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. Ecoprint is a type of stamping coloring technique that produces color characteristics in the form of motifs, ecoprint can be applied to fantasy party clothing. The application of ecoprint to fantasy party clothing produces works that are simple but seem luxurious. This fantasy party fashion is a realization of the author's imagination about party clothes that utilize ecoprint techniques. This fabric dyeing technique, has quite a strong appeal among its fans. Fantasy party clothing carries ecoprint techniques in the hope of creating fashion products that are certainly environmentally friendly and reflect the natural wealth of the Blora area, namely teak leaves. This study was designed with the aim of knowing the process of applying ecoprint to fantasy party clothing. The methods used are qualitative methods such as observation, literature, documentation and descriptive data analysis. The steps in the application of ecoprint in fantasy party fashion are making designs, analyzing designs, preparing tools and materials, sizes, archetypes, breaking patterns, cutting materials, merader, sewing, applying ecoprint and finished results. Fantasy party fashion making withecoprint uses bridal satin and organza fabrics. Ecoprint making uses a mordanting technique in which the fabric is steamed for 2 hours. In the process of making ecoprints, you should use shooting glue on the tips of the leaves. This is so that the appearance looks sturdy when used to make variations. Teak leaves used are also prioritized young, so that the color released is maximum and produces the perfect shape in making ecoprints.    

This research is entitled "Analysis of Character Education Values ​​in the Ratoeh Jaroe Dance in Extracurricular Learning at SMA Negeri 3 Banda Aceh". This research raises the issue of the value of character education in the Ratoeh Jaroe Dance in extracurricular activities. This research aims to analyze and describe the value of Ratoeh Jaroe Dance character education in extracurricular activities. The type of research used in this research is descriptive with a qualitative approach. The results of the research show that there is value in character education found in various movements, verse, floor patterns, fashion and make-up. The value of religious education is found in the various movements (saleum, aamiin and sep-sep), while in the verse namely (saleum, aamiin, lamburak, hasan summa husein, aroh pulo pineung and sep-sep), the dress code is in accordance with Islamic law. The educational value of nationalism is found in the various movements of the jakku timang, while in the verse namely the jak hai tajak and in traditional clothing. The value of independent education is only found in the verse of Hasan Summa Husein. The value of mutual cooperation education is found in the various movements (jak hai tajak, kasep kapot, uleue-uleue beu mate, lamburak, peulot manok, aroh pulo pineung, and uroe), and in the verse namely uleue-uleue beu mate and uroe. The value of integrity education is contained in the verse (jakku timang, kasep kapot, and peulot manok), and is found in a dancer namely Syeh. 

This research describes and examines the issues arising from the secondhand clothing bazaar (thrifting) in Surakarta. The prohibition of thrifting in Indonesia is stipulated in Law Number 7 of 2014 concerning Trade in Article 47 paragraph (1). Despite the existing prohibition, the fact remains that thrifting activities are still widespread in Indonesia, attracting the interest of event organizers to host large-scale thrifting-themed events, thus leading to an increase in both traders and event organizers involved in thrifting activities in Indonesia. This study is an empirical legal research of a descriptive nature. The types and sources of research data include primary and secondary data as well as primary, secondary, and tertiary legal materials. Data collection techniques employed include interviews, followed by qualitative data analysis methods. The research findings indicate several problems with the secondhand clothing bazaar in Surakarta, including the potential decline in public interest towards local products, with a shift towards purchasing secondhand clothing. Furthermore, secondhand clothing may potentially harbor diseases such as mold, as evidenced by tests conducted by the Ministry of Trade. The influx of imported secondhand clothing also generates textile waste, and the efforts by the Indonesian government to halt the secondhand clothing trade have not been fully effective.

Fantasy dress inspired by the shape of the dome of the Taj Mahal with the addition of Indian embroidered applications featuring typical Indian clothing. The problem raised in the making of this Final Project is how is the Process of Making Fantasy Clothing of Indian Embroidery Variation Using the Source of the Taj Mahal Building Idea? and how to apply variations of Indian embroidery on fantasy clothing?. The purpose of this study was to determine the process of making Indian embroidery variations of fantasy clothing with the taj mahal building as the source of the idea and to determine the application of Indian embroidery variations to fantasy clothing. The method used is observation method, documentation method, library method and data analysis.The process of making this fantasy dress goes through several stages, namely: determining the fashion design, preparing tools and materials, taking measurements, making patterns, cutting the material on the main material, pressing the coating material on the main material, merging, sewing, finishing. While the embroidery on this fantasy dress uses the Zari motif which is a symbol of luxury and elegance. The process of applying embroidery goes through several stages, namely: determining the design, preparing tools and materials, quoting the design, making embroidery on other materials, the process of applying embroidery to clothing, finishing.To produce neat crop top tile wrinkles, it is finished using a small som. The process of installing a skirt or peplum waistband is done by pulling the lower part to adjust the upper part so that it fits the expected design.

