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The aim of this research is to analyze the melody of the song and analyze the lyrics of the song Buku Ende Number 512. "Di Dalani Jesus Tano Dohot Laut" which includes motifs, phrases, melodies, scales, ambitus, melodic contours, harmony, rhythm, tempo, texture, language style, rhyme patterns, and meter patterns. This song is sung according to the church liturgy. This research uses qualitative research methods with research instruments of observation, interviews, literature and documentation. This research was carried out by collecting information through field research to obtain results that were processed to be certain. The results of this research reveal that the song Buku Ende Number 512. "Di Dalani Jesus Tano Dohot Laut" has a 2/4 time signature with a tempo of MM 90 moderate, with a basic tone of Es=DO, consisting of 34 bars. With the rhyme pattern a a a a, this song has a meter pattern of 12,12,12,11,12 which is called the long meter meter pattern. In terms of poetry, this song has 2 phrases, and 3 motifs (a, b, c, d) moving chords from I, V, IV.

The results of this paper examine the use of language styles in the lyrics of the song Palestine Beloved by Shoutul Harokah through stylistic studies. The language of this song's lyrics is an expression of the writer's emotions which is manifested in the form of song lyrics or words. The method used is a qualitative descriptive method. The qualitative descriptive method is research that uses a post-positivist philosophical basis. The aim of this research is to interpret or describe the use of language styles in the lyrics of the song Palestine Beloved. The results of the research that has been carried out show that the use of language styles in this song mostly uses personification language styles, apart from that there is also the use of anadiplosis and synecdoche language styles.

The results of this paper examine the use of language styles in the lyrics of the song Palestine Beloved by Shoutul Harokah through stylistic studies. The language of this song's lyrics is an expression of the writer's emotions which is manifested in the form of song lyrics or words. The method used is a qualitative descriptive method. The qualitative descriptive method is research that uses a post-positivist philosophical basis. The aim of this research is to interpret or describe the use of language styles in the lyrics of the song Palestine Beloved. The results of the research that has been carried out show that the use of language styles in this song mostly uses personification language styles, apart from that there is also the use of anadiplosis and synecdoche language styles.

This research is entitled The context of sociocultural practice in the song "Oras Loron Malirin" with Norman Fairclough's study. The issues discussed were (3) How is the sociocultural practice in the song "Oras Loron Malirin"? The type of research in this study is to use a descriptive qualitative research approach with Norman Fairclough's critical discourse analysis model. The type of data used in this study is a song text entitled "Oras Loron Malirin" and the data source in this study is the subject from which the data was obtained. The data source is the lyrics of the song "Oras Loron Malirin" which comes from the Belu area of ​​East Nusa Tenggara Province. In this study, researchers used data collection techniques in the form of documentation techniques. The data analysis technique used in examining this research is descriptive data analysis techniques according to Miles and Huberman, namely, reduction, data display, and conclusion drawing / verification. The results of this study are in the form of data in the analysis of sociocultural practice, there are several things, namely cultural systems, economic systems and political systems that greatly influence the development of a discourse.    

The aim of this research is to describe (1) the type of comparative language style found in the lyrics of the album Selamat Birthday dan Kalah Berbet by Nadin Amizah, (2) The function of the comparative language style found in the lyrics of the album Happy Birthday and Lose Bet by Nadin Amizah. This research is a qualitative descriptive study. The data source in this research is the lyrics of the album Happy Birthday and Lose Betting by Nadin Amizah. The data in this research is in the form of types and functions of comparative language styles contained in the lyrics of the album Happy Birthday and Losing Bets by Nadin Amizah with the form of data in the form of words, phrases, clauses and sentences contained in lines and verses in the lyrics of the album Happy Birthday and Losing Bets by Nadin Amizah which deals with the types and functions of comparative language styles. Data collection techniques were carried out using library techniques, listening, taking notes and entering them into data cards. Data analysis uses qualitative content analysis techniques. Based on the results of the analysis, it can be concluded that in the lyrics of the album Happy Birthday and Losing Bets by Nadin Amizah, there are types and functions of comparative language styles used by the author in the album's song lyrics. The types of comparative language styles found in the lyrics of the album Happy Birthday and Lose Betting by Nadin Amizah are in the form of similes, metaphors, personification, depersonification, allegory, antithesis, pleonasm, periphrasis, prolepsis or anticipation, and correction or epanorthosis., while the function of language style The comparisons contained in the lyrics of the album Happy Birthday and Losing Betting by Nadin Amizah are in the form of information function, expressive function, aesthetic function, directive function and phatic function.

