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Amid the accelerating rhythm of digital culture, academic competition, and the changing patterns of student life in higher education, the formation of Muslim student character has become an increasingly urgent concern. A campus mosque can no longer be viewed merely as a place of worship; it must also be understood as a strategic nonformal Islamic educational space that nurtures spirituality, morality, social awareness, and student identity in a more contextual way. This study aims to analyze the role of the campus mosque as a space for shaping Muslim student character through the Islamic mentoring program at Masjid Syamsul Ulum, Telkom University. This research employs a descriptive qualitative approach based on document study and thematic analysis of scholarly articles, mentoring program documents, and relevant works on campus mosques, religious moderation, and student character education. The findings show that the mentoring program at Masjid Syamsul Ulum is systematically designed through a clear structure, curriculum, methods, evaluation tools, and mentor regeneration, all of which are integrated with the institutional values of Harmony, Excellence, and Integrity. Socioculturally, the program functions not only as a medium for religious instruction but also as a process of value internalization, habituation of religious practice, strengthening of moderation, and construction of Muslim student identity within a technology-oriented university environment. This study proposes a conceptual understanding that the campus mosque can serve as a strategic space for shaping Muslim students who are religious, moderate, collaborative, and adaptive in the digital era.

In the era of globalization, language proficiency in early childhood is crucial for supporting their cognitive and social development. At RA Masjid Al Akbar Surabaya, a bilingual program (Indonesian-English) is implemented for Group B to optimize children's language skills. This study aims to analyze the impact of the bilingual program on children's speaking, listening, and language comprehension aspects. The research method used is descriptive qualitative, with data collection techniques through observation, interviews with teachers and parents, and documentation. The subjects of the study are children in Group B who participate in the bilingual program. The results show a positive impact of the bilingual program on children's language development. Children are able to interact actively in both languages, both in speaking and listening, and show improvements in language comprehension. This bilingual program has proven effective in enhancing children's communication skills and supporting holistic language development from an early age. Therefore, the bilingual program at RA Masjid Al Akbar can be used as a model for developing language skills in early childhood to prepare them for the challenges of globalization in the future.

In Indonesia, waqf generally takes the form of land that is used for mosques, prayer rooms, schools, cemeteries and homes for orphans, although the object of waqf is not limited to land alone. A clear waqf certificate is important to provide legal certainty regarding the ownership and use of waqf land, because without this certainty, ownership or management disputes could hamper the use of waqf assets for the public interest. Law Number 41 of 2004 concerning Waqf regulates waqf as a concrete effort to deal with waqf problems, but many people have not officially registered waqf land, which has the potential to cause conflict in the future. An example is the case that occurred at the Jami Nurul Islam Mosque, which is located in Koja, North Jakarta, DKI Jakarta, Indonesia. This research will discuss the legal consequences of the absence of a waqf pledge deed and resolving waqf land disputes through alternative methods, using normative legal research Keywords : Waqf, Waqf Disputes, Alternative Methods.

This study examines and analyzes the strategies of mosques as a medium for empowering the community's economy in the city of Watampone. The main focus of the research is to identify the types of strategies implemented by mosques, the challenges faced in carrying out economic programs, and to formulate effective strategies for improving community welfare based on mosque-centered initiatives.The research method used is qualitative descriptive, with data collected through interviews, observations, and documentation of four main mosques in Watampone City: Masjid Agung al-Malkaz al-Ma’arif, Masjid Nurul Hamirah, Masjid Tua Al-Mujahidin, and Masjid Songko’ Recca. The findings reveal that mosques in Watampone have implemented two strategic approaches to economic empowerment: offline (physical) and online (digital). (1) Offline strategies are carried out through the utilization of physical assets such as hall rentals, the establishment of business units, and the organization of social and educational activities.(2) Online strategies are still limited to the use of QRIS for donations and da'wah media, and have not yet extended to digital economic empowerment such as sharia-based marketplaces or online training platforms. In practice, mosques utilize several Islamic economic contracts, including ijarah, muḍarabah, and wakalah. The implementation of these empowerment programs faces several internal and external challenges. This study formulates six effective strategies to address these challenges. These findings are expected to serve as strategic recommendations for mosque administrators, government institutions, and the broader community in enhancing the role of mosques as centers of community economic empowerment.