Prickly heat is also known as heat rash or miliaria which is a skin problem caused by blockage of the sweat glands. Usually they look like small pink bumps, feel itchy or feel prickly. Prickly heat occurs due to blockage of the sweat glands caused by Staphylococcus epidermidis bacteria, this bacteria produces extracellular polysaccharide substance (EPS). Prickly heat does not only occur in babies and children, but can also occur in adults. In adults, prickly heat usually occurs in the folds of the skin or parts of the skin that often rub against clothing. Meanwhile, prickly heat in babies often occurs on the neck, shoulders, chest, armpits, elbow creases and thighs. The diagnosis of miliaria is made based on sufficient clinical manifestations or images. The goal of treatment for miliaria is to eliminate symptoms and prevent hyperpyrexia and heat exhaustion symptoms. Thus, you must avoid things that cause blockage of the openings of the eccrine sweat glands.

This research aims to reveal, describe and analyze about the Development of Lamang Dance at the Bidodari Kanagarian Studio Koto Gadang guguak Solok Regency. This type of research is descriptive analysis method research. Object of research This is the Lamang dance at the Bidodari Kanagarian Studio Koto Gadang Guguak Regency Solo. The types of data in this research are primary and secondary data. Research instrument this is the researcher himself. Data collection techniques are carried out by means of literature, observation, interviews and documentation. The data collected was analyzed using techniques interpretation so that the truth can be obtained. The results of the research show that the Lamang Dance in Nagari Koto Gadang Guguak has experienced development that can be seen in terms of quality and quantity. On in terms of quality, namely from the aspects of movement, floor patterns and costumes. In terms of quantity, namely from the aspect of increasing the number of actors from 2 female dancers to 8 dancers Woman. Costumes developed in terms of colors, headdresses and clothing. So the process of developing the Lamang dance in Nagari Koto Gadang Guguak was because there was a desire Meri Suryati is the younger sister of the founder and permanent supervisor of Sanggar Bidodari maintain the Lamang dance by changing it to an attractive Lamang dance used by the people of Nagari Koto Gadang Guguak.

Minangkabau has a variety of cultures, starting from clothing, architecture, motifs, beliefs, songs, and visual characters. One of the uniqueness of Minangkabau is that it has traditional clothing that is its own characteristic. One of the famous traditional clothes in Minangkabau is Bundo Kanduang clothing. Skins have various types, one of which is Skin outfit which is a skin for characters in the game.  This Minangkabau skin outfit is designed for the PUBG mobile game or known as Player Uknown's Battleground mobile. The delivery in designing this skin outfit uses the main media Manual Book. Manual book that contains history, making skin outfits, skin items and supporting media, namely T-shirts, posters, stickers, x banners, totebags, hangers / merchandise and Instagram social media to promote. The compounding method used is Glassbox with a 5w + 1h data analysis method, namely what, who, when, where, why, and how. With the completion of this Manual Book, it is hoped that it can become a media that has effective and communicative information for the target audience.

Ready to wear is ready-to-wear clothing for various occasions with the addition of various interesting variations. One of them is a variation of macrame. Macrame began to be applied to clothing. The problems studied was how the process of making ready-to-wear looks for fantasy and dramatic exotic styles and the application of macrame decorations on clothing. The aim of this report was to know the process of making ready to wear fantasy looks and dramatic exotic styles and the application of macrame decorations to clothing. The method used was R & D. The process of making Ready To Wear includes determining the fashion design, preparing tools and materials, applying measurements, making patterns, cutting materials, marking the stitches on the fabric, ironing upholstery, and sewing clothes. The main materials of this clothes were drill cloth in red, black, white, toyobo fabric in red, black, brown, yellow, and sekar Jagat batik fabric. It used a Japanese anime cartoon fantasy look, Tsundere characters. The style used was Exotic Dramatic Style. The decoration used was macrame. Making macrame was done by hanging it so it did not move. The macrame was made consistently so it did not hang and stretch for too long. The application of macrame to clothing was spread to avoid the spread of macrame. The size of the furing cloth used must be shorter than the main material so that the result was neater.