This research analyzes social criticism in the lyrics of the song "Revolusi" by Dery Firmansyah (Defamation). The lyrics of this song serve as a medium for the creator to express their critical message towards the government. The research adopts a qualitative method and applies the Van Dijk Model as a framework for critical discourse analysis, particularly in understanding the structure and production processes of the text. Through discourse analysis, the study examines the elements of criticism related to the lyrics that function as a medium for criticizing the government. The main theme of the lyrics is to critique the prevailing issues at that time. The findings of the research indicate that lyrics can be used as a medium for social criticism, as evidenced by the macro structure, superstructure, micro structure, social cognition, and social context identified through text analysis.

Nusantara song 1 (one) is one of several koes plus songs with an archipelago (Indonesia) theme. The objectives of this study include (1) to reveal the meaning contained in the lyrics of the song Nusantara 1 (one) by Koes Plus, (2) to describe the representation of nationalism contained in the lyrics of the song Nusantara 1 (one) by Koes Plus, (3) what figurative language which is contained in the 1 (one) archipelago song by Koes Plus. The problem contained in representing this 1 (one) archipelago song is that the lyrics of this song tell about the beauty of the archipelago (Indonesia) and contain an invitation to people to unite with each other and mutually protect the integrity of the archipelago (Indonesia), but many are represented as lyrics. songs that lead to something that smells of romance, so many people misinterpret the lyrics of the song, making it a complex matter to be discussed in this study. With a different meaning of the lyrics of the archipelago 1 (one) song regarding the reality of the original lyrics made by the creator. Through research methods that are analytical descriptive by concluding data through literature study. Based on the results of the research, the views of the wider community regarding the 1 (one) archipelago song produced by Koes plus its meaning become clear and detailed, namely telling about the beauty of the archipelago which is packaged in poetic words that contain many meanings using association figures of speech.

This article discusses and examines the allusions and meanings in the lyrics of the song entitled 'Amin Paling Serius' by Sal Priadi and Nadin Amizah from the perspective of the use of language styles and allusions. Due to the development of pop music in Indonesia, Millennial and Z generation, children are more likely to like pop and foreign language songs so songs in Indonesian begin to fade and reduce listeners, therefore it is necessary to introduce Indonesian songs so that Millennial children are more familiar with their own culture. The method used in the research is descriptive qualitative. Based on the results of observations, the song 'Amin Paling Serius' uses five language styles and figures of speech, namely Smile, Metaphor, Personification, Antonomasia, and Hypocrisy in it. This song is also packaged poetically with symbolic words and means a journey of love with very romantic love and hope for lovers who strengthen each other, pray for each other and pray for each other to continue to a more serious level.  

ABSTRACT This study aims to discuss Yura Yunita's song, "Ujar Batin". This song has a meaning about a woman's self-acceptance. Given the many problems experienced by women regarding anxiety, depression, fear, beauty standards, toxic femininity. This research includes qualitative descriptive research based on the constructivism paradigm. The method used in this study was Roland Barthes' semiotic analysis. This research shows the existence of selflove messages conveyed by songwriters, especially regarding the process of self-acceptance which is very complex according to what many women experience.       

The purpose of this research is to describe (1) the types of metaphors found in the lyrics of the album "Berhati" by Sal Priadi, and (2) the functions of metaphors in the lyrics of the album "Berhati" by Sal Priadi. This research is a qualitative descriptive study. The data source for this research is the lyrics of the album "Berhati" by Sal Priadi, which consists of the songs titled "Nyala," "1-2-Cha-Cha," "Malam-Malam Ubud," "Di Timur," "Melebur Semesta," "Kultusan," "Ikat Aku di Tulang Belikatmu," "Amin Paling Serius," "Dalam Diam," and "Jelita." The data in this study are the types and functions of metaphors found in the lyrics of the album "Berhati" by Sal Priadi, in the form of words, phrases, clauses, and sentences that are present in the lines and stanzas of the lyrics related to the types and functions of metaphors. The data collection technique used in this research is literature review, observation, note-taking, and data cards. The data analysis is done using qualitative content analysis. Based on the analysis results, it can be concluded that there are types and functions of metaphors used by the songwriter in the lyrics of the album "Berhati" by Sal Priadi. The types of metaphors found in the lyrics of the album "Berhati" by Sal Priadi include anthropomorphic metaphors, synesthetic metaphors, abstract metaphors, and bestial metaphors. The functions of metaphors found in the lyrics of the album "Berhati" by Sal Priadi include informational function, expressive function, directive function, and phatic function. The most abundant data are found in the category of abstract metaphors and informational function of metaphors, while the least amount of data are found in the category of bestial metaphors and expressive function of metaphors.

