Bentuk Penyajian Tari Rapa’I Geleng di Sanggar Pocut Baren MAN Model Banda Aceh

Abstract
This study aims to describe the presentation form of Rapa'i Geleng dance in Sanggar Pocut Baren MAN Model Banda Aceh. The method used is descriptive qualitative with data collection techniques through observation and interviews. The results showed that the presentation of Rapa'i Geleng dance consists of three stages and four acts, namely: seulaweut (opener), saleum (greeting), kisah (content), and lanie (closing). Each act has a distinctive structure of movement, Rapa'i beat, and poetry. In addition to functioning as entertainment, this performance is also a medium for proselytizing and preserving the cultural and religious values of the Acehnese people. The main property used is Rapa'i, Islamic nuanced closed clothing, and a movement system that reflects local wisdom.
Keywords
How to Cite

Yuli Astuti, et al. (2025). Bentuk Penyajian Tari Rapa’I Geleng di Sanggar Pocut Baren MAN Model Banda Aceh. Jurnal Riset Rumpun Seni, Desain dan Media, 4(1). https://doi.org/10.55606/jurrsendem.v4i1.5947

Yuli Astuti; Samsuri Samsuri; Ilham Septian, " Bentuk Penyajian Tari Rapa’I Geleng di Sanggar Pocut Baren MAN Model Banda Aceh," Jurnal Riset Rumpun Seni, Desain dan Media, vol. 4, no. 1, 2025.

Yuli Astuti; Samsuri Samsuri; Ilham Septian. " Bentuk Penyajian Tari Rapa’I Geleng di Sanggar Pocut Baren MAN Model Banda Aceh." Jurnal Riset Rumpun Seni, Desain dan Media, vol. 4, no. 1, 2025.

Yuli Astuti; Samsuri Samsuri; Ilham Septian. " Bentuk Penyajian Tari Rapa’I Geleng di Sanggar Pocut Baren MAN Model Banda Aceh." Jurnal Riset Rumpun Seni, Desain dan Media 4, no. 1 (2025).

Yuli Astuti, et al. (2025) ' Bentuk Penyajian Tari Rapa’I Geleng di Sanggar Pocut Baren MAN Model Banda Aceh', Jurnal Riset Rumpun Seni, Desain dan Media, 4(1). doi: 10.55606/jurrsendem.v4i1.5947.

Yuli Astuti; Samsuri Samsuri; Ilham Septian. Bentuk Penyajian Tari Rapa’I Geleng di Sanggar Pocut Baren MAN Model Banda Aceh. Jurnal Riset Rumpun Seni, Desain dan Media. 2025;4(1).

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