Streetwear is street clothing that is used every day and can be combined with various clothes that create a relaxed yet attractive effect. Batik, the fabric that is characteristic of Indonesia, is also widely combined with various models of clothing. Origami combination that would be applied to the fabric aimed to create decorative techniques so that the clothes are unique and interesting. The aim of this study was to determine how is the process of making batik streetwear with origami decorative techniques. The research method used was qualitative. The data collection methods used was literature, observation and documentation. The combination of origami placed on the shirt and outer sleeves produced a different artistic value, with the composition that has been considered so that they will look harmonious when wearing origami and batik. The production of this dress used the basic pattern of the Soen system so as to obtain pieces of clothing, darts, sleeves and sizes that are comfortable when worn. The conclusion of making streetwear that has been done was the cutting process of batik and materials must be done correctly. Then, pressing was also important to obtain good origami results.The suggestions for the next opportunity in making origami was on the arms should use layers to obtain arms that have firmness. The manufacture of streetwear clothing with a combination of origami should pay more attention to the materials used and the pressing process.

Ribbon embroidery is an embroidery art that uses ribbons as the embroidery material, the development of ribbon embroidery to be applied to the clohting is still something that is rare because usually ribbon embroidery is only used in the manufacture of household linen or just as decoration. Likewise with webbing which is usually found on objects made of bamboo, because woven is rarely used in decoration on clothing. Destination making this report to find out the process of making decorated clothes using ribbon and woven embroidery. The methodology. The methodology used is Research and Development (R&D) method, data analysis using Analysis Descriptive. Making ribbon and woven embroidery that is applied to clothing through several stages, namely: 1) determining the fashion design, 2) the process of embroidering robbon, 3) weaving process, 4) validation, 5) sizing on the model, 6) pattern making, 7) cutting material, 8) making seams, 9) pressing, 10) sewing process, 11) finishing. The process of making clothing needs to be done carefully, to produce appropriate clothing. On sewing the skirt with refence to the pattern Singo Sato should be done carefully when sewing curved, because it can make the fabric stretchy if it’s too tight holding it in the sewing process. And it will make the stitching result not according to size.

Violence or sexual harassment is a problem that is quite serious and often occurs socially. In this case, it usually occurs in a problem that is complex. The rise of news on social media related to sexual violence experienced by some people is enough to shock the public. Most cases of sexual violence are experienced by a woman who is the victim. Cases of violence or sexual harassment against women are still an iceberg phenomenon. This is because many women who are victims of sexual harassment are reluctant to report what they have experienced. Violence or sexual harassment that occurs to women is often blamed on the way they dress. In fact, if you look at clothes, it is not one of the main causes of women becoming victims of sexual harassment. Violence or sexual harassment that occurs never looks at any clothes, in fact often the victim of sexual harassment is a woman who wears closed clothes. In addition, violence or sexual harassment can also be caused by a patriarchal culture that dominates and seems to justify the action. Where in patriarchal culture itself men are often considered more dominant and have a higher position than women. Therefore, men feel they have more power over women and can act as they please. Until now, patriarchal culture is still developing in society. Even though this shouldn't have been done. Therefore, there is a need for radical feminism with the aim of making changes in society and obtaining equality between men and women, especially in obtaining equal rights in society from a social and economic point of view.

Streetwear is a typical street fashion clothing. The cross-stitch tucks technique is a fabric manipulation technique that has a 3-dimensional wavy texture. The use of fabric manipulation techniques in today's clothing is rarely used, thus giving rise to the idea of making a cloth with a combination of fabric manipulation, a type of cross-stitch tucks that has its own uniqueness. The combination of the cross-stitch tucks technique as a combination on streetwear will add to the impression of flexibility because this technique has a 3-dimensional wave effect on the surface. The aim of this report was to find out how to use the cross-stitched tucks technique as a combination of streetwear. The method used was a qualitative method. The results obtained from the use of the cross-stitched tucks technique as a combination of streetwear are as follows, making designs, preparing tools and materials, sizes, basic patterns, breaking patterns, cutting materials, merging, sewing and the finished product. The manufacture of streetwear used fabric, namely cotton fabric, drill fabric and jeans as well as batik fabric. Suggestions in this study were: the success of the cross-stitch tucks technique lies in the pressing and suppression process because it has a very small size. The use of tools in the manufacture of cross-stitch tucks is needed so that the results are appropriate.

