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This study explores the metaphor of life in Colleen Hoover’s novel Reminders of Him, aiming to identify the types of linguistic metaphors and analyze the conceptual metaphors that underlie them. Based on Lakoff and Johnson’s conceptual metaphor theory, which classifies metaphors into structural, ontological, and orientational categories, this study highlights the role of metaphor as a cognitive tool, not merely a stylistic device. A qualitative method was employed, with data collected using AntConc software by focusing on parts of the novel containing the word “life.” The Metaphor Identification Procedure was applied to identify linguistic metaphors, which were then categorized based on the word class of the lexical units that were used metaphorically. The results of this study show four types of linguistic metaphors involving the noun “life”: nominal, verbal, adjectival, and prepositional. These forms portray life as a physical object, a process, a possessed attribute, or a container. These linguistic metaphors reflect eight conceptual metaphors, including five ontological metaphors (life is ownership, life is a container, life is an entity, life is air, life is a place) and three structural metaphors (life is a machine, life is a journey, life is a challenge). The diversity of these conceptual metaphors illustrates the rich representation of life in the novel.

This study aims to analyze the use of italics and capital letters in the novel Hati Suhita by Khilma Anis based on the General Guidelines for Indonesian Spelling (PUEBI). This study uses a qualitative descriptive approach with text analysis techniques on quotations in the novel that contain italics and capital letters. The results of the study indicate that there are various forms of inconsistencies in the use of italics, especially in words in regional languages ​​(Javanese), foreign terms, and non-standard words that are not italicized as they should be. Meanwhile, errors in the use of capital letters were found in the form of inappropriate capitalization of common nouns, greetings, and after punctuation that does not start a new sentence. Of the total data analyzed, more than half of the quotations showed deviations from applicable spelling rules. These errors have an impact on the clarity of meaning, stylistic nuances, and readers' perceptions of the narrative structure. This study emphasizes the importance of spelling accuracy in literary works, not only as a technical aspect, but also as part of the rhetorical and aesthetic power of the text. These findings are expected to be a reference in editing literary works and teaching Indonesian based on spelling.

This study aims to analyze the use of italics and capital letters in the novel Hati Suhita by Khilma Anis based on the General Guidelines for Indonesian Spelling (PUEBI). This study uses a qualitative descriptive approach with text analysis techniques on quotations in the novel that contain italics and capital letters. The results of the study indicate that there are various forms of inconsistencies in the use of italics, especially in words in regional languages ​​(Javanese), foreign terms, and non-standard words that are not italicized as they should be. Meanwhile, errors in the use of capital letters were found in the form of inappropriate capitalization of common nouns, greetings, and after punctuation that does not start a new sentence. Of the total data analyzed, more than half of the quotations showed deviations from applicable spelling rules. These errors have an impact on the clarity of meaning, stylistic nuances, and readers' perceptions of the narrative structure. This study emphasizes the importance of spelling accuracy in literary works, not only as a technical aspect, but also as part of the rhetorical and aesthetic power of the text. These findings are expected to be a reference in editing literary works and teaching Indonesian based on spelling.

This study explores the intricate relationship between grief and healing as depicted in Nadin Amizah's song "Bertaut." Through a stylistic analysis, the research delves into the poetic elements employed by Amizah to convey the emotional depth of loss and the journey towards recovery. By examining the use of imagery, metaphor, and lyrical structure, the paper highlights how these stylistic choices enhance the listener's understanding of the complexities of grief. Furthermore, the analysis reveals the transformative power of music as a medium for expressing sorrow and facilitating healing. Ultimately, this study contributes to the broader discourse on the role of art in processing emotional experiences, emphasizing the significance of Amizah's work in contemporary music.

This research examines the persuasive strategies used by student candidates in the 2020 Head Boy election at The Fulham Boys School in London, England. Specifically, on how teenagers convey persuasive messages in a formal school-based leadership context to persuade their peers. The study aims to identify and categorize the persuasive elements of their campaign speeches through Petty and Cacioppo's the Elaboration Likelihood Model (ELM) which differentiates between central (logical, content driven) and peripheral (emotional, stylistic) routes to persuasion. With a qualitative descriptive approach, the campaign speeches were collected in video format and transcribed, then they were content analyzed according to several categories. Each persuasive statement was classified according to the ELM principles. All four candidates were found to be applying center and peripheral routes and had responsibility of both audience demands and the leadership image. Some candidates were predisposed to use rational solutions, while others made more use on emotional appeals. This highlights the complexities involved in a student speaker's role in a leadership speech that balanced the appeal of the message against the message itself.  

