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This study aims to analyze the syntactic structure in Rony Parulian's song lyrics on the album "Rahasia Pertama", focusing on seven types of phrases, namely nominal phrases, verbs, adjectives, adverbs, numerals, prepositions, and conjunctions. The method used is a descriptive qualitative approach with text analysis techniques to identify and classify phrases based on their syntactic forms and functions. The results of the study show that all types of phrases are found in song lyrics and have functions as subjects, predicates, objects, complements, and adverbs. The use of phrases not only builds grammatical sentence structures, but also strengthens the emotional, aesthetic, and expressive meanings in the lyrics. These findings confirm that the power of language in songs lies in the syntactic structure that is able to convey messages deeply and poetically.

This study analyzes the use of conceptual metaphors representing the grieving process in Taylor Swift's album "Folklore" through the lens of Kübler-Ross's five stages of grief. The method employed is a qualitative descriptive approach, with data collection conducted through the analysis of song lyrics obtained from physical albums and digital music platforms. The research instrument consists of a guideline for identifying and categorizing metaphors related to the theme of grief. The data analysis procedure includes in-depth reading to identify metaphors, which are then categorized according to the stages of grief. The findings indicate that each song in the album reflects various aspects of denial, anger, bargaining, depression, and acceptance, providing a profound understanding of the grieving experience. This research demonstrates that metaphors in the lyrics serve not only as artistic expression but also as a means to comprehend the psychological processes individuals undergo. The study recommends further analysis of other albums with similar themes to enrich the understanding of the emotional impact of song lyrics

This study aims to explain the cultural values ​​contained in the Kinanti – Dhat song, which is the original soundtrack (OST) of the film KKN di Desa Penari. This song was chosen because it contains strong Javanese cultural elements and has a symbolic meaning that is closely related to the film's story. This study uses an anthropolinguistic approach with a qualitative descriptive method. Data were analyzed through text studies and cultural contexts to reveal the hidden meanings in the song lyrics. The results of the study indicate the existence of cultural values ​​that reflect beliefs in supernatural powers and ancestral spirits, the importance of maintaining balance in life, and awareness of ethics, morals, and social norms. In addition, this song also conveys teachings to always be vigilant, protect oneself from bad influences, and uphold local traditions. These findings indicate that the Kinanti – Dhat song not only has aesthetic value, but is also full of cultural values ​​that are important to understand and preserve.  

This study aims to analyze the pragmatic functions of deixis in six selected songs from Ariana Grande’s Eternal Sunshine album. Using Levinson’s (1983) theory of deixis, the study identifies and classifies five types of deictic expressions: person, time, place, discourse, and social deixis. The study employs a descriptive qualitative method and uses documentation as its main data collection technique. A total of 306  deixis  were found: 228 person  deixis, 33 time deixis, 16  place deixis, 19 discourse deixis, and 11  social deixis. The dominant use of person  deixis demonstrates the strong self-expression and emotional engagement of the singer.  Time and discourse deixis help shape the emotional timeline of the narrative, while  place  and social deixis reflect interpersonal distance and roles. The findings reveal that deixis functions not only to maintain textual cohesion but also as a pragmatic tool to construct intimacy, express identity, and evoke emotional resonance in the lyrics.

This study aims to analyze the types of illocutional speech acts contained in the lyrics of the song Hati-Hati di Jalan karya Tulus. The background of this research is based on the importance of understanding song lyrics as a form of communication that is full of pragmatic meaning, especially in the context of emotions and interpersonal relationships. The method used is qualitative descriptive with a content analysis technique based on the theory of classification of illocutional speech acts by Searle. Data were taken from all song lyrics and analyzed based on five types of illocution speech acts, namely representative, directive, expressive, commissive, and declarative. The results of the study show that in the lyrics of this song there are four types of illocutional speech acts, namely representative, directive, expressive, and commissive, with a dominance of representative and expressive types. The act of speech reflects various communication functions such as expressing beliefs, expressing feelings, giving hope, and showing commitment. This research implies that song lyrics can be a valuable object of pragmatic study, as well as enriching the understanding of communication strategies through language in popular literary works. This study has limitations on the scope of a single song and the interpretation of the researcher, so it is recommended that the next study examine other songs to broaden the perspective.

