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This study aims to carry out a thorough analysis of the use of stylistic elements, particularly in terms of diction and language style, as applied by Pitoyo Amrih to shape the character of Gatotkaca in the novel Sisi Gelap Gatotkaca. The character of Gatotkaca, traditionally depicted as a flawless heroic figure, is reimagined by the author through a more humanistic and reflective linguistic approach. Using a qualitative descriptive method alongside stylistic literary criticism, this article examines how linguistic units within the text serve as rhetorical tools to reveal internal conflicts, existential burdens, and the darker aspects of the main character. The analysis process involves identifying word choices that carry a melancholic tone as well as the prominent use of figurative language, including comparisons, contrasts, and emphatic statements. The findings indicate that the use of archaic and philosophical diction, combined with sharp irony and metaphor, effectively transforms the image of Gatotkaca from merely a symbol of physical strength into a representation of human psychological fragility. This research contributes to literary criticism by highlighting how an author’s language style can alter readers' perceptions of established myths within society's culture.

This study aims to analyze the figurative language in the novel Hujan by Tere Liye using a stylistic approach and to evaluate its relevance as teaching material for Indonesian language education. The main focus is on comparative figurative language such as personification, metaphor, simile, and hyperbole found in the novel. The research method applied is qualitative descriptive, with data collection through reading, noting, and classifying stylistic elements. The results show that these figurative languages play an important role in enriching the aesthetic value of the work, developing character portrayal, creating atmosphere, and effectively delivering moral messages. Moreover, the use of these stylistic features can help students improve their literary appreciation and language skills more deeply. Therefore, the novel Hujan is suitable as instructional material to enhance students’ interest and understanding of literary works

This research was motivated by analyzing the use of language styles in the novel Garis Tiket by Fiersa Besari. Language style in writing literary works has an important role in fiction stories because it is one of the factors that can determine whether a literary work is good or bad. Therefore, the author uses an interesting language style to express his ideas. The novel timeline by Fiersa Besari is a fictional story that uses various forms of language styles and has its own characteristics. The formulation of the problem in this research is how the language style manifests itself in the novel Garis Tiket by Fiersa Besari. The aim of this research is to describe the form of language style in the novel Garis Tiket by Fiersa Besari. The research method used is qualitative descriptive research. Qualitative research was used to analyze the form of language style in the novel Garis Tiket by Fiersa Besari. The data source used in this research is the written data source in Fiersa Besari's second edition of the novel Garis Uangi in 2021, which consists of 211 pages. The data in this research are paragraphs in the form of all the words, phrases, clauses and sentences contained in the novel Garis Kunci by Fiersa Besari. Based on the results of research analysis of the form of language style in the novel Garis Zaman by Fiersa Besari, forty-seven data were found, including five data for simile language style, three data for metaphor, six data for epic parables, eleven data for personification, ten data for metonymy, four data for synecdoche. and allegories totaling eight data. The language style most often used in the novel Garis Analisa by Fiersa Besari is personification.

This research was motivated by analyzing the use of language styles in the novel Garis Tiket by Fiersa Besari. Language style in writing literary works has an important role in fiction stories because it is one of the factors that can determine whether a literary work is good or bad. Therefore, the author uses an interesting language style to express his ideas. The novel timeline by Fiersa Besari is a fictional story that uses various forms of language styles and has its own characteristics. The formulation of the problem in this research is how the language style manifests itself in the novel Garis Tiket by Fiersa Besari. The aim of this research is to describe the form of language style in the novel Garis Tiket by Fiersa Besari. The research method used is qualitative descriptive research. Qualitative research was used to analyze the form of language style in the novel Garis Tiket by Fiersa Besari. The data source used in this research is the written data source in Fiersa Besari's second edition of the novel Garis Uangi in 2021, which consists of 211 pages. The data in this research are paragraphs in the form of all the words, phrases, clauses and sentences contained in the novel Garis Kunci by Fiersa Besari. Based on the results of research analysis of the form of language style in the novel Garis Zaman by Fiersa Besari, forty-seven data were found, including five data for simile language style, three data for metaphor, six data for epic parables, eleven data for personification, ten data for metonymy, four data for synecdoche. and allegories totaling eight data. The language style most often used in the novel Garis Analisa by Fiersa Besari is personification.