This study aims to analyze the figurative language in the novel Hujan by Tere Liye using a stylistic approach and to evaluate its relevance as teaching material for Indonesian language education. The main focus is on comparative figurative language such as personification, metaphor, simile, and hyperbole found in the novel. The research method applied is qualitative descriptive, with data collection through reading, noting, and classifying stylistic elements. The results show that these figurative languages play an important role in enriching the aesthetic value of the work, developing character portrayal, creating atmosphere, and effectively delivering moral messages. Moreover, the use of these stylistic features can help students improve their literary appreciation and language skills more deeply. Therefore, the novel Hujan is suitable as instructional material to enhance students’ interest and understanding of literary works

This study is motivated by the development of literature that has shifted to the digital realm, including the short story "Sepotong Senja Untuk Pacarku" by Seno Gumira Ajidarma which was republished on the website www.medium.com. The purpose of this study is to analyze the language style and point of view in the short story. This short story has a distinctive storytelling style, with the use of figurative language and poetic diction as the main attraction. The method used is qualitative descriptive with a stylistic approach and literature study techniques. The results of the analysis show that the dominant language styles in this short story include metaphor, personification, hyperbole, simile, litotes, euphemism, and epistolary. These language styles strengthen emotional expression and deepen the meaning of the story. In addition, the first person singular point of view creates a personal and intimate effect, so that the reader feels directly involved in the narrative of the character "I". This short story also shows the power of imaginative visualization in the context of cyber literature which allows the reading experience to be more interactive and reflective. This study concludes that SSUP's short story successfully utilizes the power of style and point of view to convey messages of love, longing, and existence deeply in a distinctive digital format.

This article aims to: (1) explain the associative meaning contained in the story collection titled Malam Terakhir by Leila S. Chudori, (2) describe the associative meaning contained in the story collection. This research uses a qualitative approach with a descriptive method. The main source of data in this study is the story collection Last Night written by Leila S. Chudori. The data collection process was carried out using reading and note-taking techniques. Data validation was carried out through increased diligence, discussions with peers, and using the triangulation method. Data analysis was conducted in three steps, namely data reduction, data presentation, and conclusion drawing. The findings of this study show that the associative meaning in the story collection Last Night by Leila S. Chudori is 54 data, which is divided into four groups: stylistic meaning with 16 data, affective meaning contains 10 data, connotative meaning includes 17 data, and collocative meaning totals 11 data. Based on the analysis, it is concluded that the texts in the story collection Last Night by Leila S. Chudori contain vocabulary that has associative meaning.

The present study aims to identify and analyse idiomatic expressions in the lyrics of "Shake It Off" by Taylor Swift. Idioms are a form of non literal expression which often pose a challenge for English language learners, due to the fact that their literal meanings are not easily discernible. Utilising a descriptive qualitative approach, this research analyses idioms based on Makkai's (1972) classification, which includes six types: phrasal verb idioms, tournure idioms, irreversible binomial idioms, phrasal compound idioms, incorporating verb idioms, and pseudo idioms. The findings indicate that the composition is replete with idiomatic usage, reflecting emotional meanings and social messages implicitly. A total of fourteen idioms were identified, which serve to reinforce Taylor Swift's stylistic language and make the song an effective and contextual medium for the purposes of English language learning. It is anticipated that these findings will contribute to the development of language teaching, particularly with regard to the comprehension of idiomatic meaning within the context of popular culture.

This study describes the morpho-stylistic and the semantic-stylistic features used in the top four songs of Arctic Monkeys’ AM album, namely, “I Wanna Be Yours,” “Do I Wanna Know?”, “Why’d You Only Call Me When You’re High?” and “No. 1 Party Anthem.” This research conducted using a qualitative descriptive method derived from the linguistic deviation theory by Leech analyses of the lyrical texts for their morphological and semantic deviations like informal contractions, neologism, objectification, metaphors and irony. Taking language out of the box, the findings show that Arctic Monkeys have consistently broken linguistic norms in order to produce emotionality, stylistic nuance and lyrical uniqueness. These deviations greatly enhance the band’s lyrical identity of poetic and aesthetic qualities.

