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This study discusses the position of women in the creation of humankind based on Amina Wadud's feminist hermeneutics perspective as an effort to critique classical interpretations of the Qur'an that tend to be gender biased. For centuries, the tradition of interpretation dominated by male exegetes has shaped a theological understanding that places women in a subordinate and inferior position, especially in the narrative of human creation. Amina Wadud, as one of the contemporary Muslim feminists, offers a feminist hermeneutics approach that emphasizes the importance of historical context, linguistic analysis, and women's experiences in understanding the Qur'anic text in a more fair and comprehensive manner. This study specifically examines Wadud's interpretation of QS. An-Nisa 'verse 1, which states that humans were created from nafsun wahidah (one soul). Wadud asserts that this concept indicates the equality of origin between men and women, thereby rejecting the patriarchal view that women were created from men's ribs as second-class beings. The research method used was qualitative with a literature study approach, through analysis of Amina Wadud's works and relevant academic literature. The results of the study show that Wadud's feminist hermeneutics not only serves as a critique of classical interpretations that are laden with patriarchal bias, but also provides a strong theological basis for the recognition of gender equality in Islam. This approach opens up space for women to play an equal role in the social, political, and religious spheres. Thus, Amina Wadud's thinking contributes significantly to building a more inclusive, egalitarian, and gender-equitable understanding of Islam in accordance with the universal values of the Qur'an.

The drama Woman Talking has many feminist values can be found, especially about gender equality, women’s freedom, and moving away from patriarchy. The values shown in this film are already being practiced today, where women and men are seen as equals in terms of rights and opportunities. These important ideas inspire writers to explore them more deeply, aiming to raise awareness among men so they do not look down on women. This study aims to examine the representation of feminism in Women Talking, a drama directed by Sarah Polley. Using a qualitative descriptive approach, this research analyzes the film’s narrative and dialogue to explore how the women fight for bodily autonomy, voice, and the freedom to choose their own paths. The results indicate that Women Talking has five of six types of feminism theory, which the liberal feminism is the largest one with 39%, and then radical feminism 32%, traditional marxist feminism 16%, socialist feminism 12%, and the last is postmodern feminism 6%. This drama has no dialog that talking about critical race feminisim. The findings show that Women Talking is not only a space for the expression of voices long silenced, but also a quiet yet powerful form of collective resistance against systemic oppression.

The rise in sea levels caused by climate change has compelled island nations such as Kiribati to implement strategic policies, including climate adaptation, to address its impacts. This study employs a descriptive qualitative method with an analytical framework grounded in the theories of human security and ecofeminism to assess the effects of climate change adaptation strategies on women in Kiribati. Climate change has affected every aspect of human security—from economic conditions to personal safety—posing layered and disproportionate challenges for women, who often bear primary responsibility within the household. The study finds that women are not merely victims but also agents of change and drivers of climate adaptation through advocacy rooted in their lived experiences and environmental knowledge. This research underscores the importance of inclusive, participatory, and gender-just adaptation policies. Only through such approaches can climate crisis responses foster truly sustainable resilience across all sectors of society.

This study examines the depiction of women’s struggles in the novel Perempuan yang Menunggu di Lorong Menuju Laut by Dian Purnomo using Françoise d’Eaubonne’s ecofeminism perspective. The novel highlights a strong connection between women and nature, both of which are subjected to oppression within a patriarchal social structure. The core issue discussed in this research is how female characters in the story respond to various forms of injustice—social, cultural, and ecological—and how the text constructs a parallel between the exploitation of women and the degradation of nature. The purpose of this study is to identify and analyze the forms of resistance expressed by the female characters against gender-based oppression and environmental damage. In addition, the research aims to demonstrate how ecofeminism serves as a critical framework to expose and challenge patriarchal dominance through literature. This research applies a descriptive qualitative method with content analysis. Data were gathered using reading and note-taking techniques, then interpreted based on De’Eaubonne’s ecofeminist theory. The results reveal that women in the novel resist domination through various actions, such as speaking out against injustice, rejecting violence, and raising environmental awareness. Their resistance is portrayed not just as personal defiance but as a collective effort rooted in ecological consciousness. The novel, therefore, becomes a medium that challenges patriarchal norms while proposing a more balanced relationship between humans and nature. In conclusion, this study affirms literature’s role as a powerful tool to voice socio-environmental concerns and promote the empowerment of women as agents of change.

This research aims to examine how feminist values ​​are represented in the short story Kunang-Kunang in Bir by Djenar Maesa Ayu. Using descriptive qualitative research methods.  Feminist literary criticism allows for in-depth analysis of themes, characters, and symbols related to issues of gender and inequality. In the analysis of this short story, gender inequality, social norms and symbolism were found. The results of this research show women's struggle in facing patriarchal norms and injustice that prevent women from achieving happiness. The symbolism used increases public criticism of ongoing gender inequality. It is hoped that this research can contribute to feminist literary studies and encourage awareness of the importance of women's freedom in making life decisions.