This research aims to determine the use of language styles, describe the diction and message to be conveyed in the poem "Perempuan yang Tergusur" by W.S Rendra. So also the poem " Perempuan yang Tergusur " is a poem with a theme of protest or social criticism. The problem of this research is how the language style in the poem " Perempuan yang Tergusur " is used by Rendra to voice social criticism of the reality that occurred. The method and theoretical basis used in this research is stylistics. Based on the analysis that has been carried out, the results obtained are that Rendra uses several language styles of similes, comparisons and contradictions to describe the problems presented in the poem.

This research discusses the analysis of language style in the lyrics of the song “Hati-Hati Di Jalan” by Tulus with a stylistic study. The reason the author chose this song is 1) The song lyrics have a language style that can be studied, 2) So that listeners know the meaning of the song they are listerning to, 3) The song lyrics can also be used as teaching material for Indonsian language subjects. The problems formulations of this research is “What is the language style of the lyrics of the song Hati-Hati Di Jalan by Tulus?” The research method used is descriptive qualitative with note-taking techniques. Based on the research result, there are three types of language found in song lyrics, including comparative figures of speech, affirmative figures of speech, and satirical figures of speech.

The study is intended to identify the use of figures of speech (majas), describing the words of heri isnaini's "love maqomat" poem. The source of data on this study is one of the poems of the heri isnaini poem called "light meditation," published in July 2017. This type of research involves qualitative methods. The theory used is that of sticism with the approach of sticism. The poem "maqomat of love" is analysed and discussed in a theological way to learn the implied meaning of the language heri isnaini through the application of style (majas), thus revealing the meaning of the poem "maqomat of love" clearly by the writer. This study of heri isnaini's maqomat love poem mentions that the language (majas) used is a form of retraction. The "reiteration" is a "pararism"; it is the "prescriptive" that describes something by repeating a word or a few words over and over again. A type of pararism applied to the poem "maqomat love" is anafora magician.

The study is intended to identify the use of figures of speech (majas), describing the words of heri isnaini's "love maqomat" poem. The source of data on this study is one of the poems of the heri isnaini poem called "light meditation," published in July 2017. This type of research involves qualitative methods. The theory used is that of sticism with the approach of sticism. The poem "maqomat of love" is analysed and discussed in a theological way to learn the implied meaning of the language heri isnaini through the application of style (majas), thus revealing the meaning of the poem "maqomat of love" clearly by the writer. This study of heri isnaini's maqomat love poem mentions that the language (majas) used is a form of retraction. The "reiteration" is a "pararism"; it is the "prescriptive" that describes something by repeating a word or a few words over and over again. A type of pararism applied to the poem "maqomat love" is anafora magician.

The results of this paper examine the use of language styles in the lyrics of the song Palestine Beloved by Shoutul Harokah through stylistic studies. The language of this song's lyrics is an expression of the writer's emotions which is manifested in the form of song lyrics or words. The method used is a qualitative descriptive method. The qualitative descriptive method is research that uses a post-positivist philosophical basis. The aim of this research is to interpret or describe the use of language styles in the lyrics of the song Palestine Beloved. The results of the research that has been carried out show that the use of language styles in this song mostly uses personification language styles, apart from that there is also the use of anadiplosis and synecdoche language styles.

The results of this paper examine the use of language styles in the lyrics of the song Palestine Beloved by Shoutul Harokah through stylistic studies. The language of this song's lyrics is an expression of the writer's emotions which is manifested in the form of song lyrics or words. The method used is a qualitative descriptive method. The qualitative descriptive method is research that uses a post-positivist philosophical basis. The aim of this research is to interpret or describe the use of language styles in the lyrics of the song Palestine Beloved. The results of the research that has been carried out show that the use of language styles in this song mostly uses personification language styles, apart from that there is also the use of anadiplosis and synecdoche language styles.

