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Misela Audila Jahrani; Aura Salsabila; Alya Amelia Nurhaliza

Publikasi Para ahli Bahasa dan Sastra Inggris 2023 Asosiasi Periset Bahasa Sastra Indonesia

This study aims to find out the differences contained in. German phonological system, Indonesian phonological system. This place of research is not tied to one place because the objects studied are in the form of text, namely Indonesian journals and German. This form of research is qualitative descriptive with content analysis method. The results of this study that Indonesian and German phonological differences are seen in the number of vowel and consonant phonemes. The Indonesian vocal system has five vowel phonemes. German has a relatively more diverse vowel variant than other languages, there are 15 vowels in total. The difference between Indonesian and German consonant phonemes lies in the phonemes /ɔ/ʊ/, /ɛ:/ and /ɛ/, /ø:/and also /œ/ which are not present in Indonesian. Differences in Indonesian and German phonology can make it difficult for Indonesian speakers to understand German, and vice versa.

Praxedis Ajeng Pradita; Eddy Damian; Tasya Safiranita

Jurnal Hukum dan Sosial Politik 2023 International Forum of Researchers and Lecturers

Cinematographic work is protected by law under the Copyright Law No. 28 of 2014 in Indonesia. The fundamental principle is that the Creator is entitled to fair remuneration for the use of their work, in line with the alter-ego concept that gives the highest position to the Creator. In contrast to Indonesia, Germany has clearly regulated the procedures for the collection, management, and distribution of remuneration through the Urheberrechtsgesetz and the Collective Management Organization (CMO) operating with authorization from the Creator. The research method used is juridical-normative with a descriptive analysis approach. This study applies a comparative legal approach, utilizing data from both conventional and online literary sources, as well as interviews. The research findings indicate that Indonesia does not yet have specific regulations to protect the economic rights of digital cinematography. The absence of a Collective Management Organization (CMO) leads to an imbalance in licensing agreements between the Creator and digital platforms as users of cinematographic works.

Lintang Wahyu Charisa Raharjo; Mike Natanael Norend Mandagie; Ariel Angelo Nanlohy; Jeremy Bryce Lim; Aldilla Ranita Purba

JURNAL HUKUM, POLITIK DAN ILMU SOSIAL 2023 Pusat Riset dan Inovasi Nasional

Perang yang terjadi antara dua negara maupun lebih akan mengakibatkan terjadinya pengungsian secara besar guna mencari kehidupan yang lebih layak dan melarikan dari wilayah konflik. Negara-negara anggota Uni Eropa merupakan negara yang mau membuka perbatasan dan menerima pengungsi dari wilayah konflik terutama dari wilayah Timur Tengah. Jerman dengan kebijakan pintu terbuka yang dicetuskan pada masa kepemimpinan Angela Merkel meenrima banyak apresiasi dari banyak pihak. Akan tetapi dampak negative muncul dengan membeludaknya angka kriminalitas di Jerman dan hal ini membuat Jerman secara tidak langsung memikirkan keputusan mereka dalam menerima pengungsi. Artikel ini akan membahas problematika yang muncul dari penerimaan pengungsi bagi Jerman dan bagaimana identitas masyarakat Eropa memiliki peranan yang cukup penting.