This study aims to describe discrimination against the character Anisa and gothic feminism in the novel Malam Seribu Jahanam by Intan Paramaditha. The data source in this study is the novel Malam Seribu Jahanam by Intan Paramaditha published in 2023. The data in this study are phrases, words, clauses in the excerpts of the novel Malam Seribu Jahanam. The data collection technique used in this study uses document techniques or library techniques. The data analysis technique used in this study is qualitative data analysis. The data validity technique used by the author in this study is triangulation. The results obtained were that Anisa experienced inequality in the family circle, she often got oppression from her older sister. Her two older sisters often never considered Anisa to be never whole. Anisa's action of taking steps to become a bomb bride as a form of self-proof to the people around her, that she was not weak as her sister had thought all this time.

Contemporary religious issues in the context of Islam and globalization reflect the challenges and opportunities facing Muslims in the modern era. Globalization, as a process that connects various countries through technology, economics and culture, influences religious dynamics in various aspects. On the one hand, globalization paves the way for the spread of Islamic information and values ​​throughout the world, strengthening and how the Muslim community adapts to these dynamics through religious identity at the global level. On the other hand, globalization also raises concerns regarding the rise of secularism, individualism and consumerist culture which can threaten traditional Islamic values. Issues such as religious pluralism, human rights, feminism, and Islamic moderation are part of important discussions regarding Islamic responses to the challenges of globalization. Muslims are required to navigate between maintaining religious identity while engaging constructively in an increasingly connected world. This article aims to analyze various contemporary religious issues that have emerged in the midst of the globalization process, a contextual approach that prioritizes Islamic values ​​that are relevant in this global era.

The purpose of this research is to study the meaning of feminism contained in the lyrics of Raisa and Isyana Sarasvati's song "AngankuAnganmu" using Roland Barthes's semiotic approach. This song not only shows the principles of solidarity, freedom, and gender equality, but also fights many myths that prevent women from becoming better. This study found that the lyrics of the song contain a message that encourages women to voice their opinions, overcome conflicts, and pursue their dreams without being hindered by social norms. This discovery was made using a qualitative descriptive research method. This study shows that the art of music can be an effective tool to convey messages about feminism and support the struggle for gender equality through the representation of signs and meanings contained in lyrics.

Movies always construct how reality happens in the real world, many things can be constructed and discussed in a film, one of which is about liberal feminism, liberal feminism is a view to place women to have full and individual freedom. This research will discuss how the construction of liberal feminism reality in the Barbie (2023) movie by Greta Gerwig. The purpose of this study is to find out how the construction of liberal feminism reality is depicted in the Barbie (2023) movie by Greta Gerwig. The research method used in this study is a qualitative research method using a content analysis approach. By referring to the theory of liberal feminism, this study produces a conclusion about the existence of a scene about liberal feminism, precisely about the freedom of women to do anything in their lives such as the freedom to achieve dreams, the freedom to be a leader, the freedom to do good, the freedom to fight oppression, the freedom to get happiness, and the freedom to receive awards which are part of the construction of the reality of the world today. The construction of reality appears in a Barbie movie because the director of this Barbie movie wants to show how the state of the world now often makes all women feel threatened and not free to do anything according to their wishes, besides that through this movie the director of the movie wants that there will be no more injustice or unfreedom for women. The implications that occur here can certainly make the audience who has watched this movie can treat anyone, especially women, well, namely giving justice and freedom wherever they are and the audience can understand that the movie is created from the existing reality, then neatly constructed into a movie by presenting a moral message that is useful for anyone.

Women's leadership at the village level is increasingly a concern, especially in developing countries such as Indonesia, where patriarchal cultures often limit women's roles. This study aims to analyze the roles and challenges of women in village leadership in Gunung Raya District, Kerinci Regency. The theories used include gender equality theory, feminism, transformational leadership, and dual role theory. The method used is qualitative research with a case study approach, involving in-depth interviews, observations, and documentation. The results of the study show that women village heads have a significant role in decision-making and community empowerment, but they are faced with the challenges of patriarchal culture, resistance from the apparatus, and the pressure of dual roles. In conclusion, despite the challenges, women village heads are able to overcome these barriers with inclusive leadership strategies and increased social capital, strengthening their capacity as effective leaders. Support from the government and the community is urgently needed to encourage women's involvement in local politics.

This study aims to determine the forms of struggle of female characters in the three-paragraph short story anthology the Way to Market by Indonesian Pentigraf Village. This study uses a descriptive qualitative method with a feminist literary approach. Broadly speaking, feminism is a women's liberation movement. Feminism has several streams, including radical feminism, liberal feminism, Marxist feminism, and socialist feminism. In accordance with the problem to be studied, the theory used is the theory of socialist feminism. Collecting data in this study using documentation techniques and library techniques. The data analysis technique in this study was as follows: reading the entire collection of short stories in the three-paragraph short story anthology That's All the Way to Market by Indonesian Pentigraf Village, marking short story titles related to the problem in research, Re-reading selected short stories, marking the quotations quotes that contain the meaning of the struggle of a woman in the family. After that draw conclusions. The results of this study are as follows: the form of struggle of female figures within the family sphere according to their role as a mother, wife and child. By using the theory of socialist feminism, it can be seen what forms a woman's struggle is seen from her role in the family to create a harmonious family.

