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The adaptation of a novel into a film, known as ekranisasi, is a challenging process due to the differences between the two mediums, namely literature and visual storytelling. This study examines the ekranisasi process of the novel Mariposa by Luluk Hadiya Fauzia, directed by Fajar Bustomi. The purpose of this research is to analyze the extent to which the Mariposa film retains the core narrative of the novel and how cinematographic elements are used to replace the internal narration found in the literary work. Through a qualitative approach and literature study, the research reveals that, despite significant changes in character development and plot structure, the main themes of teenage love, perseverance, and self-growth are preserved. The film employs cinematographic techniques, such as lighting, color, and shot composition, to more directly depict the emotions and internal conflicts of the main characters. Additionally, symbolism, such as the butterfly representing transformation, strengthens the themes and moral messages conveyed. The findings of this study show that the Mariposa film successfully offers a new experience for the audience and demonstrates that novel-to-film adaptations can succeed, even with changes in storytelling methods, as long as the essence of the literary work is maintained.

This research aims to describe the process of translating a novel into the film "Eminus Dolere: A Guide to Preparing for Farewell by Arman Dhani." This research is a type of research that uses qualitative descriptive methods. This research obtained results in the form of: 1. The Process of Excrementing the Novel Plot into the film Eminus Dolere: A Guide to Preparing Farewell by Arman Dhani for the reduction aspect category of 23 plots. For the aspect category, 12 additional lines were added. For the change category there are 10 variations. 2. The process of ecranizing novel characters into the film Eminus Dolere: A Guide to Preparing Farewell, Arman Dhani's work for the category of shrinking aspects does not experience the elimination of characters. For the additional category, there are 8 figures. For the variation change category there are 8 figures. The process of ecranizing the novel's setting into the film Eminus Dolere: A Guide to Preparing Farewell by Arman Dhani for the background reduction aspect category is 12. For the additional aspect category there are 8 settings. For the change category there are 5 variations in background.

This study aims to determine the ekranization of the novel Kisah untuk Geri by Erisca Febriani into the film Kisah Untuk Geri directed by Monty Tiwa in the form of shrinkage, addition, and varied changes. This research is limited to the analysis of ekranization of intrinsic elements (plot, character, and setting). Therefore, this research describes: (1) the plot ecranization from the novel Kisah Untuk Geri by Erisca Febriani into the film Kisah Untuk Geri directed by Monty Tiwa. (2) the characterization of the novel Kisah Untuk Geri by Erisca Febriani into the film Kisah Untuk Geri directed by Monty Tiwa. (3) the ecranization of the setting from the novel Kisah Untuk Geri by Erisca Febriani into the film Kisah Untuk Geri directed by Monty Tiwa. (4) the implication of the ekranization of the novel Kisah Untuk Geri by Erisca Febriani into the film Kisah Untuk Geri directed by Monty Tiwa to the learning of literature in high school. This research uses a qualitative descriptive approach. Qualitative descriptive research is one of the types of research included in the type of qualitative research. This research is to reveal events or facts, circumstances, phenomena, variables, or circumstances, which occur when the research takes place by presenting what actually happens. Data collection procedures in this study are using reading techniques, watching techniques and note-taking techniques. From the results of the ecranization of the novel Kisah untuk Geri by Erisca Febriani into the film Kisah untuk Geri directed by Monty Tiwa, it was found that the form of shrinkage, addition and change of variation in intrinsic elements in the form of plot, character, and setting, as follows. a) The plot ecranization is carried out because of the process that occurs in changing the tools used, namely changing the world of words into a visual world that moves continuously. b). Character ecranization in this study is carried out because during the casting process, the film will only show characters who are considered important, due to technical limitations so that only characters who have an influence on the course of the story are shown. c). Ecranization of the setting is done because during the casting process, the director will only show the setting that is considered important, so that only the setting that has an influence on the course of the story is shown. d). The study of ekranization in this study can be implied with KD 3.9 in analyzing the content and language of the novel. Ekranization helps students in analyzing novels that have been written.

In recent years, the world of cinema cannot be separated from literary works. Many literary works, one of which is a novel, are used as inspiration to produce a film. Novels that have popularity and high sales levels are able to attract producers to adapt novels into film form. The focus of this research is to describe the ecranization of the novel into the EL film, which includes (1) ecranization of the plot, (2) ecranization of the characters, and (3) ecranization of the setting. The approach used in this study is a qualitative approach with descriptive methods. The main instrument in this research is the researcher himself. The source of the research data is the novel el by luluk h.f.ke in the film el by director findo purwono. Data collection techniques are reading, watching, and recording data contained in EL novels and films. The results of this study's data analysis indicate that there is a process of ecranizing the novel into EL film which includes adding, shrinking, and varying changes.

 Ecranization as a process off white sailing or the transfer of a novel into a film that results in changes, such as words that turn into action or real images. The purpose of this research is to analyze novels and films in terms of characterization, namely the main character in the novel Assalamualaikum Calon Imam by Ima Madaniah and the film Assalamualaikum Calon Imam by director Findo Purnomo. The transfer of the novel into a film as a form of appreciation for the novel so that the film entitled Asssalamualaikum Calon Imam can be enjoyed by FTV fans and broaden their horizons. Research that uses an objective approach. The source of data in this study is an analysis of novels and films. One of the techniques in collecting data in  this study is by using data analysis techniques or descriptive analysis techniques. The end of the results of this study by showing changes in the characters contained in the novel and film Assalamualaikum Calon Imam. In the film cast there are 11 characters played in the film, 2 additional cast characters, different storyline and there is a reduction in character. This change is due to differences in the interpretation of the writer and the director. The results of the study are focused on the main characters in novels and films.