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This study is based on the urgency of understanding assertive speech acts as part of pragmatic studies in speech acts in the movie Sweet 20 by Ody C. Harap. Sweet 20 was chosen because of its richness in dialogue and cross-generational representation, thus allowing in-depth analysis of speech acts. This research aims to identify, classify, and analyze the form and function of assertive speech acts used by the characters in the film. The method used in this research is descriptive qualitative with a pragmatic approach. The data were obtained through listening and note-taking techniques on the characters' speech in the movie. Data analysis refers to Searle and Galassi's speech act theory, which emphasizes assertive speech acts. The results show various forms of assertive speech acts, such as stating, telling, suggesting, boasting, complaining, reporting, expressing positive emotions, self-affirmation, and expressing negative emotions, which are influenced by the social and cultural context in the movie. This research contributes to the development of pragmatics studies in linguistics, can be used as a reference in learning Indonesian, especially speaking skills, and provides further insight into the use of speech acts in audio-visual media.

This study is driven by the researcher’s interest in exploring the various forms of expressive speech acts that appear in the movie “Budi Pekerti.” The primary objective of this research is to identify the types of expressive speech acts performed by the characters in the film. Data were collected using observation and note-taking methods, specifically the free listening approach (simak bebas libat cakap, SBLC) and recording techniques. The analysis was conducted using a pragmatic framework, focusing on dialogue excerpts from the film’s characters. The findings reveal that the characters utilize seven types of expressive speech acts: expressing gratitude, giving praise, apologizing, criticizing, complaining, insinuating, and blaming. This study demonstrates that the expressive speech acts in “Budi Pekerti” are closely tied to the social and cultural context of the story. Each type of expressive speech act conveys functions and meanings that reflect the characters’ emotions and attitudes in specific situations. Overall, this research contributes to a better understanding of how expressive speech acts are used in film media and serves as a reference for future studies related to language use in diverse social and cultural contexts.

A speech act is a medium to express an idea and emotion of a person. Speech acts have several types, one of which is illocutionary speech acts. One form of illocutionary speech acts is assertive speech acts. This assertive illocutionary speech act is found in everyday life, one of which is through movie media. The purpose of this research is to identify and describe the form of assertive illocutionary speech acts contained in the movie "Rumah Dinas Bapak" and to describe the purpose and meaning contained in the movie. The method used in this research is a descriptive qualitative and theoretical approach in the form of written or spoken words from individuals and observable behavior. The result of the research that has been done is that there are nine assertive illocutionary speech acts in the movie studied. "Apa jangan-jangan maling mas?" is one of the assertive illocutionary speech acts of speculating. The benefit of this research is that it helps readers improve their understanding of the intent and meaning contained in an utterance and apply them correctly in daily life.

Language functions as a means of communication used by humans to convey goals, ideas, ideas, emotions, and feelings to others. This research aims to identify and describe the types of illocutionary speech acts contained in the short film “Lemantun”. This research is categorized as descriptive qualitative research. The data source for this research comes from all the speech acts contained in the short film “Lemantun”. The data analyzed includes pieces of speech allegedly containing illocutionary speech acts from the short film “Lemantun”. The data collection method used in this research is the technique of free listening and note taking. The data source utilized is the short film “Lemantun” by utilizing the analysis of speech act types according to Searle, which includes representative, directive, expressive, commissive, and declarative. This article can be useful for students because it provides knowledge about the types of illocutionary speech acts, so it is hoped that students can identify various types of illocutionary speech acts in daily activities.

Speech acts play an important role in conveying meaning through utterances. In these utterances, sometimes there are utterances that can cause effects called perlocutionary speech acts. Speech acts can occur in the world of cinema, especially in dialog between characters. As in the movie Kembang Api by Herwin Novianto, which tells about a series of life problems and suicide attempts packaged with the concept of timeloop. The interesting thing to study from the selection of this film is that the conditions experienced by the characters in the film are considered relevant to the current situation. This research aims to gain a deeper understanding of the use of perlocutionary speech acts in movies. Through this research, we can understand how perlocutionary speech acts are represented in the movie Kembang Api. This research uses descriptive qualitative method with pragmatics study. This research utilizes data in the form of perlocutionary speech acts, such as verbal, nonverbal, and verbal nonverbal. Data collection is done using listening and note-taking techniques. The data analysis technique in this research uses the flow model analysis technique. Based on the data and analysis, 75 perlocution data were found which were classified into verbal, nonverbal, and verbal nonverbal which were adjusted to the type. This research has implications in adding to the reader's repertoire of knowledge related to references to the delivery of polite criticism. The movie has potential in fields of science other than pragmatics such as psycholinguistics.

Deixis is a pragmatic study that examines the relationship between the structure of language and the environment in which the language is used. The phenomenon of deixis or use is most often seen in everyday conversation in the form of verbal language. Deixis is also found in the conversation of characters or figures in literary works such as films. The study entitled "Deixis in the Film Bumi dan Manusia by Hanung Bramantyo" examines the use of deixis in the film directed by Hanung Bramantyo with the title "Earth and Man". Persona, time, place, social, and discourse deixis are the five categories of deixis studied in this study. Researchers used analytical methods in the form of pragmatics with qualitative techniques to analyze the data that had been collected. The data used in this study include fragments of speech from film conversations, both words and phrases containing deixis, including personal deixis, time deixis, location deixis, social deixis, and discourse deixis. Watching movies, capturing data, recognizing, categorizing, analyzing, formulating, and presenting data are the stages of analyzing in this research. Data analysis illustrates that the film directed by Hanung Bramantyo with the title "Bumi dan Manusia" has a deixis in the form of person, time, place, social, and discourse.