This study analyzes the symbolic meaning in the lyrics of the song "Halu" by Feby Putri using Ferdinand de Saussure's semiotic approach. The purpose of the study is to reveal the relationship between the signifier and the signified in the song lyrics to understand the emotional and cultural messages contained therein. The method used is descriptive qualitative analysis with a focus on linguistic signs in the lyric text. The results of the study show that the song "Halu" utilizes metaphors (such as "candu" and "bayang-bayang") to represent one-sided love, illusion, and emotional alienation. The lyrics of the song are not only a personal expression of the creator, but also reflect the collective experience of the younger generation in interpreting unrealized relationships. This study concludes that popular music, through its semiotic structure, functions as a complex medium of cultural communication. Suggestions for further research include exploring the interaction of musical elements with lyrics and the application of other semiotic theories to enrich the analysis. These findings also emphasize the importance of media literacy in understanding music not only as entertainment, but also as a cultural product that is full of meaning.

The song "Bayar Bayar Bayar" by the band Sukatani describes a social critique of injustice in public services in Indonesia, especially those involving the police institution. Through simple yet meaningful repetitive lyrics, the song reflects the reality of people's lives who have to face additional costs to obtain public services that should be free or fair. In this analysis, the song is connected to Nancy Fraser's concept of social injustice, which shows the inequality in the distribution of social rights, as well as the instrumental theory of law which states that law is often a tool for certain interests. The aesthetic techniques used in the song, including repetition and hyperbole, strengthen the message of social criticism, making it a means of resistance to corrupt social structures. In the Indonesian social context, the song also serves as a reflection of society's distrust of public institutions and becomes a medium of expression that encourages collective awareness of broader issues of injustice.

The aim of this research is to analyze the meaning and emotions contained in the song “Ah” by Nadin Amizah. The research method used is descriptive. The research results show that the song “Ah” contains a very deep meaning of happiness and love, which describes the experience of someone who finally finds the right partner after going through a long waiting process. The emotions contained in this song are happiness, luck, and relief, which depicts harmony in a loving relationship full of affection. This research can provide insight into how songs can be a means of expressing human emotions and experiences, as well as how analysis of song lyrics can be used to understand the meaning and emotions contained in a song.    

This study aims to analyze the meaning of the lyrics of the song "Sorai" by Nadin Amizah and explore the factors that support its success in the Indonesian music industry. Using a qualitative descriptive approach, data were collected through an in-depth analysis of the lyrics and context of the song. The results showed the lyrics of the song "Sorai" contain deep emotional meanings about separation, love, and the process of maturity. Nadin's ability to string together simple yet meaningful poetic words is the main factor that touches the hearts of her listeners. This song is not only an aesthetic expression, but also a means of reflection on personal experiences that can build strong emotional connections with the audience.    

This research aims to analyze the Islamic Communication Message in the Lyrics of Ruang Rindu and the Letto Band's Heart Request using Charles Sanders Peirce's semiotic approach. The author uses qualitative descriptive research to describe research data. Data was taken using the documentation technique for the lyrics of the song Letto Ruang Rindu and Hati's request. The results of this research show that the lyrics of this song have a deep Islamic communication message. The lyrics describe the search for meaning in life, feelings of loss, and hope for certainty in spiritual relationships. The meaning of the lyrics of the song Ruang Rindu describes the longing and search for deep meaning in a spiritual relationship with God. This song reflects a person's journey in finding calm and closeness to the Creator amidst doubt and silence. The message in this song invites listeners to reflect on their relationship with God and find peace by adhering to spiritual values.

This article discusses the lyrics of the song “Rasa Ini” by Vierratale as a representation of hidden feelings of love, emotional wounds, and doubts in relationships. Through a qualitative descriptive approach and Roland Barthes’ semiotic theory and Grice’s implicature theory, this article analyzes the figurative meaning in the song lyrics, especially the use of metaphor, symbolism, signs, connotation, denotation, and emotional narrative structures that emerge through a first-person perspective. The findings show that the lyrics of this song not only convey messages verbally, but also describe a strong inner mood through visualization of imagery, melody, musical nuances, and supporting poetic emotions. The presence of the background of the songwriter, Kevin Aprilio, also enriches the intertextual meaning that is manifested in the authenticity of emotions. This song is also a mirror of popular culture that reflects the dynamics of love in Indonesian society, especially love that is not conveyed directly, internalized in personal experiences, the psychology of the listener, and expressions of cultural identity.