The purpose of making this journal is to find out the meaning of the lyrics of the song "Asmalibrasi" then the next goal is to find out what language styles or figure of speech are contained in the lyrics of the song "Asmalibrasi" and some of our goals, especially in this song, are devoted to teenagers who are in love.  tried to proceed to a more serious stage, namely marriage but the couple had doubts because of the many problems that arose but the couple was finally able to proceed to the marriage stage because by lowering their respective egos.  The theory we use is according to several well-known experts. The method we use in this journal is by listening to the song and reading the lyrics to the song.  The result of our analysis is that each lyric of the song “Asmalibrasi” contains many meanings that we must learn. Our recommendation is to be careful in choosing each partner, not because of the standard of society.

The song "Kucari Kamu" is one of the works of the music group Payung Teduh which has beautiful lyrics but takes a long time to understand the diction. This song raises many interpretations, especially in the I-you point of view in the lyrics. Therefore, this song will be very interesting to research. The objectives of this research are (1) to know the I-you point of view in the lyrics, (2) to interpret the lyrics.  This research is based on our love for Payung Teduh songs and curiosity about the meaning of the lyrics of this song created by Moh. Istiqamah Djamad. The research method we will use is qualitative research method. The results of this research are understanding the meaning of the lyrics of the song "Kucari Kamu" and knowing the I-you point of view in the lyrics of the song "Kucari Kamu" based on people's perceptions.

The song "Amin Paling Serius" popularized by Sal Priadi and Nadin Amizah is a very unique and magical song because the lyrics use a dialogue format between two male and female characters. The song with orchestral strains composed by Lafa Pratomo as the music producer for the song "Amin Paling Serius" brings listeners to explore their deepest feelings of love and hope. “Amin Paling Serius” tells of the love story of two people who come from two different backgrounds, and both offer their prayers with the most serious amen for their love journey together. The lyrics in this song are also very beautiful and poetic, coupled with a figurative language style that makes the song even more alive. The aims of this study include (1) analyzing the use of figurative language in the lyrics of the song "Amin Paling Serius". (2) Understanding and expressing the meaning of the song "Amin Paling Serius". The method used in this research is a qualitative research method. The results of this study are expected to be able to understand the meaning and use of figurative language in the song "Amin Paling Serius" which was popularized by Sal Priadi and Nadin Amizah.

The song "Istirahat" by Nosstress is a song that tells about environmental concern, about the earth that seems to be getting damaged and worse due to the actions of its inhabitants, namely humans themselves. Nosstress is known as a music group that often raises environmental, socio-political, and humanitarian issues, which are conveyed simply through their works. This songwriter tries to express his feelings by inspiring his listeners to rest just a little while, giving time to the earth, we can see in the lyrics "Hi my human friends, just rest a little, for him and the human earth". The aims of this study are (1) to find out the meaning contained in the lyrics of the song "Istirahat" by Nosstress, (2) to explain what figurative language is contained in the lyrics of the song "Istirahat" by Nosstress. This research is based on curiosity about the meaning of the song lyrics which are quite poetic and the figurative language used by the author in the song. The method used in this research is qualitative method. The results of this study are understanding the structure, meaning, and figure of speech in the lyrics of the song "Istirahat" by Nosstress.

Song lyrics "Civilization", "News of Loss", and "Great Destroyer Dance" works. Feast became the subject of this investigation. The purpose of this study was to provide an overview of the structure of lyrics and social commentary. The Roman Ingarden hypothesis is used in this review to dissect the design of the verses of the dining experience. Theories of literary sociology were also used in this study to see how the lyrics of the song "Pesta" contained social criticism. The consequences of this study show that melodic verses work . Banquet acts as a vehicle for delivering analysis of real social factors that occur in the eyes of the public. In the melodic poems of "Peradaban", analysis is communicated on the development of the revolution, the unfair worldview, and prejudice that exists among the tight networks that are rife in Indonesia. The killers were criticized in the lyrics of the song "News of the Loss" because it has lost humanity and human values. The lyrics of the song "Dance of the Great Destroyer" forbid the application of Indonesian local wisdom and denounce pollution and environmental damage.

