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This study aims to describe the forms and social functions of code-switching and code-mixing in the film Hujan Bulan Juni and to explain how language choice represents identity and social differences among the characters. The film was chosen because it portrays interactions between characters from different cultural backgrounds Javanese and Manadonese which allows for complex patterns of language contact. The study employed a descriptive qualitative method using observation and note-taking techniques on dialogues containing Indonesian, Javanese, and Manadonese linguistic elements. The data were analyzed using the sociolinguistic frameworks of Gumperz (1982) and Wardhaugh (2015) to uncover the social functions and identity meanings reflected in the speakers’ language choices.The findings reveal that code-switching from Indonesian to Manadonese serves to reinforce ethnic solidarity, emotional closeness, and cultural pride, while switching from Indonesian to Javanese reflects politeness, intimacy, and social hierarchy. Meanwhile, code-mixing between Indonesian and Manadonese marks distinctive speech styles and expresses regional identity, whereas code-mixing between Indonesian and Javanese functions to soften utterances and portray the speakers’ courteous demeanor. Overall, language choice in Hujan Bulan Juni is not merely a communicative tool but also a representation of identity and social differentiation within Indonesia’s multilingual society.

Song lyrics are a series of words that form a song, consisting of several stanzas, refrains or choruses. Forming song lyrics is not as easy as compiling an essay, but it can be obtained in the form of one's expression such as experiences that have been experienced, things that have been seen or heard, and various inspirations. The writer will express his experience by doing word games and language so as to create interest and distinctiveness in the lyrics or verses. This research is qualitative research and uses qualitative descriptive methods, namely interpreting and describing data. The main object of his research was the song "By My Side" composed by David Choi and Dewi Dee Lestari. Using suposive sampling techniques, trianggulation of data and theory, descriptive analysis techniques and data collection, by reading and recording them.. Aims to know what languages are used and what message to convey. The result is that the code mix contained in the lyrics of the song is mix the code inward, which is Indonesian, and mix the code out, which is English.

This research focuses on code mixing that occurs in uploads to the Instagram account @ganjar_pranowo. Data were obtained from Instagram social media relating to multilingual and bilingual interaction processes that occur in society. All data was obtained and presented using a descriptive qualitative approach. The research method used is descriptive qualitative, with data collection techniques using listening techniques. The method used to write data is the equivalent method with the translational equivalent technique. The data consists of uploading sentences in Indonesian, Javanese and English on the Instagram account of Ganjar Pranowo (@ganjar_pranowo). There are 11 data showing internal code mixing, consisting of 6 forms of words, 4 forms of phrases and 1 form of sentences. In internal code mixing, all data is in Javanese. There are 15 data showing external code mixing which are divided into 8 data in the form of words and 7 data in the form of phrases. External code mixing consisted of 14 data in English and only 1 data in another foreign language, namely Korean. The entire function of code mixing on the Instagram account @ganjar_pranowo is to familiarize and attract readers' attention.

Penelitian ini memaparkan  tentang campur kode dalam penggunan bahasa pada lirik lagu Kis Band. Tujuan penelitian ini untuk  membahas 1).  Bentuk-bentuk campur kode berdasarkan tata tingkat perangkat kebahasaan dan berdasarkan unsur bahasa serapan dalam lirik lagu dari Kis Band, 2). Unsur-unsur apa saja yang dicampur dalam lirik lagu dari Kis Band, dan 3) faktor apa sajakah yang memengaruhi terjadinya campur kode pada lirik lagu dari Kis Band. Penelitian ini dilaksanakan berlandaskan pada teori campur kode oleh Muysken (2000) dan Ju (2009). Desain penelitian ini adalah deskriptif kualitatif. Teknik pengumpulan data penelitian ini antara lain: Metode simak dan  observasi. Data penelitian ini dianalisis menggunakan metode agih. Bentuk hasil analisis data menggunakan metode formal dan informal. Hasil analisis data menunjukkan bahwa 1) jenis campur kode Insersi, alternasi, dan leksikalisasi kongruen adalah jenis jenis campur kode yang digunakan pada lirik lagu kis band; 2. Kata seperti playboy, frasa seperti jadi pemenang, kata yang terintegrasi secara morfologis dengan prefiks bahasa Bali nge- seperti ngekiss dan klausa lari dari kenyataan merupakan unsur-unsur yang dicampur dalam lirik lagu kis band 3) Beberapa faktor yang mempengaruhi campur kode yang terjadi di dalam lirik lagu Kis Band antara lain 1). Persepsi tentang latar belakang bahasa bicara, 2). dominasi bahasa, 3). sikap bahasa, dan 4). motivasi psikolinguistik untuk mengisi kesenjangan leksikal, dan pencampuran dalam kata atau frasa yang sering diakses. Kata Kunci: Campur Kode, Lirik Lagu, Faktor Campur Kode

Generally, people use the everyday language that they apply in their surrounding environment and it is not uncommon for the use of Indonesian to be tucked into their native language and foreign languages. This research only focuses on finding and determining the amount of code mixing used when reading short messages by broadcasters from RIS FM radio listeners. According to Suardi, there are 3 types of code mixing, namely inner code mixing, outer code mixing and hybrid code mixing. This research is a literature study so it does not require a special location for the research. This study aims to identify and describe the use of code mixing in the reading of short messages by broadcasters from RIS FM radio listeners. Based on the research results obtained from the tape recorder and notes, it was found that there was internal code mixing, external code mixing, and mixed code mixing in the form of words and sentences.