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Menampilkan 1–5 dari 5 artikel
Penerapan Metode Struktur Tiga Babak dalam Penulisan Naskah pada Video Feature “Porter: Ketidakpastian yang Dikerjakan”
Tanti Nur Apriani
; Kokom Komariah
; Efi Fadillah
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Vol 3
, No 2
(2026)
This final project was an audiovisual feature video that explored the issue of uncertainty among informal sector workers, particularly porters at train stations. The work was motivated by the limited representation of porters, despite their important role in supporting transportation services. This report aimed to explain the application of the three-act structure in scriptwriting, consisting of Act I (Set Up), Act II (Confrontation), and Act III (Resolution). The production process included pre...
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Pengelolaan Unsur Sinematografi oleh Director of Photography pada Film Dokumenter “Mindful Sip: Matcha Beyond The Trend”
Aprilia Rachma
; Dian Wardiana Sjuchro
; Kokom Komariah
Ekspresi : Publikasi Kegiatan Pengabdian Indonesia
Vol 3
, No 2
(2026)
The development of documentary films in Indonesia has encouraged the need for presenting reality in an informative manner while maintaining strong visual quality. Documentary films were no longer viewed merely as a medium for recording facts, but also as a creative medium capable of delivering social messages through a cinematic approach. Cinematography became an important element because it played a role in constructing meaning, atmosphere, and viewing experience through well-directed visual ma...
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Penerapan Narasi Ekspositoris pada Penulisan Naskah Film Dokumenter "Mindful Sip: Matcha Beyond the Trend"
Ranissa Azahra
; Dian Wardiana Sjuchro
; Kokom Komariah
Ekspresi : Publikasi Kegiatan Pengabdian Indonesia
Vol 3
, No 2
(2026)
Documentary film scriptwriting is a crucial element in structuring and delivering information coherently to audiences. This article examines the application of expository narrative in the scriptwriting of the documentary film Mindful Sip: Matcha Beyond the Trend, which addresses the social phenomenon of matcha consumption among Generation Z in Indonesia. The creative process was conducted through pre-production, production, and post-production stages, with scriptwriting as the primary focus. The...
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Implementasi Teknik Pengambilan Gambar oleh Director of Photography pada Produksi Video Feature Human Interest "Porter: Ketidakpastian yang Dikerjakan"
Evelyne Alifia Sekarputri
; Kokom Komariah
; Efi Fadillah
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Vol 3
, No 2
(2026)
The role of the Director of Photography (DoP) is fundamental in translating narrative concepts into visual language within audio-visual productions. This study examines the implementation of cinematographic techniques applied by the DoP in producing the human interest video feature "Porter: Ketidakpastian yang Dikerjakan" (Porter: Uncertainty at Work). The feature documents the daily lives of porters at Bandung Station, shedding light on the occupational uncertainty they face as informal sector...
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Penerapan Metode Struktur Tiga Babak dalam Penulisan Naskah Film Dokumenter “Tanah dan Waktu”
Kinanti Sasi Kirana
; Kokom Komariah
; Andri Yanto
Jurnal Pengabdian Kepada Masyarakat
Vol 5
, No 3
(2025)
The three-act structure is applied in the scriptwriting of the documentary film Tanah dan Waktu. This audiovisual work explores the issue of the existence of ceramic art in the current era. The purpose of its creation is to explain the application of the three-act structure in documentary scriptwriting: Act I (Set Up), Act II (Confrontation), and Act III (Resolution). The creation process includes Pre-Production, Production, and Post-Production stages, with a main focus on scriptwriting as it pl...
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