indicate two main patterns in cultivating anti-verbal bullying social attitudes: habituation patterns and modeling patterns. Habituation involves providing advice, motivation, and exemplary behavior to students. Modeling is done by presenting real, symbolic, and dual examples to students. Both patterns have challenges and room for improvement. Teachers need to be consistent in applying habituation and modeling patterns, while also considering factors that may cause verbal bullying. This research contributes to understanding the phenomenon of verbal bullying in schools and offers strategies for instilling anti-verbal bullying social attitudes through IPS education.    

Among the many verses used in the Dolalak Dance, the verse "Atas Pisang" holds a unique position. This verse is often recited at the end of the performance, signifying a solemn and message-laden conclusion. This study aims to examine the symbolism and meaning within the ‘Atas Pisang’ verse in the Dolalak Dance. This research is a qualitative interpretive study employing Roland Barthes' semiotic approach regarding denotation and connotation meanings. The findings indicate that the ‘Atas Pisang’ verse in the Dolalak Dance, through its symbolism and metaphors, conveys various relevant and wise life advice. The balance between visible outcomes and underlying essence, hope and recovery from difficulties, the importance of actions in pursuing desires, appreciation of the past and experiences, and wisdom in family relationships are the main messages conveyed. The ‘Atas Pisang’ verse teaches that a balanced life, filled with hope, active pursuits, appreciation of the past, and wisdom in family relationships are keys to achieving a harmonious and meaningful life.

The Lapindo Mud Disaster that occurred in Sidoarjo in 2006 has become one of the most phenomenal events in Indonesia, causing the sinking of 16 villages and drastic changes to the landscape and lives of the surrounding community. The aim of designing the Lapindo Mud Museum is as a solution to fulfill its function not only as a place to store artifacts and information, but also as a space for interaction and reflection for the community. The research method used is descriptive qualitative. Design using a metaphor approach, namely the preparation of planning and design concepts with several analyses, namely, urban analysis, site analysis, land use analysis, circulation analysis, wind direction analysis, sun direction analysis, noise analysis, several concept preparations. The research results show that the building design is used as a symbol of the Lapindo Mudflow and commemorates the victims and communities affected by the Lapindo Mudflow. With a metaphorical architectural approach, the museum is expected to overcome the boredom that often occurs during conventional museum visits and facilitate deeper interactions with visitors.

The world of education and teaching in this contemporary phase cannot be separated from hegemonic relations between policy stakeholders. Policymakers who will exist in 2022-2023 are involved with Gen X, individuals born in the 1965-1980 period. In its power as a policy maker, education is directed and expected to become a concrete step like a machine that produces moral human beings. Morals in education are intended so that students can have the values of love, love each other within the limits of norms and have commendable ethics both in religious and cultural values. The problem in this research concerns contemporary issues regarding the hegemony of power over the moral educational process in the view of the philosophy of science at the ontological, epistemological and axiological levels. The aim of this research is to reveal the hegemony of power over the moral educational process in the view of the philosophy of science at the ontological, epistemological and axiological levels. The method used in this research is qualitative with a philosophy of science approach. From the perspective of the philosophy of science, the hegemony of power over moral education goes through three phases; ontological as a search for the nature of what and why of moral education; epistemological as a review of the hegemony of power towards moral education in the philosophical aspect and axiological as a review of the usefulness of aspects of the hegemony of power towards moral education. The results of the research show that there is a hegemony of rulers who have power which is marked by the symbol of the Minister of Religion as the ruler of Gen With this moral education, educators will continue to be wise and wise in their lives, because the function of Islamic education in Indonesia is to improve and teach morals to their students so that they become human beings who have moral values.

Learning the Koran requires special attention because of the high level of difficulty of the material. Blind teachers face complex challenges in classroom management and delivery of material, requiring special interpersonal communication strategies. This research aims to describe the interpersonal communication strategies of blind teachers in learning the Koran at MDTA Ahlul Ihya' Ponorogo, along with obstacles and solutions. A qualitative phenomenological approach was used by collecting data through observation, interviews and documentation from blind teachers, fellow teachers, students and parents. Data analysis includes reduction, presentation and drawing conclusions. The results show that communication strategies involve getting to know students personally, determining appropriate messages, methods and media. Barriers include difficulties in visual instructions, unclear use of symbols, impaired facilities, as well as semantic barriers due to incompatibility of language and background experience. The proposed solution includes deliberation and evaluation, collaboration with fellow teachers, meetings with student parents, and the creation of a learning guidebook.

Poetry is a literary work full of meaning and symbolism. One poem that is interesting to analyze semantically is "My Heart is as Wide as a Leaf" by Sapardi Djoko Damono. In this article, we carry out an in-depth analysis of the hidden meanings in the poem. We use a semantic approach to explore the meaning of each line of poetry, identifying the metaphors, symbolism and connotations used by the poet. The analysis in this research uses a descriptive method, which describes the data naturally and produces good and coherent linguistic rules. Apart from that, we also pay attention to the structure and arrangement of words chosen by Sapardi Djoko Damono to express the implied messages in this poem. Through this analysis, we seek to understand more deeply the message the poet wants to convey, as well as explain how the use of language and symbolism in this poem can affect the reader emotionally and intellectually. It is hoped that the results of this analysis will provide new insights into Sapardi Djoko Damono's literary works and enrich understanding of modern Indonesian poetry.