This study aims to determine the analysis of the lyrics of the hymn of the congregation No. 26 Mampirlah Dengar Doaku by analyzing the meanings contained in each lyric of the song. This study uses qualitative research methods including data collection, data reduction, data presentation, and data verification. And all observations and methods carried out by the author during the research, the results of the analysis show that with the song Mampirlah Dengar Doaku, the analysis of this song can help us understand more deeply about our relationship with God and how we can develop that relationship. Recognizing God's presence: This song reminds us of God's presence in our lives and how we can feel His presence, Expressing feelings, the analysis of this song can help us express our feelings about the difficulties and suffering we experience. From this study, the author hopes to understand the meaning of the songs sung in worship, so that an interpretation is created when singing songs, and the congregation not only sings but can live the song    

Songs are included in oral Satra and are one of the oral traditions that are still popular today and are growing rapidly, giving birth to new musicians. Nadin Amizah’s song Sorai is one of the songs known for its compelling lyrics. This encourages researchers to examine the use of language styles or majas and word choice in the composition of the song. The author uses descriptive qualitative research and a stylistic approach to examine the lyrics of Nadin Amizah’s song Sorai. Words, phrases, and sentences in the song lyrics were included in the data collected. The research revealed the existence of 31 types of language styles and 41 forms of diction used in the song.    

This research uses qualitative research methods with Roland Barthes Semiotics theory with data on the lyrics of the song “Duration” by Feby Putri which dissects signs in two levels: denotation and connotation, as well as the myths contained in the song text. The main data source in this research is the lyrics of the song “Duration” which is accessed by YouTube on the official Feby Putri NC account, while secondary data is obtained from the website article www.RRI.co.id, music reviews and a podcast entitled “Feby Putri surgical song Duration with Indra Aziz |Dalem banget” on the youtube account VokalPlus by Indra Aziz. The data collection technique was done through documentation. The results showed that denotatively, the lyrics of this song describe the feelings of someone who realizes that being together with the person he loves has a time limit, whether due to circumstances, fate, or changing feelings. Connotatively, this song represents Feby's life story as an overseas child feeling lonely overseas when he returned to his hometown he found significant changes in his family, especially his mother who was getting older. Meanwhile, at the mythical level, this song reflects Indonesian cultural values about the importance of returning to one's hometown because family and loved ones are something very valuable, moments together must be utilized as well as possible because time keeps running and will never be repeated. Thus, the lyrics of Durasi are not just a melancholic song, but also a symbol of universal life reflections that are relevant to many individuals.

This study aims to improve the singing skills of sixth grade students at State Elementary School 173632 through the national song "Indonesia Raya". application of vocal techniques. This study uses a quantitative descriptive approach with a classroom action research (CAR) method approach which is carried out in several cycles, including the stages of planning, implementation of actions, observation, and reflection. The results of the study indicate that the systematic application of vocal techniques can improve the quality of students' singing. Diaphragm breathing exercises help students control their voices more stably, articulation techniques make song lyrics clearer, intonation exercises improve pitch accuracy, and expression techniques help students convey emotions in songs better. Data analysis shows an increase in the average singing skills of students from the category of sufficient to good after being given action. In addition, the results of observations show that the majority of students feel more confident and enjoy learning to sing with a vocal technique approach. Thus, this study can help improve students' vocal skills as well as knowledge for students and teachers as well as for readers.