The song "Negri-Ngeri" by Marginal is a piece of music that contains a social message and criticism of injustice and difficult life in the country of Indonesia. The lyrics reflect the external reality faced by today's society and created this song based on the current state of society, so that the external reality can clarify the meaning contained in the lyrics. In the past, this song seemed exaggerated and underestimated for some people with the opinion "punk kids don't need government criticism because of their life on the streets and just nonsense" but in fact the song is relevant to the current situation. The band of this song dared to make lyrics that were frontal and offensive to the government, even though the marginal band whose musical background was punk and punk children was just nonsense because of their idealists who lived on the streets and were grumbled, but it turned out to be very relevant to the current situation. In this case, music becomes one of the effective media to convey messages to the general audience. The language used in the song is Indonesian, which is the official language of Indonesia. Marjinal made this song with the aim to voice their dissatisfaction with the state of the country and provide a reminder to the Indonesian people that change needs to be made. The song "Negri Ngeri" is one example of a musical work that can inspire and have a positive influence on society, especially for those who feel marginalized or underappreciated in the existing socio-political system. The result of this study is that we can understand the intention of marginal to make social criticism songs to convey the message so that social people know that there are injustices made by the ruler. The method used in this article is qualitative and describes the content of youtube content.

The purpose of this study is to describe, analyze, and find the style of language contained in song lyrics adrift by the time of one of Danilla Jelita Poetri Riyadi's works in the Telisik Album. In the lyrics of the song Adrift by the time of the album Telisik there are interesting words for the author to study based on his language style. Time adrift means "a series of processes" (in one's romantic relationships). And the real meaning in the lyrics of this song is a person's hope for the idol, wanting to have and also wanting to be loved by him. Hoping if his feelings can be accepted by that loved one. This song also describes how a person who is immersed in his longing for his sweetheart but he realizes that he has it alone he has not. This research uses descriptive methods and qualitative approaches. Data analysis techniques begin by identifying words that contain language style. The research results of this article are exploring and clarifying the style of language as well as the meaning contained in the song

  This article analyzes the interpretations and metaphors on the lyric of Iwan Fals song. This research was also conducted using the hermeneutic  approach which showed that is  was descriptive. There are also metaphors used in the "Tikus-tikus Kantor" song such as mice, cats and shrimp. One of the interesting thing is that the lyrics of this song are not expressed clearly but uses figure of speech. Research has shown that the song is about public criticism of corruption by government officials and law enforcement agencies.    

This study aims to explore the meaning contained in the song entitled "Ragu Semesta" composed by Isyana Sarasvati from her third album "LEXICON" which was released on November 29, 2019. One of the Indonesian singers, Isyana Sarasvati, born on May 2, 1993. "LEXICON" which is the third album from Isyana Sarasvati attracted attention for showing Isyana's true identity. Isyana's identity is the music that she really liked and admired from a long time ago, classical music. The song "ragu Semester" has varied parts with arrangements with beautiful dynamics and describes the patience of the universe that is never undeniable. The lyrics of the song "Ragu Semesta" are not only related to romance with someone, but it's also about calling yourself a decision-making in life. The methods used to analyze data use a qualitative descriptive method, which is a method that is described by words or sentences separated by categories to obtain conclusions. The expected result of this research is to be able to understand the meaning of describing and expressing the poet's feelings in the reality of life, which cannot escape uncertainty, especially in the search for identity and saturation when undergoing an unhealthy relationship.

This article aims to find out the style of language used in the lyrics of indie genre songs, a genre that is much liked by the general public from the age of teens to the age of over 50 years. This indie genre song is liked by many people because the language used is pleasant to hear and friendly to the ear because the language used is very upholding Indonesian especially the use of Indonesian is a good and correct standard Indonesian that is rarely used at this time, because at this time the majority of millennial generation children are also generation Z children who at this time in speaking often use slang, namely Indonesian mixed with English