This article explores the symbolism and theological significance of the Millennial Kingdom in the context of the Book of Revelation. With a focus on specific texts such as Revelation 20:1-10, the author analyzes how this concept became an integral part of the eschatological vision presented in Revelation. Through the overall approach of Revelation theology, this article delves into the profound meaning of the Millennial Kingdom in the eschatonic Christian understanding. Thus, this article contributes to the understanding of

Party attire is clothing that is worn to attend the occasion of a party event. In party clothes, the addition of paintings on the cloth is given. Painting is the result of painting in the form of a display that has aesthetic value. This party dress design with the application of painting techniques with Dutch building ideas (windmills) gives the impression of symbolizing energy, strength, courage, love, struggle, and speed. Painting on cloth has quite a complexity in the process so it requires high precision and patience. This study uses the method of observation, interviews, documentation, literature. In this descriptive research, the data collected is in the form of words and pictures The results of making this report to find out the manufacture of party dresses with cloth painting. The process of making party dresses with cloth painting has 3 parts, namely on the right, left and back of this skirt through several stages, namely: 1) determining the design model, 2) Taking measurements, 3) preparing tools and materials, 4) making patterns, 5 ) cutting materials, 6) merging, 7) sewing, 8) finishing. The cloth painting process itself includes: 1) determining the painting design, 2) sketching the painting on the cloth, 3) preparing the painting material, 4) applying paint to the material, 5) painting on the cloth. In making cloth painting, you need a sketch to make it easier to work on. Suggestions in making clothes with cloth painting need to pay attention to paint so that the color of the paint and fabric on the dress looks good, so first select the color that matches the dress. To reduce the risk of paint drying easily and wasting paint, it's best when you go through the process of painting the fabric to paint the same color first, so that the results are maximized.

Can Macanan Kaddhuk is a traditional art typical of the Jember region, East Java. The creation of this art has become the sole meaning of Jember culture, which has its own story and has gained public legitimacy for this local culture. Events exist from the founder's subjective composition which continues to be passed down to legitimize society. This art also characterizes itself as an acculturation of several cultures around its region. So, it is very interesting that the presence of its founder at the beginning of the emergence of social culture made the beliefs dominant among each group. Moreover, the development of this culture has a very unique style, representing every art activist's interpretation. The expression of symbolic meaning and aesthetic value in the art of Can Macanan Kaddhuk requires encouragement in the post-modern world in terms of art, so the research uses a qualitative approach with appropriate methods. The results of this research show that it is not only focused on its function, namely as entertainment, but is intended as a medium for conveying the moral and spiritual messages contained therein.

This article aims to analyze the representation of Jember culture in the Jember Fashion Carnival (JFC) using Stuart Hall's representation theory approach.  The main concepts applied in this analysis are change and resistance, which are used to understand how cultural symbols are represented and interpreted in JFC.  The data collection process was carried out through literature study.  Where the data obtained comes from the results of research and scientific work of other people which is studied and then developed.  Data analysis was carried out by combining the concepts of Stuart Hall's representation theory with the findings found in the JFC event.  The results of the literature study analysis show that JFC is an important forum for representing Jember's cultural identity through costume modifications, dance, music and other performances.  In addition, the media plays an important role in the spread and influence of these cultural representations.  In the context of Stuart Hall's representation theory, change refers to the transformation of cultural symbols in the JFC, while resistance describes the process of building cultural representations through interactions and agreements between JFC actors, the government and society.  Through this process, Jember's cultural identity is represented and interpreted in JFC events.  The implication of the results of this research is the need for continuous support in developing and promoting Jember culture through collaborative efforts between the government, cultural actors and the community.  In this case, JFC can be an effective means of strengthening and expanding understanding and appreciation of Jember's cultural identity.

This research aims to analyze the lexical and connotative meanings in Indonesian, with a focus on the use of words in the pantun by Dr. Tenas Effendy. In this research, lexical meaning analysis was carried out using qualitative descriptive methods, with data collection techniques in the form of expansion techniques carried out by expanding the lingual units in question using certain elements. The expansion technique is useful for determining the meaning aspect (semantic aspect) of certain lingual units. The research results show that Dr. Tenas Effendy contains lexical meanings related to concepts such as advice, tradition and life. This lexical meaning is found through analysis of the meaning of the text and the meaning of the pantun context. The meaning of the context in question is in the form of symbolic meaning, namely the meaning contained outside the text and related to the context of the event when the pantun is sung. The conclusion of this research is that Dr. Tenas Effendy has a lexical meaning related to concepts related to life and tradition, as well as a connotative meaning related to symbolism and the context of the event.