This article is intended to know the characteristics of the collection of poems June Rain through the description of the use of figurative language to find out the author's message. This study used the descriptive-anatiltis method, meaning that every data that has been obtained is then analyzed. Qualitative data obtained from the results of a study of the use of figurative language, fifteen poems of June Rain have different characteristics, overall the figurative language used is comparison (metaphor and personification), contradiction (oxymoron, climax, and litotes), linkage (synecdoke and erosthetic), repetition of the type of repetition and expression but there is a dominant figurative language used by poets, namely the use of language Kias type personification. While the author's message in the fifteen poems is related to human social life, namely there are those with the theme of love, longing, sadness, to those with the theme of death. Furthermore, based on the results of the study of the use of figurative language to find out the author's message, guidelines for the use of teaching materials and the thoughts of teachers of Indonesian subjects, the collection of June Rain poems can be used as material or teaching materials because they contain good values based on the results of the analysis.

Artikel ini membahas gaya bahasa pada puisi “Hanya” karya Sapardi Djoko Damono. bertujuan untuk mengetahui gaya bahasa yang terdapat pada puisi.  Metode penelitian yang digunakan adalah metode penelitian deskriptif kualitatif. Gaya bahasa puisi pada penelitian ini dianalisis dengan teori gaya bahasa Gorys Keraf. Teknik pengumpulan data berupa teknik pencarian bibliografi dan merepresentasikan dokumen yang berhubungan dengan objek. Data penelitian pada artikel ini berupa kata, frasa, klausa dan kalimat yang terdapat pada puisi “Hanya” karya Sapardi Djoko Damono bersifat romantisme. Hasil penelitian ditemukan dua gaya bahasa yaitu anafora dan aliterasi termasuk gaya bahasa berdasarkan langsung tidaknya makna.

Tujuan dari penelitian ini adalah untuk mendeskripsikan gaya bahasa yang digunakan pada lirik lagu grup musik Figura Renata pada album Runtuh Tepat Waktu. Metode penelitian yang digunakan untuk menganalisis lirik lagu Figura Renata adalah dengan menggunakan metode deskriptif. Pendekatan yang digunakan pada penelitian ini adalah dengan menggunakan pendekatan stilistika. Teknik pengumpulan data yang digunakan pada penelitian ini dengan teknik baca dan teknik catat. Gaya bahasa yang terdapat pada lirik lagu tersebut diantaranya gaya bahasa perbandingan, gaya bahasa pertentangan, gaya bahasa pertautan, dan gaya bahasa perulangan. 

Penelitian ini membahas tentang analisis aspek-aspek yang terdapat pada puisi “Meditasi Waktu” karya Heri Isnaini dengan pendekatan Stilistika. Aspek yang dianalisis yaitu gaya bahasa, diksi, majas, dan citraan untuk mengetahui nilai estetis atau keindahan pada puisi tersebut. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif dengan pendekatan stilistika, karena bersifat mendeskripsikan. Gaya bahasa, diksi, majas, citraan karya sastra lahir dari sebuah pemikiran seseorang yang dihasilkan karena perenungan dan penghayatan terhadap sesuatu. Karya sastra memiliki nilai estetis tertentu yang membuat karya tersebut terlihat indah bagi pembaca. Dalam puisi “Meditasi Waktu” karya Heri Isnaini ini, pengarang banyak menggunakan gaya bahasa dan makna konotasi dalam sebuah puisi dengan tujuan untuk menunjukkan nilai estetis atau keindahan puisi tersebut.