This study aims to analyze the song “Bayar Bayar Bayar” using the Critical Discourse Analysis (CDA) approach based on Teun A. van Dijk’s model. The song was selected due to its explicit criticism of corruption and abuse of power within the Indonesian police institution. The analysis covers three main dimensions in Van Dijk’s theory: discourse structure (macrostructure, superstructure, and microstructure), social cognition, and social context. The analysis reveals that thematically, the song represents the collective experience of society in facing bureaucratic injustice, particularly in the form of illegal levies by the authorities. Its repetitive and straightforward superstructure strengthens the main message. At the microstructural level, the use of direct language, punk-styled stylistics, and the rhetorical repetition of “bayar polisi” (pay the police) create a provocative effect and reinforce the social critique being delivered. In terms of social cognition, the song reflects the public's mental model of the police as an institution that perpetuates social inequality rather than acting as a neutral protector. From a social context perspective, the song emerges from the reality of unequal power relations between citizens and authorities, serving as a symbolic form of resistance against hegemonic power structures. “Bayar Bayar Bayar” is thus not only a musical work but also an ideological expression with critical discourse value in advocating for social justice.  

Songs are included in oral Satra and are one of the oral traditions that are still popular today and are growing rapidly, giving birth to new musicians. Nadin Amizah’s song Sorai is one of the songs known for its compelling lyrics. This encourages researchers to examine the use of language styles or majas and word choice in the composition of the song. The author uses descriptive qualitative research and a stylistic approach to examine the lyrics of Nadin Amizah’s song Sorai. Words, phrases, and sentences in the song lyrics were included in the data collected. The research revealed the existence of 31 types of language styles and 41 forms of diction used in the song.    

This study aims to reveal the physical and spiritual elements in Heri Isnaini's poems, namely "Kita", "Aku Menunggu Bunga", "Kita Jalan Berdua", and "Mengetuk Ketukan". In terms of physical elements, the analysis includes diction, imagery, concrete words, figures of speech, rhyme, and typography used by the poet to build the beauty and meaning of the poem. Spiritual elements include themes, feelings, tones, and messages that reflect the poet's attitude towards life, love, and human existence. The results of the analysis show that Heri Isnaini uses a lot of simple but meaningful diction, as well as metaphors and personifications that strengthen the emotional nuances. Visual imagery and feelings are dominant in creating a deep poetic atmosphere. Themes such as waiting, togetherness, love, and the search for the meaning of life are the common thread of the entire poem. With a stylistic and hermeneutic approach, it can be concluded that these poems not only reveal the poet's personal expression, but also reflect universal human experiences.

This research aims to determine the types of language styles used by the main female character in the novel "Mariposa" by Luluk HF and to analyze the meaning and function of these language styles in building character characterization. The problem that will be raised in this research is the form and variations of language styles that appear in the dialogue and monologue of the main character, as well as the role of these language styles in revealing the psychological dimensions of the character. The method used is a qualitative descriptive method with a stylistic approach, where data is collected through reading and note-taking techniques for quotations that contain language styles in the novel. The results of the analysis show that there are five dominant language styles used by the main character, namely metaphor, hyperbole, personification, simile, and repetition. This language style functions to describe the character's feelings, strengthen the delivery of the message, and build an atmosphere in the story. This research has the potential to become a reference for the development of stylistic studies of contemporary Indonesian literature and can be used as learning material for stylistic analysis at the tertiary level as well as for similar research with a focus on other linguistic aspects.

Literature serves as a mirror reflecting the social and cultural dynamics of society. This serves as the foundation for analyzing the play "Kereta Kencana" in this journal. The work of W.S. Rendra is the subject of this study, aimed at uncovering its meaning and structure through a structuralist approach. This research delves into various narrative layers, structures, and messages contained within the text. Utilizing a qualitative descriptive method and a structuralist approach, the case study on "Kereta Kencana" will analyze its intrinsic elements. The findings provide a deeper understanding of intrinsic components such as characters, characterization, plot, setting, point of view, moral, and theme. Additionally, this study explores the relationships between characters, plot development, philosophical and social messages, as well as the stylistic choices employed.