Effective communication between teachers and students is an important key in improving learning outcomes and student motivation, especially at an early age. This research aims to find out what teachers' experiences are in carrying out effective educational communication with young children. The research method used was descriptive qualitative by conducting interviews with one of the Kindergarten teachers at An Nizam Islamic School Medan who had good communication when teaching early childhood. The research results show that teachers who are effective in educational communication have the ability to use various communication strategies, such as using simple and clear language, using images and symbols, and providing constructive feedback. Apart from that, teachers must also have the ability to understand students' needs and interests, and be aware of the importance of effective communication in improving learning outcomes. In synthesis, this research shows that the teacher's ability to carry out effective educational communication is very important in improving learning outcomes and motivation of early childhood (AUD).  

This research aims to analyze the semiotic aspects in the architecture of Pagaruyung Palace, focusing on the symbolism, acculturation, and historical aesthetics contained in the building. Pagaruyung Palace, as one of the Minangkabau cultural heritages, not only serves as the residence of the king, but also as a place for the expression of cultural, social and political values of the Minangkabau people. Through a semiotic approach, this research examines the architectural elements of Pagaruyung Palace, such as the shape of the gonjong roof, the building structure, and the ornaments contained therein, which hold deep symbolic meanings. Furthermore, this research also explores the acculturation process that occurred in the architectural design, where the influence of various cultures, such as Malay, Hindu-Buddhist and Islamic, is reflected in the architectural elements. The aesthetic aspects arising from the fusion of these cultural elements are also analyzed to understand how the architecture of Pagaruyung Palace creates harmony between function and beauty. This research is expected to provide deeper insights into the relationship between architecture, culture, and history and its outcomes.

Tunjungrejo Village is a clear example of how religious and cultural symbols can become the collective identity and existence of a community. This article describes how symbols such as the cross, coconut shoots, rice, cotton and mountains are not only the dominant manifestation of Christianity in the village, but also display the social dynamics and cultural diversity that exist. These symbols not only illustrate history and religious, economic traditions but also depict the values ​​upheld by society, such as tolerance and interfaith coexistence. Even though there is a Muslim minority in the community, the existence of these symbols reflects an effort to maintain collective identity and existence, while remaining open to interaction and integration with other groups in society. So that it can improve the economic level of village residents through the creative economy. Thus, Tunjungrejo Village is an interesting location to research in understanding the complexity of the relationship between cultural symbols, collective identity, and social dynamics in the context of rural communities.

The Nusantara Module is one of the compulsory courses for students who take part in the Independent Student Exchange program. The content of the Nusantara module is social contribution, diversity, inspiration and reflection. The purpose of this research is to find out how tolerant and perceived Indonesian cultural diversity through Nusantara module activities for PMM 4 Inbound students of Jember University. The research method used is a qualitative research method, using the theory of symbolic interactionism of George Herbert Mead's thought. The results showed that the Nusantara Module course has a role in increasing the cultural tolerance attitude of inbound students of Jember University through; first, respecting and respecting diversity; second, preventing the emergence of ethnocentrism and in the Nusantara Module there are symbols used by Inbound students in interacting in order to implement tolerance attitudes and values.

As one of Indonesia's cultural heritage recognized by UNESCO, the Kawung motif holds a wealth of deep aesthetic, philosophical, and symbolic values. Studies on the geometric forms and patterns in the Kawung motif not only offer a better understanding of cultural heritage, but also open up opportunities to explore the relationship between art, mathematics, and philosophy. This research aims to explore the geometric forms and patterns in the Kawung motif in depth, by integrating perspectives from art, mathematics, and philosophy. By analyzing the geometric structure and mathematical principles underlying this motif, as well as relating them to the symbolic and philosophical meanings contained within, it is expected to gain a more holistic understanding of Indonesia's cultural heritage and the intellectual wealth it possesses.

. In this era, globalization and information technology play a very important role in human life. Playing a role in selecting consumer products, people rely on technology and information media in selecting goods that suit their needs. This research aims to determine the content of the da'wah message in the Pepsodent Siwak advertisement and to determine the meaning of connotation and denotation in the Pepsodent Siwak advertisement. The research approach used by literature (library research) is descriptive qualitative and the analysis uses Roland Barthes' semiotic analysis method, regarding the content of the Pepsodent Siwak advertisement's Da'wah message. The research results show that: 1) the denotational meaning of the Pepsodent advertisement is that there is still a lack of awareness among Indonesian people about brushing their teeth morning and night, especially parents. Meanwhile, the connotation means that a father as a role model for children often does not set a good example for children, and this advertisement shows that there is more closeness between father and child. The myth that emerges is the closeness of boys to their fathers and the myth that adult men do not pay enough attention to dental and oral health. 2) The content of the da'wah message is divided into three dimensions, namely the faith dimension, the moral dimension and the sharia dimension. The specific social meaning and impact as a symbol of the message of Islamic da'wah in the Pepsodent Siwak advertisement in society is that it aims to seek salvation in the afterlife.