Al-Mashun Grand Mosque Medan, the design of this mosque is a representation of Malay cultural and religious symbolism in Islamic architecture in Indonesia. This mosque was founded in 1906, this mosque is a complex and multifaceted topic. The architectural design of this mosque is not only visually aesthetic, but also represents the spiritual and traditional values ​​of the local community. Analyze cultural symbolism in structures, ornaments, and decorations how each chosen detail contains philosophical and religious meaning. Islamic geometric decoration symbols in the form of calligraphic flowers, and floral shapes are used to bring religious principles and universal harmony to life. Local elements such as wood and natural stone add an authentic element. Elements of cultural symbolism, it can be understood how detailed the exterior and interior design is with the identity of the local people of North Sumatra, with this article to sharpen the understanding of cultural symbolism in the design.

Each architectural style reflects the prevailing culture, technology, and social needs of its time, and is an important component of the building's image. Architectural style refers to the design characteristics, forms, elements, and aesthetics used to create a building. This research aims to find out the details of the architectural style and its implementation of the Pasujudan Ayodya Mosque building. The research method used is qualitative and data analysis includes observation through literature studies, visual documentation, and analysis of modern architectural theory and its application. The Pasujudan Mosque in Semarang applies the basic principles of art and architecture, referring to the arrangement of elements that harmonize with each other, balance, aesthetics, and materialization. Modern architecture influences the  design of the mosque, combining elements of modern architecture with traditional Islamic design.

Layur Mosque is one of the historic mosques in Semarang City that holds high architectural and cultural value. Built in the 18th century by the Arab community in the Pekojan area, this mosque has undergone various physical changes that reflect the dynamics of its social, cultural, and environmental surroundings. This study aims to examine the development of the Layur Mosque's architectural form over time through a qualitative descriptive approach. Data was collected through direct observation, literature review, and interviews with community leaders and mosque administrators. The findings reveal that the changes in the mosque's architectural form can be divided into several phases, starting from its initial tropical-style design with Middle Eastern influences, to modern renovations that retain distinctive elements such as the minaret and overlapping roof. These changes were not only driven by functional needs but also influenced by the cultural and social development of the local community. These findings emphasize that the structure of a mosque can serve as a visual historical source reflecting the journey of a community over time.

The Great Mosque of Tegal City is a historic building that has undergone numerous renovations since its establishment in 1825-1830. These renovations aimed not only to meet the functional and capacity needs of worshippers but also reflected modern architectural trends, occasionally compromising historical elements. This study employs a qualitative approach using documentation, observation, and literature synthesis methods to analyze the mosque's architectural changes. Using John Obert Voll's "continuity and change" theory, the research identifies the preserved original architectural elements and the modifications made. The findings reveal that while several original features, such as the mosque's core structure, remain intact, significant changes in renovations—such as the addition of floors, towers, and alterations to the gate design—have impacted the mosque's historical and aesthetic values. The study recommends the preservation of historical elements to maintain the mosque's cultural identity.

Cultural influences have changed the design of mosques in the past and present, causing differences in some respects. This research focuses on Bandung City, namely on Cipaganti and Al-Jabbar mosques as representations of the past and present. Using a qualitative and comparative approach, data was collected through triangulation of interviews, observation, and documentation. The analysis refers to the theory of Islamic Architecture Typology including architectural aspects (typology of space and form) and contextual aspects (function and style). The findings show that the Cipaganti and Al-Jabbar Mosque designs show significant differences in the development of Islamic culture in Bandung. Cipaganti has many traditional elements and local culture, while Al-Jabbar adopts a modern and multifunctional approach, creating a broader social and educational center.

The Great Mosque of Demak is one of the oldest mosques on the island of Java, this mosque was built in the 15th century AD, with a unique architectural style that reflects the acculturation of Hindu-Javanese culture in harmony with Islamic principles. In writing this article, the author uses a qualitative approach method with a descriptive method. This approach was chosen to deeply understand the phenomenon of the form and space of the architecture of the Great Mosque of Demak through direct observation and data analysis. The acculturation of Hindu-Buddhist culture seen in the Great Mosque of Demak is found in the use of the tumpeng concept on its roof which is similar to the shape of a Hindu-Buddhist temple and also the shape of the pillars and the structure of the room are inspired by the Hindu-Buddhist pendopo architecture. Acculturation of Javanese culture is also applied to its roof which is in the form of a three-tiered pyramid, the use of wood as a building material, four main pillars (Saka Guru), Bulus ornaments, and Tajug typology. The Great Mosque of Demak is one of the most prominent examples of cultural and architectural acculturation in Indonesia. This mosque has succeeded in uniting local Javanese elements with Islamic traditions, creating a unique and meaningful building.