The song "Hujan" is one of the songs popularized by the band Utopia, a band from Indonesia. The band Utopia is known as a pop-rock music genre and Utopia was formed in the 2000s and the song "Hujan" is a song released in 2007 which has strong vocals and a melancholic melody that makes it one of the musical works that is interpreted as an expression of feelings of sadness and longing that are hard to forget. In addition to its touching melody, the strength of the lyrics of this song also lies in the use of language style and figures of speech that enrich the meaning and emotions that are intended to be conveyed. Then the rain of Utopia itself describes the mood and feelings buried in sadness and silence accompanied by the falling rain. Through the lyrics, the singer expresses deep feelings for someone who has left, while reminiscing about the beautiful memories that once existed and this song describes how rain becomes a friend of loneliness and sadness and becomes a reminder of the unforgettable past

This research aims to analyze the use of figurative language in song lyrics. The research method employed is qualitative with a descriptive approach. Data were collected through a literature review of relevant books and journal articles. Content analysis technique was used to identify, classify, and describe the use of figurative language such as metaphor, simile, personification, hyperbole, repetition, antithesis, rhetorical question, litotes, and sarcasm in song lyrics. The findings indicate that these figurative language devices are used to enrich the text with emotional and aesthetic nuances. Metaphors and similes provide vivid and detailed imagery, while personification animates non-human objects. Hyperbole and repetition create dramatic effects and emphasis, whereas antithesis highlights contrasts and conflicts within the song's theme. Rhetorical questions engage listeners in reflection, while litotes convey meaning subtly yet effectively. Sarcasm is employed for sharp criticism and satire expressing dissatisfaction or disagreement. In conclusion, figurative language is a crucial element in song lyrics that enhances not only the text but also the appeal, expression, and meaning in the experience of listening to songs.  

The quote "We Must Be Old" from Fourtwnty is not just a song, but a journey within oneself. Through rich and meaningful lyrics, we are invited to reflect on life and the process of growing old. Like poetry that is pleasant to listen to, but also makes us think deeply. His choice of words is topnotch. "White hair", "creased forehead", and "low energy" describe the aging process that we all experience. These straightforward and touching words make us look back, look at the journey of our lives, and think about how precious the passing of time is. Apart from word choice, these lyrics are also good at playing with language styles. There are similes like "steps that used to be nimble, now are limping" and personifications like "time keeps turning around." This style of language not only makes the lyrics cute, but also reminds us that aging is a natural thing and we must accept it gracefully. The lyrics are neatly arranged and the sentences vary in length. There are short sentences that are catchy, there are also long sentences that are full of meaning. This combination makes the song enjoyable to follow and the moral message is even more touching to the heart. "We Must Be Old" is more than just a song. This is Fourtwnty's invitation to make us reflect on the meaning of life, accept aging, and understand how precious time is. Every second is precious and will never come back again.

Translating literatures and scientific texts are two different translation processes of text and form. While translating a song, the translator should maintain the meaning, and produce translated lyric that can be sung with the same nuance and notation as the source language. In practice, the use of techniques and shifts is a common challenge found in translating song. This study aims to analyze translation techniques, shifts, and factors underlying shifts in form and meaning. This study is type of qualitative descriptive research. The data source used is translation of song titled Shout to the Lord. This study found that a song lyric can’t be translated literally, several datas were translated using more than one technique and shifts. The results of the analysis of translation techniques showed that 40% datas translated using transposition technique, 13.33% datas used reduction technique, 6.67% other datas used amplification technique, 40% datas used combination technique. Meanwhile, the results of the analysis of the types of shifts in 15 datas showed that 6.67 data experienced level shift, 6.67% datas experienced structural shifts, 26.66% datas experienced unit shifts, 13,33% datas experienced specific to generic meaning shifts and vice versa, 46,67% datas experienced more than 1 type of shift

This research discusses the comparison of expressions of love in Indonesian and Turkish in the song "Apalah Cinta" by Ayu Ting Ting, which is the result of a cross-cultural collaboration with the Turkish singer, Keremcem. This song is interesting to analyze because it reflects the cultural and linguistic differences between the two languages ​​in expressing love. This research uses a text analysis approach to examine song lyrics in both languages, and considers the cultural context that influences expressions of love. The research results show that Indonesian tends to convey love in a direct and simple way, while Turkish uses more poetic and metaphorical expressions. Even though there are differences in language structure and style of expression, they both have a similar message, namely about the beauty of love and universal feelings that transcend language and cultural boundaries. This research highlights how works of art such as songs can be an effective medium for bridging cultural differences, as well as enriching cross-cultural understanding.