The sewing techniques in clothings can be added as a  value for the beauty of clothing. This research uses fabric manipulation techniques. Fabric manipulation is a technique of manipulating textile materials by using the technique of decorating fabrics to form new textiles. This writing aims to knowing the process of making tucking techniques using denim fabric on a croptop. Tucking technique is a fold that reduces the size of the fabric, it is usually folded in one direction or another. Method used in this paper is a qualitative method. The process of fabric manipulation with tucking technique using the denim fabric begins by determining the tucking technique that will be used. The tucking techniques used are pin tucks, bow-tied tucks and undulating tucks. After determining the technique that will be used, then prepare the tools and materials. The conclusion of the process of  making fabric manipulation with the tucking technique using denim fabric on the croptop is that tucking is made with great care in the measurement of each fold so that the results are accurate. The use of denim fabric with tucking technique can form the appropriate wave, the great is caused to make it look neater and less wrinkled. In the tucking process, you must pay attention to the fabric needs, so that when folded it is according to the pattern and it should be marked  so that it does not slide the folds. The choice of material should be considered well in the making of tucking, because the thickness of the material and the the composition of the material greatly affects the result of the tucking wave.

Weaving is a unique variation whose manufacturing method is quite complicated and requires precision and patience. The process of making woven fabric which is quite complicated with unique results makes the writer interested in choosing woven as a variation of dramatic exotic clothing in the clothing. The problem discussed is how to apply variations of woven techniques to dramatic exotic clothing. The aim is to find out how to apply variations of woven techniques to dramatic exotic clothing. The benefit is to know about how to apply variations of woven techniques to dramatic exotic clothing. The method used is the method of research and development (research and development). The process of applying variations of weaving techniques in dramatic exotic clothing is as follows: making designs, determining the materials and weaving techniques to be used, preparing the tools and materials, taking measurements, making patterns, cutting fabrics, merging, pressing, weaving, making trials, sewing the clothing, applying weaving to clothing. The completion process is soom stitching and attaching the buttons. In the process of weaving, it is better to use a used cardboard base or Styrofoam, then both ends of the material are pinned using a pin to ease the weaving process. For woven braids, it should be decorated with stitches to beautify the appearance and maintain the shape of the weaving. The four-axis weaving should be pinned by hand sewing using a hand sewing needle and the thread to maintain the shape of the weaving. 

The fabric slashing technique is the appearance of a clothing that requires modifications to beautify the clothing. The way to beautify a garment is to be creative by using the fabric slashing technique which can make the garment more attractive. The purpose of this technique is to explain about the fabric slashing technique process along with making clothes that will be applied to ready to wear. Descriptive method is done by looking for information related to the technique. The fabric slashing technique uses a piece of cloth that is cut according to a pattern. This technique will be a research on how to do slashing techniques on ready to wear which will produce new motifs and textures on the surface of the fabric. This research produces new motifs and textures on the surface of the fabric that will look oozing at the edges. This research uses vertical and horizontal line motifs on the fabric surface. The slashing technique can be further expanded on the design with various variations such as changing the shape, size and color. The types of materials used can vary to see the results of the materials obtained are right or not.

The bridal clothing modification kebaya and lehenga is expected to be an innovation in fashion products and can increase the variety of bridal clothing. The objectives of this study is to knowing the process of making modified bridal dress Kebaya from Indonesia and Lehenga from India. The method used in this research is the R&D method (Research and Development), literature, questionnaires, and documentation.  The making of Modified Bridal Dress Kabaya and Lehenga was carried out at the Fashion Laboratory of the Fashion Design Study Program of the Kartini Academy of Social Welfare, st. Sultan Agung, No. 77 Gajah Mungkur Village, Gajah Mungkur District, Semarang City.  Data analysis in this research was carried out using descriptive analysis.  The result of this research is the kebaya as the superior of the lehenga which is equipped with chunri (shawl).  The process of making this modified bridal dress Kabaya and Lehenga includes designing, measuring, making patterns, cutting materials, sewing material that has been patterned or cut, set the application, and finishing by sequencing the Lehenga and kebaya.

One type of clothing is ready to wear, in the form of ready-to-wear clothing. Currently this clothing is a trend, with monochrome colors and geometric motifs. The goal to be achieved is to make Monochromatic Tri-Angle ready-to-wear clothes. The data collection methodology used was in the form of observation, documentation, and literature. The fabric motif in the form of geometric shapes can be found on the Jepara Troso woven fabric. This outfit is based on a monochrome source of ideas, a triangle shape, and a Bird of Paradise. This dress is a party dress for non-formal parties. Consists of three parts, namely a long sleeved blouse with a balloon style with hidden buttons and no collar, a sleeveless outer length, then a custom skirt with a slit and a span skirt inside. Making ready to wear Monochromatic Tri-Angle party dresses includes several processes. The first is to make a design, then from the design it is developed into a pattern with a predetermined formula and size. After that cutting the material, laying the pattern on the fabric should be as much as possible so as not to waste a lot of material. Then the sewing process, which is combining the pieces of material. The last one is the solution, which includes attaching the rubbing stone application using a special tool, cleaning clothes from threads and ironing clothes to make them tidier.