Istiqlal Mosque, located in Jakarta, is an important symbol of Indonesian independence and the largest mosque in Southeast Asia. Designed by architect Frederich Silaban, the building combines modern architectural design with traditional Islamic elements. The mosque's main function is as a place of worship for Muslims, but it also has important social, religious and educational roles. With a capacity of more than 200,000 worshipers, the mosque is not only a place for congregational prayers, but also a center for activities such as recitation and celebrations of Islamic holidays. The mosque's spacious and open design allows for strong interaction between worshipers, creating social bonds that strengthen their spiritual connection. Apart from being a place of worship, Istiqlal Mosque also reflects a symbol of Indonesia's unity and national identity. Its location next to the Jakarta Cathedral Church illustrates the importance of interfaith tolerance in Indonesia. The mosque is also a center for da'wah and Islamic studies that invites many visitors from various backgrounds to exchange knowledge and deepen their understanding of Islam. As a religious tourism destination, the mosque attracts many tourists who want to experience peace and learn about its history and symbolism. Through its various functions, Istiqlal Mosque not only acts as a place of worship, but also as a social space that strengthens relationships between its users, reflecting the spirit of nationality and deep spirituality.

The Great Mosque of Demak is one of the most significant Islamic historical heritages on the island of Java. Built in the 15th century by Raden Fatah and Walisongo, this mosque symbolizes the beginning of the glory of Islam in the archipelago. Its distinctive architecture depicts the acculturation of Javanese and Islamic culture, with unique elements such as the three-tiered pyramid roof which symbolizes faith, Islam and ihsan, as well as the "Saka Guru," the four main pillars of the mosque which have deep symbolic value. Saka Guru, including Saka Tatal which was assembled from small pieces of wood by Sunan Kalijaga, reflects the values of unity, strength and creativity within limitations. This tradition shows the important role of the Walisongo in spreading Islam as well as introducing mosque architecture that integrates local traditional and religious values. This research uses a qualitative descriptive method, with data collection through expert interviews, literature studies and field surveys. The results of the analysis reveal that Saka Guru not only supports the physical structure of the mosque but also represents the spiritual and cultural values passed down to the people of Demak. In this way, the Great Mosque of Demak has become a symbol of the combination of culture, spirituality and architecture which continues to be relevant today.

The Medan Grand Mosque is an example of a combination of colonial and Islamic architecture in North Sumatra. Built during the Dutch colonial rule, the mosque combines elements of distinctive Western architectural design and Islamic architectural styles, creating a unique and historic work. The existence of the Medan Grand Mosque makes it an architectural icon in the region which reflects the combination of strong colonial influences with the richness of local islamic culture. This article aims to explore the development of the architecture of this mosque as a symbol of religious and cultural identity in the midst of the colonization process, as well as its role in the history of urban development in Medan. Through this study, it is hoped that we can better understand how the Medan Grand Mosque not only functions as a place of worship, but also as a visual symbol that depicts the interaction between local traditions, Islam, and the influence of colonial architecture in North Sumatra.  

The mosque facade is an important element in architectural art that influences visitors' perceptions and experiences. This study focuses on the An-Nur Mosque in Magelang, Central Java, which showcases the integration of traditional Javanese and Islamic architectural elements. The research method used is library research, collecting data from various literature sources, including books, journals, and relevant articles. The results show that the mosque's facade design combines the traditional Javanese joglo roof with domes and minarets, as well as elaborate carvings, creating a unique aesthetic. The use of local materials such as teak wood and andesite stone emphasizes local wisdom, while geometric ornaments and Arabic calligraphy enrich the spiritual meaning. Therefore, the An-Nur Mosque not only serves as a place of worship but also as a symbol of cultural and religious identity for the local community, creating harmony between local culture and Islamic values.