Artikel ini membahas kajian stalistika dan pesan moral pada puisi “Sajak Putih” karya Sapardi Djoko Damono. Fokus pembahasan artikel ini memiliki ciri khas tersendiri yang diuraikan dalam diksi, citraan, majas dan pesan moral. Penelitian ini menggunakan metode deksriptif kualitatif. Sumber data pada penelitian ini adalah puisi karya Sapardi Djoko Damono yang berjudul “Sajak Putih”, yang terbit perdana pada tahun 1967. Data yang diteliti di dalam puisi ini berupa kata, kalimat, dan wacana yang nantinya akan diteliti dari baris per baris, guna untuk mengetahui penggunaan diksi, citraan, majas dan pesan moral. Hasil pembahasan artikel ini menunjukan bahwa puisi Sapardi Djoko Damono menggunakan diksi yang sederhana yang mudah dipahami dan komunikatif, tetapi mengandung makna yang sangat mendalam dan tidak menghilangkan nilai – nilai estetika pada puisi tersebut. Penggunaan citraan membangkitkan imajinasi pembaca melalui ungkapan yang tidak langsung. Pesan yang disampaikan pada puisi tersebut berkaitan dengan hubungan pelajaran kehidupan manusia dan lingkungannya.

Artikel ini mendeskripsikan tentang majas dan citraan dalam puisi “Bawa Saja Aku” karya Heri Isnaini. Metode yang digunakan adalah deskriptif kualitatif dengan pendekatan stalistika, teknik pengumpulan data yang digunakan adalah teknik pustaka, teknik pustaka ini merupakan teknik cara memahami isi dari puisi “Bawa Saja Aku” karya Heri Isnaini, mencatat berbagai kata, frasa, dan kalimat yang mengandung majas dan juga citraan kedalam bentuk tulis lalu membaca puisi tersebut dengan teliti dan dipilih bagian puisi yang relevan untuk data yang akan dikaji. Sumber data berasal dari buku kumpulan puisi Montase Sepilihan Sajak karya Heri Isnaini. Pengolahan data dilakukan dengan mencari majas dan citraan yang terdapat dalam puisi puisi “Bawa Saja Aku” karya Heri Isnaini. Hasil yang diperoleh menunjukkan bahwa dari segi bahasanya, puisi ini memiliki kata-kata yang menggunakan makna denotasi dan makna konotasi dalam setiap lariknya. Selain itu, didalam puisi ini juga terdapat majas personifikasi. Citraan yang terdapat dalam puisi ini yaitu citraan visual(mata), citraan gerak, citraan meraba, citraan perasaan dan citraan pendengaran.

Artikel ini membahas puisi “Sajak Malam” karya Heri Isnaini pada buku Montase Sepilihan Sajak. Puisi tersebut dibahas menggunakan pendekatan stilistika, yakni dengan menganalisis gaya bahasa dan makna diksi. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan menempatkan puisi sebagai data dan objek penelitian. Hasil penelitian ini menunjukkan bahwa puisi “Sajak Malam” karya Heri Isnaini terdapat gaya bahasa atau majas Metafora, Hiperbola dan Personifikasi. Selain gaya bahasa pada puisi “Sajak Malam” karya Heri Isnaini juga terdapat makna referensial, konotatif, denotatif dan kolokasi.

  This research was conducted to examine a short story entitled "Nothing is crazy in this city" by Eka Kurniawan in an anthology of short stories entitled Love is not dead. In this short story study contains two study materials in it, namely the study of stylistics and structure in the short story "Nothing is crazy in this city". The stylistic study referred to according to Tuloli in Lafamane (2020) stylistics or stylistics in general talks about the use of a distinctive or special language, which is the hallmark of a writer, literary school, or also deviations from everyday language or from normal or normal language. standard, and so on. In this study, the short story contains aspects of the provisions of stylistic studies, such as sound style, sentence style, discourse slot gacor, figurative language and imagery. Then the short story has the stages of the short story as a coherent structure, including: Abstraction, orientation, complication, evaluation, resolution and code.