This study explores the concepts of Al-Istikhdam and Al-Istithrad as part of stylistic devices in the Arabic rhetoric discipline (balaghah). Al-Istikhdam refers to the use of a single word with two different meanings in a specific context, while Al-Istithrad involves the insertion of additional sentences or ideas without deviating from the main discussion. The study aims to identify the application of these two concepts in classical Arabic texts, particularly in literary and rhetorical works. The method employed is textual analysis of primary sources such as the Qur'an, hadith, and classical poetry. The findings reveal that Al-Istikhdam is used to enrich meanings and refine stylistic expression, whereas Al-Istithrad functions to provide additional explanations that strengthen the main argument without disrupting narrative flow. This research is expected to offer new insights into the beauty and complexity of the Arabic language and its contribution to the development of balaghah studies.

This research contains a discussion of the use of language styles in the lyrics of the song by Nadin Amizah with the title "Rayuan Perempuan gila" and the meaning in the song lyrics. The aim of this research is to analyze the use of language styles and the meaning of language styles in the song "Rayuan perempuan gila". This research uses descriptive research and a qualitative approach which is guided by the theory of Gorys Keraf (2010). The song "Rayuan Perempuan Gila" was chosen as research material because the song's lyrics were written using a language style that was quite interesting and quite foreign to the ears of the wider community. However, this song by Nadin Amizah was well received by the wider community. The research was carried out using the literature study method, so that from this research it is hoped that results will be found in the form of discovering types of use of language style and meaning in the song entitled Mad Woman by Nadin Amizah. The results of this research are the discovery of language styles found in Nadin amizah is the eufimisme style of language, the simile style of language and the litotes style of language

This study aims to describe and analyze the discourse structure consisting of macro structure, supra structure, micro structure, and discourse contained in Shopee  and Blibli online shopping advertisements. The object of the research is the transcript of online shopping advertisements from Shopee  and Blibli. The data collection methods used were advertising observation and doing advertising transcripts so that the final data used was in the form of text. This data was then analyzed using a qualitative descriptive analysis model of Teun A Van Dijk's discourse analysis theory. From the data studied, the results of the study showed that (1) the macro structure or theme in the transcript of online shopping ads was seen in the entire content. The themes were big discounts, free shipping, cash back bonuses and discount vouchers. (2) The super structure consisted of (a) an introduction to the issue, (b) a series of arguments, (c) a statement of invitation, (d) a reaffirmation. (3) Microstructure consists of (a) background, (b) details, (c) meaning, (d) coherence marker, (e) stylistic, (f) rhetoric, (g) graphic use. (4) The discourse contained in the text was a persuasive discourse.

Figurative speech is inseparable with literary works, particularly to express intrinsic elements in the works. Practically, authors often insert figurative speech to narrate a story. This study is aimed at analyzing figurative speeches in novel Senja, Hujan, dan Cerita Yang Telah Usai, written by Boy Candra. The researcher employed literary study to finish the study which initiated by (i) reading the research object, (ii) collecting the data by marking, identifying, and transcribing. The data were analyzed by using interactive model of analysis. The result showed that the author used 6 types of f igurative speeches to describe both the setting and character, as follows; (1) allegory, (2) (2) alusio, (3) antitesis, (4) asindenton, (5)Klimaks, (6)interupsi. The result of the study strongly suggested that the use of figurative speech is clearly necessary to improve the quality of literary works.

Javanese literature in the form of songs is currently favored by people in Indonesia. One of these songs is Lestari. Lestari contains the theme of love and admiration for a woman. The theme is presented with lyrics that contain language styles. The formulation of this research problem is how the use of language styles in the lyrics of the song 'Lestari'. This study aims to analyze the use of language style in the lyrics of the song 'Lestari'. The theory used is language style by Gorys Keraf. The methods used are data collection, data analysis and classification of language styles, and presentation. The data source comes from the Youtube channel Khatulistiwa Record which is transcribed independently. The results show that the song lyrics contain rhetorical language styles in the form of alliteration, assonance and hyperbole, as well as figurative language styles including metaphor and simile.