This study examines the forms and symbolic meanings of ornaments in contemporary mosques in Indonesia as a manifestation of the fusion between Islamic values, local traditions, and modernity. Utilizing a qualitative-descriptive research method through comprehensive literature review, the study analyzes various ornaments in several contemporary mosques in Indonesia, such as the Azizi Mosque in Tanjung Pura, the Cheng Hoo Mosque in Surabaya, and the Al Osmani Mosque.  The findings reveal that the ornamentation in Indonesia's contemporary mosques exhibits rich diversity, including geometric, organic, calligraphic, and floral motifs, each with its own uniqueness and characteristics. From a symbolic perspective, these ornaments serve not only as aesthetic elements but also as mediums imbued with philosophical, spiritual, and social values, reflecting the harmony between tradition and modernity. This research highlights how the architecture of contemporary mosques in Indonesia has successfully developed a distinct identity through ornamentation that is not only visually appealing but also deeply meaningful and relevant to the present context. These findings contribute significantly to the understanding of the development of mosque architecture in Indonesia and serve as a reference for designing future contemporary mosques. 

The Pekojan Mosque in Semarang is an example of Islamic architecture that is rich in historical and cultural value. This article aims to analyze the architectural elements contained in this mosque, and how these elements reflect the cultural and spiritual identity of the local community. Through a qualitative descriptive approach, this study identifies the physical and non-physical elements that form the characteristics of the Pekojan Mosque.

This study examines the transformation of mihrab design in contemporary mosque architecture in the modern era through a literature review approach. The mihrab, as an essential element in mosque architecture that marks the direction of the qibla, has undergone significant evolution in its design and application alongside the development of contemporary architecture. Using a descriptive qualitative research method, this study analyzes various sources of literature related to the development of mihrab design, including academic journals, books, and architectural documents. The findings of the study reveal that the transformation of mihrab design not only involves visual changes but also a reinterpretation of deeper symbolic and philosophical meanings. While there are views questioning the compatibility of contemporary designs with Islamic values, this study finds that innovations in mihrab design enrich the architectural heritage of Islam by creating a new visual language that still honors its essential function as a marker of the qibla direction. This research contributes to understanding how Islamic architecture can adapt to modernity while preserving its spiritual values.

This community service program aims to build religious awareness in the community through Maghrib Tilawah activities at the At-Takwa Mosque, Baru Village, Asahan Regency. This program focuses on children and adolescents, with the aim of getting them used to reading the Qur'an after Maghrib prayers. In this activity, participants are accompanied by ustadz and Community Service (KKN) students who provide guidance on tajwid and correct reading. In addition to improving the ability to read the Qur'an, this activity also teaches Islamic moral values ​​and behavior through short lectures delivered after the tilawah session. Based on the results of observations, this activity succeeded in attracting the active participation of around 30 participants each night. The positive impact can be seen from the increase in the ability to read the Qur'an and changes in the behavior of participants who become more religious. Some challenges in implementing the program include fluctuations in the number of participants and the need for extra guidance for children who still have limitations in reading the Qur'an. With continuous evaluation and adjustment, this program is expected to continue to contribute to increasing religious awareness in the community, as well as creating a strong foundation for the future Qur'anic generation.

The problem that occurs in Medan city is the existence of riverside slum settlements, one of which is Aur village. The irregularity of buildings, high building density level, and the quality of buildings and facilities and infrastructure that do not meet the requirements for adequate housing can affect children's development. This research aims to explore children's activities in riverside slum areas. The research method used is exploratory qualitative, namely in the form of interviews and observations. The results of the research show that children spend their time in the afternoon playing and reciting the Koran around Masjid Jami Aur. This shows that the mosque and its courtyard are an important space for children's activities.

The purpose of this study is to find out the form of financial statements and to find out the implementation of ISAK No.35 in the Financial Statements at the Great Mosque of Surakarta. The method used is descriptive qualitative data analysis. The data source uses primary and secondary data collected by researchers using interview, observation and documentation techniques. The researcher conducts data analysis by collecting data, reduce, presenting with the final stage of drawing conclusions. The results of the study show that the financial records of the Great Mosque of Surakarta are known to have a surplus and cash deficit every month. Analysis of the implementation of ISAK No.35 for the preparation of mosque financial statements was not found in the presentation standards carried out in 2023. At the end of the research to prepare the financial statements of the Great Mosque of Surakarta through the implementation of ISAK No.35, a more structured and detailed financial report was made for the entire mosque's finances, not only in terms of cash income and expenditure in the research.