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Penelitian ini bertujuan untuk mengetahui bagaimana pesan dakwah dalam film Hati Suhita yang diproduksi oleh Starvision Plus. Film termasuk kelompok komunikasi massa yang memiliki aspek hiburan serta edukatif. Tak hanya sebagai hiburan, film juga mengandung banyak pesan-pesan yang bisa merepresentasikan pesan dakwah dalam kehidupan sehari-hari. Oleh karena itu, penulis tertarik untuk melakukan penelitian tentang pesan dakwah dalam film Hati Suhita. Penelitian ini menggunakan jenis penelitian kualitatif. Dalam penelitian ini, alat analisis menggunakan teori semiotika Roland Barthes yaitu dua tingkatan pertandaan, denotasi dan konotasi. Dimana peneliti menganalisis pesan dakwah yang ada dalam film Hati Suhita. Pesan dakwah terbagi menjadi tiga, yaitu pesan akidah, pesan syariah dan pesan akhlak. Berdasarkan hasil penelitian dapat disimpulkan bahwa film Hati Suhita mengandung pesan dakwah: akidah, syariah dan akhlak. Pertama, Pesan dakwah akidah dalam film ini tergambar pada saat Gus Birru mengucap Istigfar karena lupa membaca do’a sebelum makan. Pesan Syariah dalam film ini tergambar pada saat Abah beserta keluarga Sholat Berjamaah di cafe milik Gus Birru memperlihatkan untuk tidak menunda waktu sholat. Pesan akhlak tergambar pada saat Alina memberi maaf suaminya Gus Birru setelah menyakiti perasaannya.

The aim of this research is to enhance spiritual awareness, strengthen faith, and encourage people to behave positively. In the horror film "Hidayah," using Roland Barthes' semiotic approach, this research employs a qualitative descriptive method. The horror film "Hidayah" tells the story of Bahri, a young cleric, who tries to bury his past while working in the city. However, after returning to Mekarwangi village, where he was raised, he experiences supernatural events. According to the results of this research, the film "Hidayah" contains messages of Sharia, morality, and faith as part of its religious teachings. 

Islam is a regligion that calls on its followers to carry out da’wah, one of the da’wah contained in the film nussa and rarra is da’wah in the form of animations, the nussa and rarra animations contain many preaching messages, one of which is in the episode adab yawning and not sleeping after dawn, by therefore, this research changes peoples’s thingking by analyzing the nussa and rarra animations. this research aims to find out what kind of message of preaching faith, sharia and morals contained in the animated film nussa in the episode of adab yawning and don’t sleep after dawn and to find out the meaning of denotation and connotation using Roland Barthes semiotic theory. this research uses descriptive qualitative research method. the researcher, using Roland Barthes semiotic analysis research approach, to dissect the meaning of denotation and connotation in the episode of adab yawning and not sleeping after dawn. Roland Barthes semiotic analysis which examines the signifier and signified of an object. the results of research on the animated film nussa, the episode of the adab of yawning and not sleeping after dawn, namely that the message of preaching  the faith is depicted through dialogue between mother, nussa, and rarra. what speks about everything is the will of Allah which is a form of tawakal. apart from that, the message of syariah da’wah can be seen in the characters played by umma (mother) and rarra (nussa’s sister) who wear the hijab. and finnaly the message of moral preaching which is reflected in the dialogue of maintaining manners, apologizing and saying thank you.