The struggle of women in maintaining their existence is increasingly being voiced. One of the media that is often used is literari works. Given this, the aim of this research is to describe the existence of women amid male domination in Leila S. Chudori’s novel Laut Bercerita. This study uses a qualitative approach to examine the forms of existentialist feminism contained in the novel Laut Bercerita. This study took data in the form of text and utterances conveyed by each character. Data was collected using the 4M technique, namely reading, understanding, taking notes, and concluding. The result of this study is the discovery of Simone de Beauvoir,s feminist existence through the three female characters in the novel, namely Kasih Kinanti, Ratih Anjani, and Asmara Jati. Related to this, the results of the analysis of the existence of feminism based on Simone de Beaviour’s theory are relevant to be submitted as material in teaching Indonesian in class 11 high school, especially in material analysis of literary works.                                                                   

Wanita terkadang ditatap tidak pantas menajadi seseorang pemimpin. Sementara itu jadi seseorang pemimpin tidak selamanya seseorang laki- laki saja. Seseorang pemimpin ialah yang mempunyai kecakapan serta kelebihan, spesialnya pada kecakapan serta kelebihan pada satu bidang tertentu, sehingga dia sanggup pengaruhi orang lain buat bersama- sama melaksanakan kegiatan tertentu demi mewujudkan sesuatu tujuan serta pencapaian tertentu. Riset ini mengenakan tata metode studi kualitatif, dengan pendekatan deskriptif. Setelah itu hasil dari riset ini menampilkan kalau kepemimpinan wanita di Indonesia sudah menampilkan kalau mereka para kalangan wanita sanggup meyakinkan serta menggapai sesuatu keberhasilan selaku pemimpin. Kedudukan wanita dalam kepemimpinan di Indonesia dari seluruh aspek bidang sudah menampilkan kalau wanita pula sanggup serta layak dijadikan seseorang pemimpin.  

Film berperan sebagai alat komunikasi massa yang berfungsi untuk mempengaruhi penonton berdasrkan isi pesan yang terkandung di dalamnya. Film Enola Holmes 2 merupakan film bergenre misteri yang berlatarkan tahun 1800-an di London Inggris. Film ini menceritakan tentang kejadian di masa lampau di mana pada saat itu para buruh belum mendapatkan kesejahteraan dan hak-hak mereka dalam bekerja. Dari film ini karakter perempuan sekaligus tokoh utamanya digambarkan sebagai subjek narasi aktif yang kerap menyampaikan pesan-pesan feminisme. Topik feminisme menjadi alasan peneliti memilih film ini karena selama ini perempuan hanya digambarkan sebagai objek  yang pasif dalam sebuah film. Penelitian ini menggunakan pendekatan deskriptif kualitatif dengan metode semiotika Roland Barthes. Dalam film ini menggambarkan perempuan yang berada dalam posisi yang tidak menguntungkan akibat kontruksi sosial budaya yang dibangun oleh masyarakat.  

This research was conducted to find out the message to be conveyed by the lyrics and music video Tutur Batin by author Yura Yunita. Pop vocalist Yura Yunita has hit the Indonesian music scene since childhood. One of the songs written and performed by Yura Yunita is called Inner Speech and features her singing. This is what interests academics to conduct a more in-depth analysis of the music video for the song Tutur Batin. By breaking the video clips into various scenes related to the representation of feminism and categorizing them according to Barthes's view system which includes denotative meaning, connotative meaning, and myth, the analysis technique used in this research is data analysis using Roland Barthes semiotics. The research findings show that the videos depict strong women who can express themselves by being themselves. She had the choice to be like other women in society's eyes, but she chose to be herself. This is the same as the principle of self-acceptance feminism, which states that in order for women to live as equals in society, they must have the freedom to express themselves however they choose.  

Terjadi perubahan atas eksistensi perempuan sebagai suatu subjek yang independen. Hal ini terlihat dari adanya perubahan relasi antara perempuan dengan laki-laki pada saat ini. Meskipun demikian, Undang-undang Perkawinan (UUP) ternyata belum memberikan perlindungan kepada perempuan atas kesetaraan gender. UUP masih membedakan hak serta kewajiban perempuan dengan laki-laki terkait persyaratan poligami UUP focus pada ketidakmampuan fisik perempuan sebagai alasan poligami. Ketentuan-ketentuan tersebut menempatkan perempuan pada posisi inferior. Feminisme menghendaki adanya pengakuan terhadap perempuan sebagai subjek yang mandiri dengan persamaan status, hak dan kewajiban dengan laki-laki. Oleh sebab itu perlu adanya perubahan pola pikir Negara dan pemberian pengakuan kepada perempuan sebagai suatu subjek yang independen, dari situ diharapkan negara dapat memberikan kesetaraan gender kepada perempuan.